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On a Pale Horse: Difference between revisions

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  | name      = On a Pale Horse
  | name      = On a Pale Horse
  | yt      = pXOrmlzccXk
  | yt      = pXOrmlzccXk
  | album      = [[Halo: Original Soundtrack]]
  | album      = ''[[Halo: Original Soundtrack]]''
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | length    = 1:35
  | length    = 1:35
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'''On a Pale Horse''' is the nineteenth soundtrack included in the ''[[Halo: Original Soundtrack]]''.
'''On a Pale Horse''' is the nineteenth track in ''[[Halo: Original Soundtrack]]''.


==Overview==
==Overview==
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==Arrangements==
==Arrangements==
The track has been arranged into the following:
The track was arranged into the following:
*''[[Behold a Pale Horse]]'' in the ''[[Halo 3: Original Soundtrack]]''.
*''[[Behold a Pale Horse]]'' in the ''[[Halo 3: Original Soundtrack]]''.
*''[[Pale Rider]]'' in the ''[[Halo: Combat Evolved Anniversary: Original Soundtrack]]''.
*''[[Pale Rider]]'' in the ''[[Halo: Combat Evolved Anniversary: Original Soundtrack]]''.

Revision as of 07:02, September 3, 2021

Not to be confused with Behold a Pale Horse.
On a Pale Horse

Album:

Halo: Original Soundtrack

Composer(s):

Martin O'Donnell and Michael Salvatori

Length:

1:35

Previous:

Drumrun

Next:

Perchance to Dream

 

On a Pale Horse is the nineteenth track in Halo: Original Soundtrack.

Overview

The soundtrack begins with driving staccato notes from the high strings joined by pizzicato from the low strings in what can be guessed is an alternating time signature between 6/4 and 4/4 time. At various times, sections of the high strings voice themes and variations on the Halo Theme Gregorian chant, eventually developing a unique melody. At about a minute into the soundtrack, the strings start a sort of "call - answer" theme again divided by low and high strings, then reverts to the staccato theme this time voiced in the lower register while the higher register plays slow chords while they crescendo to the end of the soundtrack.

Appearances

It can be heard:

Arrangements

The track was arranged into the following:

Production notes