Earth City: Difference between revisions
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{{disambig header|the Halo 2 soundtrack|the Halo: Legends soundtrack|Earth City (Halo Legends)}} | |||
{{Music infobox | |||
| name =Earth City | | name =Earth City | ||
| video ={{#widget:YouTube|id=Ehd-cihwTKs|width=200|height=25}} | | video ={{#widget:YouTube|id=Ehd-cihwTKs|width=200|height=25}} | ||
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'''Earth City''' is the seventeenth track | '''Earth City''' is the seventeenth track in ''[[Halo 2: Original Soundtrack|Halo 2: Original Soundtrack, Volume 1]]''. | ||
The piece combines deep strings with a piano rhythm to create an imposing, suspense-filled piece. Towards the end, a higher string set creates a building crescendo, accompanied by a vocal set reminiscent of the one at the end of ''[[The Last Spartan]]''. | The piece combines deep strings with a piano rhythm to create an imposing, suspense-filled piece. Towards the end, a higher string set creates a building crescendo, accompanied by a vocal set reminiscent of the one at the end of ''[[The Last Spartan]]''. | ||
The piece was reorchestrated into ''[[Kilindini Harbour]]'' in ''[[Halo 2: Anniversary Original Soundtrack]]''. | The piece was reorchestrated into ''[[Earth City (Halo Legends)|Earth City]]'' in ''[[Halo Legends: Original Soundtrack]]'' as well as ''[[Kilindini Harbour]]'' in ''[[Halo 2: Anniversary Original Soundtrack]]''. | ||
==Appearances== | ==Appearances== | ||
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The soundtrack can be heard: | The soundtrack can be heard: | ||
*In the opening cutscene of ''[[Outskirts]]'', when the [[D77H-TCI Pelican|Pelicans]] launched from {{UNSCShip|In Amber Clad}} encounter the [[Type-47A Scarab]]. | *In the opening cutscene of the level ''[[Outskirts]]'', when the [[D77H-TCI Pelican|Pelicans]] launched from {{UNSCShip|In Amber Clad}} encounter the [[Type-47A Scarab]]. | ||
* | *In a low strings version during the level ''[[Metropolis]]'', when [[John-117]] encounters [[Type-26 Wraith|Wraiths]] outside a [[UNSC Marine Corps|Marine]] command post, just before a Scarab passes through. | ||
*In full during the ending cutscene of ''Metropolis'', as the ''[[Solemn Penance]]'' prepares to make a [[Slipstream space|slipspace]] jump, while the ''In Amber Clad'' attempts to intercept it. | |||
*During the level ''[[The Great Journey]]'', when [[Thel 'Vadam]] escorts the Scarab commandeered by [[Avery Johnson]] near the [[Control Room (Installation 05)|Control Room]] of [[Installation 05]]. | *During the level ''[[The Great Journey]]'', when [[Thel 'Vadam]] escorts the Scarab commandeered by [[Avery Johnson]] near the [[Control Room (Installation 05)|Control Room]] of [[Installation 05]]. | ||
{{Clear}} | {{Clear}} | ||
{{Soundtrack|H2}} | {{Soundtrack|H2}} |
Revision as of 20:44, June 2, 2020
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Earth City is the seventeenth track in Halo 2: Original Soundtrack, Volume 1.
The piece combines deep strings with a piano rhythm to create an imposing, suspense-filled piece. Towards the end, a higher string set creates a building crescendo, accompanied by a vocal set reminiscent of the one at the end of The Last Spartan.
The piece was reorchestrated into Earth City in Halo Legends: Original Soundtrack as well as Kilindini Harbour in Halo 2: Anniversary Original Soundtrack.
Appearances
Its title suggests its association with New Mombasa, the "Earth City" featured prominently in Halo 2. It is first played in the Halo 2 E3 2003 demo when the Master Chief mans the gun of a Gauss Warthog and continues on until the end of the demo.
The soundtrack can be heard:
- In the opening cutscene of the level Outskirts, when the Pelicans launched from UNSC In Amber Clad encounter the Type-47A Scarab.
- In a low strings version during the level Metropolis, when John-117 encounters Wraiths outside a Marine command post, just before a Scarab passes through.
- In full during the ending cutscene of Metropolis, as the Solemn Penance prepares to make a slipspace jump, while the In Amber Clad attempts to intercept it.
- During the level The Great Journey, when Thel 'Vadam escorts the Scarab commandeered by Avery Johnson near the Control Room of Installation 05.
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