Epilogue (Halo 2): Difference between revisions
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'''Epilogue''' is the twelfth and final track in ''[[Halo 2: Original Soundtrack#Volume 2|Halo 2: Original Soundtrack, Volume 2]]''. It is composed of ''Epilogue'' (0:00-1:03), ''Beholden'' (1:03-3:22), and ''Road to Voi'' (3:22-3:49). | '''Epilogue''' is the twelfth and final track in ''[[Halo 2: Original Soundtrack#Volume 2|Halo 2: Original Soundtrack, Volume 2]]''. It is composed of ''Epilogue'' (0:00-1:03), ''Beholden'' (1:03-3:22), and ''Road to Voi'' (3:22-3:49). | ||
''Epilogue'' (1:03) begins with two reprises of the opening string melody of ''[[Impend]]'' (itself a | ==Overview== | ||
===Epilogue=== | |||
''Epilogue'' (1:03) begins with two reprises of the opening string melody of ''[[Impend]]'' (itself a rearrangement of the ending to ''[[Brothers in Arms]]''). The second reprise features an electric guitar part played by American musician [[wikipedia:John Mayer|John Mayer]]. This piece plays first in the [[Halo 2 credits|ending credits]] in ''[[Halo 2]]''. | |||
===Beholden=== | |||
''Beholden'' (2:19) is a strings-only reprise of ''Respite'' from ''[[High Charity Suite]]''. The piece plays last in the ending credits in ''Halo 2''. | ''Beholden'' (2:19) is a strings-only reprise of ''Respite'' from ''[[High Charity Suite]]''. The piece plays last in the ending credits in ''Halo 2''. | ||
''Road to Voi'' (0:27) features eerie ambiance, and plays the Epilogue cutscene, in which [[Gravemind]] approaches [[Cortana]] in the [[High Council Chamber]] of ''[[High Charity]]''. The name alludes to the | ===Road to Voi=== | ||
''Road to Voi'' (0:27) features eerie ambiance, and plays the Epilogue cutscene, in which [[Gravemind]] approaches [[Cortana]] in the [[High Council Chamber]] of ''[[High Charity]]''. | |||
==Production notes=== | |||
*The name ''Road to Voi'' alludes to the appearances of [[Tsavo highway (location)|Tsavo Highway]] and [[Voi]] in ''[[Halo 3]]''. | |||
*John Mayer's involvement was kept a secret by Martin O'Donnell until the [[2014]] documentary ''[[Remaking the Legend]]''. According to O'Donnell, there was no contractual agreement between the parties, and neither Microsoft nor Mayer's agent were aware of his contribution. Mayer wanted to keep it a secret so he could tell his friends he was featured in the game. | |||
{{Soundtrack|H2}} | {{Soundtrack|H2}} |