Latest revision |
Your text |
Line 10: |
Line 10: |
| |episode=03 | | |episode=03 |
| |airdate=[[2024#February|February 15, 2024]] | | |airdate=[[2024#February|February 15, 2024]] |
| |runtime=53 minutes, 54 seconds | | |runtime= |
| |directors=Craig Zisk{{Ref/Site|URL=https://www.imdb.com/title/tt2934286/episodes/?season=2|Site=IMDb|Page=IMDb|D=28|M=01|Y=2024}} | | |directors=Craig Zisk{{Ref/Site|URL=https://www.imdb.com/title/tt2934286/episodes/?season=2|Site=IMDb|Page=IMDb|D=28|M=01|Y=2024}} |
| |writers=Marisha Mukerjee{{Ref/Site|URL=https://directories.wga.org/project/1231631/halo|Site=Writers Guild of America West|Page=''Halo''|D=28|M=01|Y=2024}} | | |writers=Marisha Mukerjee{{Ref/Site|URL=https://directories.wga.org/project/1231631/halo|Site=Writers Guild of America West|Page=''Halo''|D=28|M=01|Y=2024}} |
Line 18: |
Line 18: |
|
| |
|
| ==Official summary== | | ==Official summary== |
| [[John-117/Silver|John]] and [[Silver Team/Silver|Silver Team]] embark on an unsanctioned mission; [[Laera]], [[Kwan Ha|Kwan]] and [[Kessler]] must escape [[Soren-066/Silver|Soren]]'s mutinous crew; [[James Ackerson/Silver|Ackerson]] receives troubling intelligence from [[Cortana/Silver|Cortana]]; the threat of an attack forces Ackerson to make an irrevocable decision.{{Ref/Site|URL=https://www.rottentomatoes.com/tv/halo/s02/e03|Site=Rotten Tomatoes|Page=''Halo'' – Season 2, Episode 3|D=29|M=01|Y=2024}} | | [[John-117/Silver|John]] and [[Silver Team]] embark on an unsanctioned mission; [[Laera]], [[Kwan Ha|Kwan]] and [[Kessler]] must escape [[Soren-066/Silver|Soren]]'s mutinous crew; [[James Ackerson/Silver|Ackerson]] receives troubling intelligence from [[Cortana/Silver|Cortana]]; the threat of an attack forces Ackerson to make an irrevocable decision.{{Ref/Site|URL=https://www.rottentomatoes.com/tv/halo/s02/e03|Site=Rotten Tomatoes|Page=''Halo'' – Season 2, Episode 3|D=29|M=01|Y=2024}} |
|
| |
|
| ==Plot== | | ==Plot== |
Line 27: |
Line 27: |
| {{Featurelist|secondcolumn=title-5 | | {{Featurelist|secondcolumn=title-5 |
| |title-1=Characters| | | |title-1=Characters| |
| *[[August-099/Silver|August-099]] {{Mo}}
| |
| *[[Briggs]] {{1st}}
| |
| *[[Carina]]
| |
| *[[Castor/Silver|Castor]]
| |
| *[[Charles-124]] {{Mo}}
| |
| *[[Cortana/Silver|Cortana]] | | *[[Cortana/Silver|Cortana]] |
| *[[Claude-148]] {{Mo}}
| |
| *[[Danilo]] | | *[[Danilo]] |
| *[[Laera]] | | *[[Laera]] |
| *[[Louis-036]]
| |
| *[[James Ackerson/Silver|James Ackerson]] | | *[[James Ackerson/Silver|James Ackerson]] |
| *[[Julia Ackerson]]
| |
| *[[James Ackerson's father]]
| |
| *[[John-117/Silver|John-117]] | | *[[John-117/Silver|John-117]] |
| *[[Julia Ackerson]]
| | *[[Kai-125]] |
| *[[Kai-125/Silver|Kai-125]] | |
| *[[Karim-002]]
| |
| *[[Kessler]] | | *[[Kessler]] |
| *[[Kwan Ha]] | | *[[Kwan Ha]] |
| *[[Laera]] | | *[[Pavlenko]] |
| *[[Makee]] {{Mo}}
| | *[[Riz-028]] |
| *[[Manuela Perez]]
| | *[[Vannak-134]] |
| *[[May-151]] {{Mo}}
| |
