Real World

Faithless: Difference between revisions

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* In [[Key|Episode 9]] of ''Spartan Ops'', ''Key'', during the ''Halo: Infinity'' cinematic, when [[Captain (Navy)|Captain]] [[Thomas Lasky]] contacts [[Fireteam Majestic]].
* In [[Key|Episode 9]] of ''Spartan Ops'', ''Key'', during the ''Halo: Infinity'' cinematic, when [[Captain (Navy)|Captain]] [[Thomas Lasky]] contacts [[Fireteam Majestic]].
* In [[Key/Revenge|Episode 9, Chapter 4]] of ''Spartan Ops'', after Fireteam Crimson are ambushed at "[[Lockup]]", and they are attacked by [[Mgalekgolo]].
* In [[Key/Revenge|Episode 9, Chapter 4]] of ''Spartan Ops'', after Fireteam Crimson are ambushed at "[[Lockup]]", and they are attacked by [[Mgalekgolo]].
* In [[Exodus (Spartan Ops)/Artifact|Episode 10, Chapter 1]] of ''Spartan Ops'', after Fireteam Crimson has destroyed the entrance to the [[Type-58 Harvester]].
* In [[Exodus (Spartan Ops)/Artifact|Episode 10, Chapter 1]] of ''Spartan Ops'', after Fireteam Crimson has destroyed the entrance to the {{Pattern|Za'zayara|Harvester}}.
* In [[Exodus (Spartan Ops)/One Last Time|Episode 10, Chapter 5]] of ''Spartan Ops'', briefly during the opening cinematic, when the Covenant are seen guarding the [[Harvester (location)|Harvest dig site]].
* In [[Exodus (Spartan Ops)/One Last Time|Episode 10, Chapter 5]] of ''Spartan Ops'', briefly during the opening cinematic, when the Covenant are seen guarding the [[Harvester (location)|Harvest dig site]].



Revision as of 18:11, April 13, 2022

Faithless

Album:

Halo 4: Original Soundtrack

Composer(s):

Neil Davidge, Andrew Morgan, and Jeremy Wheatley[1]

Length:

5:02

Previous:

Legacy

Next:

Haven

 

Faithless is the fifth track in Halo 4: Original Soundtrack.

Overview

The track opens with distorted orchestral strings and percussion building up a melody, joined by guitar and horns as the melody. Strings takes over with a tense melody, then gradually simmer down. They build up with a suspenseful melody, later joined by percussion, and gradually fading to an end.

Appearances

The track can be heard:

Production notes

The track was initially composed by Neil Davidge, with additions from Andrew Morgan, who added counter parts to Davidge's original orchestration. Jeremy Wheatley performed audio mixing to the track, and, according to Davidge, it only took one attempt to finalize it.[1]

Sources