From the Vault: Difference between revisions
From Halopedia, the Halo wiki
m (→top: Replacing old infobox with new) |
m (Updated yt link) |
||
(6 intermediate revisions by 5 users not shown) | |||
Line 1: | Line 1: | ||
{{ | {{Status|RealWorld}} | ||
{{Music infobox | {{Music infobox | ||
| name = From the Vault | | name = From the Vault | ||
| | | yt = FrTKpRN_ZyY | ||
| album = [[Halo: Reach Original Soundtrack]] | | album = [[Halo: Reach Original Soundtrack]] | ||
| composer = [[Martin O'Donnell]] and [[Michael Salvatori]] | | composer = [[Martin O'Donnell]] and [[Michael Salvatori]] | ||
Line 10: | Line 10: | ||
}} | }} | ||
'''From the Vault''' is the twelfth track | '''From the Vault''' is the twelfth track (Disc 2 Track 5) included in ''[[Halo: Reach Original Soundtrack]]''. | ||
== | ==Overview== | ||
Rather than being a purely original theme, the track is a medley of various musical themes from ''[[Halo: Original Soundtrack]]'', ''[[Halo 2: Original Soundtrack]]'', and ''[[Halo 3: Original Soundtrack]]'', to the same tempo and percussion rhythm. | |||
The piece opens with the opening drumroll from the earlier track ''[[Winter Contingency (music)|Winter Contingency]]'', followed by a low tempo tribal percussion. The pieces or themes featured, in order, are: | |||
*The opening strings of ''[[Farthest Outpost]]'' (0:26-1:12) | |||
*The choir of ''[[Impend]]'' (1:12-2:11) | |||
*The choir of ''[[The Maw (music)|The Maw]]'' (2:11-2:40) | |||
*The strings of ''Weight of Failure'' from ''[[Prologue (music)|Prologue]]'' (2:40-3:25) | |||
*The choir of ''Overcome'' from ''[[Behold a Pale Horse]]'' (3:25-4:59) | |||
==Appearances== | |||
This track appears in-game in ''[[Halo: Reach]]'' campaign level ''[[The Package]]'', but only within the [[Tribute Room]], playing alongside the ''[[Siege of Madrigal]]''. A small section from its opening, however, is played in the mid-level cutscene of the campaign level. Its tribal percussion plays as [[NOBLE Team]] look at the [[Babd Catha Ice Shelf|Babd Catha]] [[Babd Catha Forerunner vessel|Forerunner vessel]]. | |||
== | ==Production notes== | ||
The namesake of the piece is a reference to the unique mixture of tracks that are taken from other soundtrack albums; thus, "from the vault." It may also be a reference to the fact it plays only within the Tribute Room, which is both a "vault" of past ''Halo''/[[Bungie]] pieces and the well hidden and safeguarded lab of Dr. Halsey. | |||
{{Soundtrack|HR}} | {{Soundtrack|HR}} |
Latest revision as of 03:45, April 14, 2022
From the Vault | |
---|---|
Album: |
|
Composer(s): |
|
Length: |
4:59 |
Previous: |
|
Next: |
|
From the Vault is the twelfth track (Disc 2 Track 5) included in Halo: Reach Original Soundtrack.
Overview[edit]
Rather than being a purely original theme, the track is a medley of various musical themes from Halo: Original Soundtrack, Halo 2: Original Soundtrack, and Halo 3: Original Soundtrack, to the same tempo and percussion rhythm.
The piece opens with the opening drumroll from the earlier track Winter Contingency, followed by a low tempo tribal percussion. The pieces or themes featured, in order, are:
- The opening strings of Farthest Outpost (0:26-1:12)
- The choir of Impend (1:12-2:11)
- The choir of The Maw (2:11-2:40)
- The strings of Weight of Failure from Prologue (2:40-3:25)
- The choir of Overcome from Behold a Pale Horse (3:25-4:59)
Appearances[edit]
This track appears in-game in Halo: Reach campaign level The Package, but only within the Tribute Room, playing alongside the Siege of Madrigal. A small section from its opening, however, is played in the mid-level cutscene of the campaign level. Its tribal percussion plays as NOBLE Team look at the Babd Catha Forerunner vessel.
Production notes[edit]
The namesake of the piece is a reference to the unique mixture of tracks that are taken from other soundtrack albums; thus, "from the vault." It may also be a reference to the fact it plays only within the Tribute Room, which is both a "vault" of past Halo/Bungie pieces and the well hidden and safeguarded lab of Dr. Halsey.
|