| *[[Margaret Parangosky/Silver|Margaret Parangosky]]
| |
| *[[Nicolae-068]] {{Mo}}
| |
| *[[Oliver-113]] {{Mo}}
| |
| *[[Peter-133]] {{Mo}}
| |
| *[[Robert-025/Silver|Robert-025]] {{Mo}}
| |
| *[[Ruth-147]] {{Mo}}
| |
| *[[Riz-028/Silver|Riz-028]] | |
| *[[Ruby Ann]] {{Mo}}
| |
| *[[Soren-066/Silver|Soren-066]]
| |
| *[[Talia Perez]]
| |
| *[[Vannak-134/Silver|Vannak-134]] | |
| *[[Val-015]] {{Mo}}
| |
| *[[Var 'Gatanai]] {{c|recording only}}
| |
| *[[Vinh-030/Silver|Vinh-030]] {{Mo}}
| |
| *[[Virgil/Silver|Virgil]]
| |
| *[[Yaz-112]]
| |
|
| |
|
| |title-2=Species| | | |title-2=Species| |
Line 76: |
Line 48: |
| ****[[Asymmetric Warfare Research Group]] | | ****[[Asymmetric Warfare Research Group]] |
| *****[[SPARTAN-II program]] | | *****[[SPARTAN-II program]] |
| ******[[Cobalt Team]]
| | ******[[Silver Team]] |
| ******[[Gold Team]] {{Mo}}
| |
| ******[[Omega Team]] {{Mo}}
| |
| ******[[Sigma Team]] {{Mo}}
| |
| ******[[Silver Team/Silver|Silver Team]] | |
| *****[[SPARTAN-III program/Silver|SPARTAN-III program]] {{Im}}
| |
|
| |
|
| |title-4=Locations| | | |title-4=Locations| |
| *[[23 Librae system]]
| |
| **[[The Rubble/Silver|The Rubble]]
| |
| *[[Epsilon Eridani system]]
| |
| **[[Reach/Silver|Reach]]
| |
| *[[Aktis IV]] {{Mo}}
| |
| *[[Sanctuary (location)|Sanctuary]] {{Mo}}
| |
|
| |
|
| |title-5=Events| | | |title-5=Events| |
| *[[Human-Covenant War/Silver|Human-Covenant War]]
| |
| **[[Fall of Reach/Silver|Fall of Reach]]
| |
| *[[WINTER CONTINGENCY]] {{Mo}}
| |
|
| |
|
| |title-6=Weapons| | | |title-6=Weapons| |
|
| |
|
| |title-7=Vehicles| | | |title-7=Vehicles| |
| *''[[Bodegraven]]''
| |
| *[[D80 Condor]]
| |
| *[[Soren's ship]]
| |
|
| |
|
| |title-8=Technology and equipment| | | |title-8=Technology and equipment| |
| *[[Flash cloning]]
| | |
| *[[Halo Array]] {{Mo}}
| |
| }} | | }} |
|
| |
|
| ==Credits== | | ==Credits== |
| {{scrollbox|Directed by Craig Zisk | | {{Expand-section}} |
| | |
| Written by Marisha Mukerjee
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Natascha McElhone
| |
| * Joseph Morgan
| |
| * Shabana Azmi
| |
| * Christina Bennington
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Fiona O’Shaughnessy
| |
| * Cristina Rodlo
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * Viktor Åkerblom
| |
| * Tylan Bailey
| |
| * And Bokeem Woodbine
| |
| | |
| Also Starring
| |
| | |
| * Marvin Jones III
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * David Wiener
| |
| * Kiki Wolfkill
| |
| * Darryl Frank
| |
| * Justin Falvey
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Gian Paolo Varani
| |
| | |
| Co-Executive Producers
| |
| | |
| * Marisha Mukerjee
| |
| * Ahmadu Garba
| |
| | |
| Supervising Producer Tom Hemmings
| |
| | |
| Producers
| |
| | |
| * Sarah McCarron
| |
| * Pablo Schreiber
| |
| * Natascha McElhone
| |
| * Charlotte Keating
| |
| * Nick Iannelli
| |
| | |
| Co-Producers
| |
| | |
| * Gabi Csoma
| |
| * Dale Butler
| |
| | |
| Director of Photography Andrew Commis ACS
