Real World

On a Pale Horse: Difference between revisions

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{{Era|RW}}
{{Status|RealWorld}}
{{Center|Not to be confused with [[Behold a Pale Horse]].}}
{{Music infobox
{{Music infobox
  | name      = On a Pale Horse
  | name      = On a Pale Horse
  | yt      = g1fPUejOTB8
  | yt      = pXOrmlzccXk
  | album      = [[Halo: Original Soundtrack]]
  | album      = ''[[Halo: Original Soundtrack]]''
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | length    = 01:34
  | length    = 1:35
  | producer  =
  | producer  =
  | last      = [[Drumrun]]
  | last      = [[Drumrun]]
Line 11: Line 12:
}}
}}


'''On a Pale Horse''' is the nineteenth soundtrack included in the ''[[Halo: Original Soundtrack]]''.
'''On a Pale Horse''' is the nineteenth track in ''[[Halo: Original Soundtrack]]''.


==Overview==
==Overview==
The soundtrack begins with driving staccato notes from the high strings joined by pizzicato from the low strings in what can be guessed is an alternating time signature between 6/4 and 4/4 time. At various times, sections of the high strings voice themes and variations on the "monk chant", eventually developing a unique melody. At about a minute into the soundtrack, the strings start a sort of "call - answer" theme again divided by low and high strings, then reverts to the staccato theme this time voiced in the lower register while the higher register plays slow chords while they crescendo to the end of the soundtrack.  
The soundtrack begins with driving staccato notes from the high strings joined by pizzicato from the low strings in what can be guessed is an alternating time signature between 6/4 and 4/4 time. At various times, sections of the high strings voice themes and variations on the ''[[Halo Theme]]'' Gregorian chant, eventually developing a unique melody. At about a minute into the soundtrack, the strings start a sort of "call - answer" theme again divided by low and high strings, then reverts to the staccato theme this time voiced in the lower register while the higher register plays slow chords while they crescendo to the end of the soundtrack.  


==Appearances==
==Appearances==
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*In the level ''[[Two Betrayals]]'', when [[John-117]] returns to the twin bridges in Canyon B to find [[Type-26 Banshee]]s combating the [[Flood]].
*In the level ''[[Two Betrayals]]'', when [[John-117]] returns to the twin bridges in Canyon B to find [[Type-26 Banshee]]s combating the [[Flood]].


==Remastered versions==
==Arrangements==
It is remastered into the following:
The track was arranged into the following:
*''[[Behold a Pale Horse]]'' in the ''[[Halo 3: Original Soundtrack]]''.
*''[[Behold a Pale Horse]]'' in the ''[[Halo 3: Original Soundtrack]]''.
*''[[Pale Rider]]'' in the ''[[Halo: Combat Evolved Anniversary: Original Soundtrack]]''.
*''[[Pale Rider]]'' in the ''[[Halo: Combat Evolved Anniversary: Original Soundtrack]]''.


==Production notes==
==Production notes==
*The name "On a Pale Horse" seems to be a [[List of references to the Bible in Halo|reference]] to the [[wikipedia:Four Horsemen of the Apocalypse|Four Horsemen of the Apocalypse]] in the book of [[wikipedia:Book of Revelation|Revelation]]; specifically, it refers to the fourth horseman, who'll ride in ''on a pale horse'', and represents death. It is probable that this fourth horseman is meant to be John-117, who will slay the [[Covenant]]. Incidentally, the first chapter of the level ''[[The Maw]]'' is titled "And the Horse You Rode In On", though it is most likely a reference to {{UNSCShip|Pillar of Autumn}}.
*The name "On a Pale Horse" is likely a [[List of references to the Bible in Halo|reference]] to [[wikipedia:Four Horsemen of the Apocalypse#Pale_Horse|one of the Four Horsemen of the Apocalypse]] in the [[wikipedia:Book of Revelation|Book of Revelation]]; specifically, it refers to the fourth horseman, who'll ride in ''on a pale horse'', and represents death.
*The violins bear a reminiscence to [https://youtu.be/1RXC2zc1ZdE Hurry] from an earlier Bungie game which Martin O'Donnell also worked on, [https://en.wikipedia.org/wiki/Oni_(game) Oni].
*The violins bear a reminiscence to ''[https://youtu.be/1RXC2zc1ZdE Hurry]'' from ''[[Wikipedia:Oni (video game)|Oni]]'', an earlier [[Bungie]] game which Martin O'Donnell also worked on.


{{Soundtrack|H1}}
{{Soundtrack|H1}}

Latest revision as of 10:24, March 19, 2022

Not to be confused with Behold a Pale Horse.
On a Pale Horse

Album:

Halo: Original Soundtrack

Composer(s):

Martin O'Donnell and Michael Salvatori

Length:

1:35

Previous:

Drumrun

Next:

Perchance to Dream

 

On a Pale Horse is the nineteenth track in Halo: Original Soundtrack.

Overview[edit]

The soundtrack begins with driving staccato notes from the high strings joined by pizzicato from the low strings in what can be guessed is an alternating time signature between 6/4 and 4/4 time. At various times, sections of the high strings voice themes and variations on the Halo Theme Gregorian chant, eventually developing a unique melody. At about a minute into the soundtrack, the strings start a sort of "call - answer" theme again divided by low and high strings, then reverts to the staccato theme this time voiced in the lower register while the higher register plays slow chords while they crescendo to the end of the soundtrack.

Appearances[edit]

It can be heard:

Arrangements[edit]

The track was arranged into the following:

Production notes[edit]