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Second Sunrise Over New Mombasa: Difference between revisions

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'''Second Sunrise Over New Mombasa''' is the fourth and last story in the ''[[Halo Graphic Novel]]''.
'''Second Sunrise Over New Mombasa''' is the fourth and last story in the ''[[Halo Graphic Novel]]''.
[[File:Mombasa skyline.jpg|thumb|right|200px|New Mombasa as depicted in the story.]]
[[File:Mombasa skyline.jpg|thumb|right|200px|New Mombasa as depicted in the story.]]


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The whole story is a flashback told after the initial [[Covenant Empire|Covenant]] [[Battle of Mombasa|invasion]] on the city of [[New Mombasa]] during the [[Battle of Earth]], before the arrival of UNSC reinforcements later in the day.  
The whole story is a flashback told after the initial [[Covenant Empire|Covenant]] [[Battle of Mombasa|invasion]] on the city of [[New Mombasa]] during the [[Battle of Earth]], before the arrival of UNSC reinforcements later in the day.  


The [[Photographer (character)|protagonist]] travels on a [[MagLev Train|monorail train]] arriving at [[New Mombasa]]. He explains that his job, is to edit and manipulate images coming from all over the [[UNSC]] space and make them more "digestible" for the public to watch. He tells [[ONI|his employers]] are making him rich, though he doesn't even know who is working for. He feels both proud and guilty, because he helps hiding the truth about how mankind is losing [[Human-Covenant War|the war]] against the [[Covenant Empire|Covenant]]. He describes Mombasa as a cosmopolitan city before the Covenant [[Battle of Mombasa|attack]]. He remembers when his friends and familials thought he was working on a new campaign for the [[Civilian Warthog]], but in reality was being put under pressure by his employers and his job was getting harder and harder, due to the continuous UNSC defeats. Then, he tells of when the Covenant [[Battle of Earth|found Earth]]: the war always seemed a distant problem to the planet's inhabitants, but soon after it wasn't any more. The train on which he's travelling homebound gets hit by space-falling debris.  
The [[Photographer (character)|protagonist]] travels on a [[MagLev Train|monorail train]] arriving at [[New Mombasa]]. He explains that his job, is to edit and manipulate images coming from all over the [[UNSC]] space and make them more "digestible" for the public to watch. He tells [[ONI|his employers]] are making him rich, though he doesn't even know who he is working for. He feels both proud and guilty, because he helps hiding the truth about how mankind is losing [[Human-Covenant War|the war]] against the [[Covenant Empire|Covenant]]. He describes Mombasa as a cosmopolitan city before the Covenant [[Battle of Mombasa|attack]]. He remembers when his friends and familials thought he was working on a new campaign for the [[Civilian Warthog]], but in reality was being put under pressure by his employers and his job was getting harder and harder, due to the continuous UNSC defeats. Then, he tells of when the Covenant [[Battle of Earth|found Earth]]: the war always seemed a distant problem to the planet's inhabitants, but soon after it wasn't any more. The train on which he's travelling homebound gets hit by space-falling debris.  


He then awakes in a hospital when the enemy's ground assault has already begun. During the fight, he manages to translate a [[Sangheili]]'s message saying "''We need to clear this area before we can secure access to the [[Installation 00|Ark]]''"<ref>''[[Halo Graphic Novel]] page 95''</ref>. He is then told to get the recording out of the city to the [[UNSC High Command]]. Arriving at the waterfront he finds the whole city's population trying to leave aboard "anything that floats": he realizes that the recording is too important and that he has to get on one of the remaining boats. In the end he gives the recording to a child who otherwise would've remained on the shore lonely, and hopes she will make it.  
He then awakes in a hospital when the enemy's ground assault has already begun. During the fight, he manages to translate a [[Sangheili]]'s message saying "''We need to clear this area before we can secure access to the [[Installation 00|Ark]]''"<ref>''[[Halo Graphic Novel]] page 95''</ref>. He is then told to get the recording out of the city to the [[UNSC High Command]]. Arriving at the waterfront he finds the whole city's population trying to leave aboard "anything that floats": he realizes that the recording is too important and that he has to get on one of the remaining boats. In the end he gives the recording to a child who otherwise would've remained on the shore lonely, and hopes she will make it.  

Revision as of 08:10, December 13, 2009

Template:Ratings Second Sunrise Over New Mombasa is the fourth and last story in the Halo Graphic Novel.


A Maglev train and the skyline of Mombasa shortly before the Battle of Mombasa, as depicted in Second Sunrise Over New Mombasa.
New Mombasa as depicted in the story.

Summary

The whole story is a flashback told after the initial Covenant invasion on the city of New Mombasa during the Battle of Earth, before the arrival of UNSC reinforcements later in the day.

The protagonist travels on a monorail train arriving at New Mombasa. He explains that his job, is to edit and manipulate images coming from all over the UNSC space and make them more "digestible" for the public to watch. He tells his employers are making him rich, though he doesn't even know who he is working for. He feels both proud and guilty, because he helps hiding the truth about how mankind is losing the war against the Covenant. He describes Mombasa as a cosmopolitan city before the Covenant attack. He remembers when his friends and familials thought he was working on a new campaign for the Civilian Warthog, but in reality was being put under pressure by his employers and his job was getting harder and harder, due to the continuous UNSC defeats. Then, he tells of when the Covenant found Earth: the war always seemed a distant problem to the planet's inhabitants, but soon after it wasn't any more. The train on which he's travelling homebound gets hit by space-falling debris.

He then awakes in a hospital when the enemy's ground assault has already begun. During the fight, he manages to translate a Sangheili's message saying "We need to clear this area before we can secure access to the Ark"[1]. He is then told to get the recording out of the city to the UNSC High Command. Arriving at the waterfront he finds the whole city's population trying to leave aboard "anything that floats": he realizes that the recording is too important and that he has to get on one of the remaining boats. In the end he gives the recording to a child who otherwise would've remained on the shore lonely, and hopes she will make it.

The protagonist's fate is left ambiguous, as in the end he is seen in a monitoring room, with numerous screens surrounding him, while the Covenant overrun the city. The last words he says are: "What will it matter? This is the first day of the end of the world".

Appearances

Characters

Locations

Organizations

Species

Vehicles

United Nations Space Command

Covenant

Technology

Trivia

  • The visual style of the comic is heavily stylized, deviating excessively from the common aesthetics of the Halo games.
  • On page 93, a human soldier shot by an Elite can be seen wearing an armor suit strikingly similar to an early design for the MJOLNIR Armor by Shi Kai Wang.

Sources

  1. ^ Halo Graphic Novel page 95
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