| |
| | |
| Production Designer James Foster
| |
| | |
| Editor Roderick Deogrades CCE
| |
| | |
| Costume Designer Jane Holland
| |
| | |
| Music by Sparks & Shadows
| |
| | |
| Main Title Theme by Bear McCreary and [[Martin O'Donnell|Marty O'Donnell]] & [[Michael Salvatori]]
| |
| | |
| Casting by Jina Jay
| |
| | |
| Staff Writer Basil Kreimendahl
| |
| | |
| Unit Production Manager Gabi Csoma
| |
| | |
| First Assistant Director Jacques Terblanche
| |
| | |
| Second Assistant Director Robyn Glaser
| |
| | |
| Guest Starring Bill Paterson
| |
| | |
| Additional Cast (In Order of Appearance)
| |
| | |
| * Captain Briggs Anna Koval
| |
| * Antares Ivanno Jeremiah
| |
| * Carina Juliette Motamed
| |
| * Guard #1 Ádám Szabó
| |
| * Guard #2 Marcell Mázsári
| |
| * Danilo Christian Ochoa Lavernia
| |
| * Virgil Iliasz Shweirif
| |
| * Castor David Crowley
| |
| * Yaz-112 Karen Connell
| |
| * Val-015 Thomas Dominique
| |
| * Manuela Perez Maria Luisa Costa
| |
| * Julia Bronte Carmichael
| |
| | |
| Senior Visual Effects Supervisor Wojciech Zielinski
| |
| | |
| Visual Effects Producer Mike May
| |
| | |
| Supervising Stunt Coordinator Philip Silvera
| |
| | |
| ''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| ''Halo'' Transmedia Producer Cheryl Marine
| |
| | |
| Senior ''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| Production Manager Veronika Dobos
| |
| | |
| Production Supervisor Lillie Fleur
| |
| | |
| Assistant Production Managers
| |
| | |
| * Gábor Bukai
| |
| * András Balazs
| |
| * Nóra Simon
| |
| | |
| Production Coordinator
| |
| | |
| * Veronika Bojtos
| |
| * Caroline Houghton
| |
| | |
| Script Supervisor
| |
| | |
| * Morag Cameron
| |
| * ZImbini Pafa
| |
| | |
| Script Coordinator Sam Besser
| |
| | |
| Writers Assistant Sam Reynolds
| |
| | |
| Clearance Coordinator Paula Byrden
| |
| | |
| Floor Second Assistant Directors
| |
| | |
| * Lee-Roy Titus
| |
| * Ákos Strommer
| |
| | |
| Crowd Second Assistant Directors
| |
| | |
| * Rita Nagy
| |
| * Anna Geréb
| |
| | |
| 2nd Second Assistant Directors
| |
| | |
| * Joe Newson
| |
| * Hayley Westray
| |
| | |
| Third Assistant Directors
| |
| | |
| * Ferenc Tóth
| |
| * Attila Pataki
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Directors
| |
| | |
| * Gergö Rieger
| |
| * Kriszta Szilágyi
| |
| | |
| Art Directors
| |
| | |
| * Catherine Palmer
| |
| * Francesc Masso
| |
| * Áron Horváth
| |
| * Attila Illés
| |
| * Jirí Karásek
| |
| | |
| Standby Art Director James McCallum
| |
| | |
| Junior Art Director Andras Bódy
| |
| | |
| Assistant Art Directors
| |
| | |
| * Hannah Versfield
| |
| * Csaba Bányai
| |
| | |
| Costume Supervisor Balázs Labancz
| |
| | |
| Spartan Suit Development and Manufacture FBFX
| |
| | |
| Hair & Makeup/Prosthetics Designer Natalie MacGowan Spencer
| |
| | |
| Lead Makeup Department Supervisor Claudia Cavalli
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| SFX Floor Supervisor Dave Stewart
