Halo 3: ODST Original Soundtrack: Difference between revisions
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The [[:Halo 3: ODST|''Halo 3: ODST'']] Original Soundtrack consists of music tracks composed by [[Martin O'Donnell]] and [[Michael Salvatori]], is a two-disc set similar to the [[:Halo 2: Original Soundtrack]] and [[:Halo 3: Original Soundtrack]]. Tracks on the soundtrack includes some minor themes found in the previous Halo Soundtracks. | |||
The music tracks are listed in a chronological order of appearance in the game. | |||
== Disc One == | |||
# [[Overture (Song)|Overture]] - 5:37 | # [[Overture (Song)|Overture]] - 5:37 | ||
## Yet Alone - 1:53 | ## Yet Alone - 1:53 | ||
Line 57: | Line 54: | ||
## Clear the Air - 1:31 | ## Clear the Air - 1:31 | ||
==Disc Two== | |||
== Disc Two == | |||
#[[Bits and Pieces (Song)|Bits and Pieces]] - 7:01 | #[[Bits and Pieces (Song)|Bits and Pieces]] - 7:01 | ||
##From the Ashes - 2:32 | ##From the Ashes - 2:32 | ||
Line 99: | Line 99: | ||
##Reborn Relic - 0:51 | ##Reborn Relic - 0:51 | ||
##Prepare to Drop - 1:17 | ##Prepare to Drop - 1:17 | ||
== Trivia == | == Trivia == | ||
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It seems that Marty O'Donnell was going for more of a jazz perspective. In Deference for Darkness, there is a short saxaphone section. More brass appear to pop up more in this soundtrack than the others. | It seems that Marty O'Donnell was going for more of a jazz perspective. In Deference for Darkness, there is a short saxaphone section. More brass appear to pop up more in this soundtrack than the others. | ||
== Sources == | |||
Revision as of 15:28, October 27, 2009
The Halo 3: ODST Original Soundtrack consists of music tracks composed by Martin O'Donnell and Michael Salvatori, is a two-disc set similar to the Halo 2: Original Soundtrack and Halo 3: Original Soundtrack. Tracks on the soundtrack includes some minor themes found in the previous Halo Soundtracks.
The music tracks are listed in a chronological order of appearance in the game.
Disc One
- Overture - 5:37
- Yet Alone - 1:53
- These Darkened Streets - 0:51
- Time to Dance - 0:33
- Replacement - 1:47
- The Rookie - 7:27
- Strong Silent Type - 3:08
- Postpartum - 1:51
- Proceed with Caution - 2:28
- More Than His Share - 5:46
- Into the Breach - 3:14
- Becomes the Hunted - 1:54
- Lost and Unfound - 0:38
- Deference for Darkness - 6:35
- Rain - 3:07
- Trailhead - 1:40
- Guiding Hand - 1:48
- The Menagerie - 6:10
- Ground War - 1:02
- Oscar Mike - 1:47
- Unleashed - 1:11
- On the Prowl - 2:10
- Asphalt and Ablution - 6:04
- Still Grounded - 1:44
- Island of War - 1:02
- Hardboiled - 1:38
- Sneaking Suspicion - 1:40
- Traffic Jam - 5:50
- Look Both Ways - 0:48
- Street Sweeper - 3:24
- Rally Point - 1:38
- Neon Night - 5:35
- Where One Road Ends - 1:27
- Block by Block - 0:48
- Perception is Reality - 0:48
- Pounding the Pavement - 2:32
- The Office of Naval Intelligence - 8:48
- A Heavy Toil - 1:04
- Strong Medicine - 1:27
- Uphill, Both Ways - 1:36
- Access Denied - 2:08
- Infestation - 1:02
- Clear the Air - 1:31
Disc Two
- Bits and Pieces - 7:01
- From the Ashes - 2:32
- Dead or Gone - 0:56
- Premonition - 1:29
- Something Like Sorrow - 2:04
- Skyline - 6:58
- No Response - 1:23
- Pick a Target, Any Target - 1:33
- Love at Long Range - 1:39
- Air Traffic Control - 2:23
- No Stone Unturned - 3:21
- Cast Aside - 1:33
- Nox Aeterna - 1:06
- Marching On - 0:42
- One Way Ride - 6:48
- Borrowed Time - 1:49
- Anywhere but Here - 1:29
- The Calm Before - 1:18
- Let It Burn - 2:12
- The Light at the End - 7:49
- Another Rain - 2:32
- Through the Divide - 1:34
- All That Remains - 1:50
- Heart and Mind - 1:53
- Data Hive - 6:01
- We All Got Secrets - 1:33
- Only One Way In - 1:39
- Core - 1:34
- Heart and Mind - 1:53
- Special Delivery - 10:21
- From Bones - 1:18
- Still Strong - 1:10
- Extra Firepower - 1:39
- Mercy Plea - 3:11
- Hell of a Night - 3:03
- Finale - 8:10
- From the Ashes (reprise) - 1:12
- Orbital Drop Shock Trooper - 3:43
- Old Friend - 1:07
- Reborn Relic - 0:51
- Prepare to Drop - 1:17
Trivia
The movement "Orbital Drop Shock Trooper" from the Finale has a runtime of 3:43, a reference to seven and possibly the eponymous Monitor 343 Guilty Spark. Additionally "Prepare to Drop," named after the game's tagline, has a runtime of 1:17, a reference to Master Chief.
It seems that Marty O'Donnell was going for more of a jazz perspective. In Deference for Darkness, there is a short saxaphone section. More brass appear to pop up more in this soundtrack than the others.
Sources
* It is available to purchase on iTunes