| |
| | |
| SFX Pyro Supervisor Csaba Kiss
| |
| | |
| SFX Workshop Supervisor Ruan Liebenberg
| |
| | |
| Armoury Department Head Liam Byrne
| |
| | |
| Lead Military Advisor Jack Nevils
| |
| | |
| Set Decorators
| |
| | |
| * Guy Potgieter
| |
| * Nimród Hajdu
| |
| | |
| Property Masters
| |
| | |
| * Andrew Orlando
| |
| * András Máté
| |
| | |
| Lead Graphic Artist Willi Hartmann
| |
| | |
| UPM Stunt Department & Action Unit Ravi Dube
| |
| | |
| Stunt Coordinator Gáspár Szabó
| |
| | |
| Stunt Coordinator-Logistics Brady Romberg
| |
| | |
| Fight Coordinator/Choreographer Micah Karns
| |
| | |
| Assistant Fight Coordinators
| |
| | |
| * Zar Succarotte
| |
| * Brian Jansa
| |
| | |
| Stunt Coordinators – Rigging
| |
| | |
| * Jayson Dumenigo
| |
| * Mariusz Kubicki
| |
| * Bryce Branagan
| |
| * Tim Garris
| |
| * Urs Inauen
| |
| | |
| A Camera/Steadicam Operator Adi Visser
| |
| | |
| B Camera Operator Márton Miklauzic
| |
| | |
| First Assistant Camera Operators
| |
| | |
| * Matt Waving
| |
| * Srdjan Uršičić
| |
| | |
| Digital Imaging Technician Péter Rácz
| |
| | |
| Data Management Technician Mariann Galanics
| |
| | |
| Video Assist Operator Gábor Nagy
| |
| | |
| Gaffer Florin Mihalache
| |
| | |
| Rigging Gaffers
| |
| | |
| * Jamie Whickman
| |
| * Ernő Demeter
| |
| | |
| Practical Gaffer István Törzsök
| |
| | |
| Key Grip Róbert Jász
| |
| | |
| Supervising Key Rigger Ádám Stankovits
| |
| | |
| VFX Key Rigger Zoltán Ács
| |
| | |
| Production Sound Mixer Tamás Dévényi
| |
| | |
| Senior Location Manager András Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Dániel Tóth
| |
| * Csaba Sepsi
| |
| | |
| Transport Coordinator Sándor Viserálek
| |
| | |
| Picture Vehicles Coordinator Sándor Parádi Jr.
| |
| | |
| Additional Casting by Carla Hool CSA
| |
| | |
| Hungarian Casting by Katalin Baranyi
| |
| | |
| Casting Associate Verity Naughton
| |
| | |
| Senior Casting Assistant Matt Sheppard
| |
| | |
| Casting Assistant Sophie Aiken
| |
| | |
| ;Additional Units
| |
| Directors of Photography
| |
| | |
| * Márton Miklauzic
| |
| * Buda Gulyás
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Camera Operators
| |
| | |
| * Dániel Szőke
| |
| * Eszter Galambos
| |
| * Gergely Vass
| |
| | |
| Gaffer Tibor Kecskeméti
| |
| | |
| Key Grip László Egyedi
| |
| | |
| Sound Mixer Levente Udud
| |
| | |
| Video Assist Operator Attila Szilágyi
| |
| | |
| Digital Imaging Technician Ádám Nemesdédi
| |
| | |
| Data Management Technician István Stecz
| |
| | |
| ;Iceland Unit
| |
| Line Producer Hjortur Gretarson<br>
| |
| Unit Production Managers
| |
| * Mara Cereda
| |
| * Tindur Karason
| |
| Second Unit Production Manager Trausti Haflidasson<br>
| |
| Production Coordinator Vignir Dadi Valtysson<br>
| |
| B Camera Operator Agust Jakobsson<br>
| |
| B Camera 1st AC Nicholas Helgason<br>
| |
| Gaffer Maria Run<br>
| |
| Key Grip Viktor David Johannson<br>
| |
| Art Director Gunnar Palsson<br>
| |
| Sound Mixer Johannes B. Bjarnason<br>
| |
| Data Management Technicians (VFX)
| |
| * Arnor Einarsson
| |
| * Benedikt Jóhannesson
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Carla Self
| |
| * Kolos Trimmel
| |
| * Péter Danó
| |
| | |
| Post Production Accountant Linda Gillespie
| |
| | |
| Language Consultants
| |
| | |
| * David J. Peterson
| |
| * Carl Buck
| |
| | |
| Dialogue Coach Christine Grace Szarko
| |
| | |
| Post Producer Lee Hughes
| |
| | |
| Post Associate Producer Kathleen Harris
| |
| | |
| Post Production Supervisor Kelsey Thompson
| |
| | |
| Post Production Coordinator Renée Perrin
| |
| | |
| Assistant to Nick Iannelli Robert Ryan Reyes
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy MacLean
| |
| | |
| Assistant VFX Editor Jesse Scarrow
| |
| | |
| Assistant Picture Editor Lavinia Terletchi
| |
| | |
| Assistant Editor (London) Louisa Hawkins
| |
| | |
| Assistant Editor (Budapest) Péter Politzer
| |
| | |
| Sound Designer Brennan Mercer
| |
| | |
| Supervising Sound Editor Adam Stein
| |
| | |
| Supervising Sound Editor (ADR) Dale Sheldrake
| |
| | |
| Sound Effects Editor David Caporale
| |
| | |
| Dialogue Editors
| |
| | |
| * Claire Dobson
| |
| * James Bastable
| |
| | |
| Foley Editor Nadya Hanlon
| |
| | |
| First Assistant Sound Editors
| |
| | |
| * Jean Bot
| |
| * Nadya Hanlon
| |
| * Andrew Wright
| |
| | |
| Composers
| |
| | |
| * Etienne Monsaingeon
| |
| * Ramin Kousha
| |
| * Jesse Hartov
| |
| | |
| Music Editors
| |
| | |
| * Michael Baber
| |
| * Joe Mancuso
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Post-Production Sound Inc.
| |
| | |
| Re-recording Mixers
| |
| | |
| * Matthew Chan
| |
| * Graham Rogers
| |
| | |
| Re-recording Mix Assistant TJ McCarthy
| |
| | |
| Dailies Colorfront
| |
| | |
| Digital Dailies Supervisor Ádám Jurkovich
| |
| | |
| Colour and Finish Company 3 Toronto
| |
| | |
| Colorist Bill Ferwerda
| |
| | |
| Finishing Editor Darren Hinchy
| |
| | |
| Project Manager Shane Allan
| |
| | |
| VFX Production Manager Mitchell Callisch
| |
| | |
| VFX On Set Supervisor Matei Ovejan
| |
| | |
| VFX Artist (London) Joe Pavlo
| |
| | |
| VFX Coordinators
| |
| | |
| * Anna Engel
| |
| * Iván Karajz
| |
| * Áron Ecsedy
| |
| | |
| On Set VFX Coordinator Fruzsina Szőke
| |
| | |
| Digital Asset Coordinator Benett Gyurik
| |
| | |
| Lead VFX Data Wrangler Bence Tóbik
| |
| | |
| VFX Data Wranglers
| |
| | |
| * Tamás Hajdu
| |
| * Gergely Z. Orbán
| |
| * Mohamad Fawzi Alnazer
| |
| | |
| Production Support Máté András Markos
| |
| | |
| ;Visual Effects by The Yard VFX
| |
| VFX Supervisor Harry Bardak
| |
| | |
| VFX Producer Diego Cordier-Royer
| |
| | |
| FX Artists
| |
| | |
| * Florian Piechta
| |
| * Jade Gachet
| |
| | |
| VFX Coordinator Julie Dijoux
| |
| | |
| CG Supervisor Gregory Lanfranchi
| |
| | |
| Concept Artist Frederic Perrin
| |
| | |
| Animation Artist Arnaud Demullenheim
| |
| | |
| Compositing Supervisor Alexis Caresche
| |
| | |
| Visual Effects Assembly
| |
| | |
| * Jade Gautier
| |
| * Maden Roubert
| |
| | |
| Lead FX Artist Sebastien Tafani
| |
| | |
| Heads of Departments
| |
| | |
| * Laurens Erhmann
| |
| * Alexis Oqblet
| |
| * Marie Afriat
| |
| * Virginie Wintrebert
| |
| * Gregory Ginsburger
| |
| * Noemie Cauvin
| |
| * Fabian Nowak
| |
| * Corentin Bachelet
| |
| * Denis Scolan
| |
| * Gianni Manno
| |
| | |
| Lead Compositors
| |
| | |
| * Simon Auquier
| |
| * Arnaud Ortmann
| |
| | |
| Compositing Artists
| |
| | |
| * Cyprien Huet
| |
| * Romain Perrin
| |
| * Francois Masle
| |
| * Jean-Bastien Bellot
| |
| * Jory Bertrand
| |
| * Pierre Herzig
| |
| * Stephan Dumoulin
| |
| * Charles Zoller
| |
| * Antoine Delclaud
| |
| | |
| DMP Artists
| |
| | |
| * Bora Min
| |
| * Aurelia Lebain
| |
| | |
| Assets Artists
| |
| | |
| * Antoine Gandon
| |
| * Gabriel Martinez
| |
| * Marta Rodriguez-Noriega Nava
| |
| * Gabriel Mori
| |
| | |
| Environment Artists
| |
| | |
| * Jean-Baptiste Caillet
| |
| * Joelle Sadok
| |
| * Angela Mikrut
| |
| | |
| Lighting Artists
| |
| | |
| * Mathieu Trevisan
| |
| * William Trameaux
| |
| * Mathieu Bron
| |
| | |
| Support Team
| |
| | |
| * Lucas Coulmance
| |
| * Matteo Erhmann
| |
| * Julien Haudegond
| |
| * Jeff Neglokpe
| |
| * Aurele Boquet
| |
| * Brandon Castel
| |
| * Abygaelle Fabre
| |
| * Celine Pischetola
| |
| * Muriel Lorach
| |
| * Victor Pecoste
| |
| | |
| ;Visual Effects by Take 5 VFX
| |
| VFX Compositing Supervisor Maria Gordon
| |
| | |
| Lead Compositor Jerry Lai
| |
| | |
| Sequence Lead Kyle Boylen
| |
| | |
| Lead Matte Painter Alphonso Young
| |
| | |
| VFX Compositors
| |
| | |
| * Vikram Chandran
| |
| * Rima Kulkarni
| |
| * Xi Luo
| |
| * Corey Mayne
| |
| * Lee Pierce
| |
| * Rachit Raval
| |
| * Genesis Rivas
| |
| * Yuri Shubenin
| |
| * Ksenia Shutova
| |
| * Wes While
| |
| * Yuki Ye
| |
| | |
| VFX Studio Manager Kelly Weisz
| |
| | |
| VFX JR Coordinator Mariah Fleetham
| |
| | |
| ;Visual Effects by El Ranchito
| |
| VFX Supervisors
| |
| | |
| * Carlos Puigdoller
| |
| * Oscar Perea
| |
| | |
| VFX Producer Lucía Olano
| |
| | |
| Production
| |
| | |
| * Luis S. Cossio
| |
| * Rubén Bustos
| |
| * Julia Fierros
| |
| | |
| Lead Compositor Álvaro Moya
| |
| | |
| 3D Alberto Moreno
| |
| | |
| Compositors
| |
| | |
| * Alexandre Hurtado
| |
| * Bernat Enrich
| |
| * Jhon de la Cruz
| |
| * Jorge Gutiérrez
| |
| * Inmaculada Nadela
| |
| | |
| FX
| |
| | |
| * David Blanco
| |
| * Guido Floriani
| |
| | |
| DMP Alejandra Ortiz
| |
| | |
| MM
| |
| | |
| * Yusef El Khadir
| |
| * Pablo Durán
| |
| * Pedro Vidal
| |
| | |
| Assembly
| |
| | |
| * Carlos G. Cardoso
| |
| * Jerome Juan
| |
| * Paula Rodríguez
| |
| * Aníbal Del Busto
| |
| | |
| ;Reach City Asset by El Ranchito
| |
| VFX Supervisor Sonsoles Aranguren
| |
| | |
| VFX Producer Deneb Sabater Ventura
| |
| | |
| Lead Compositor Alberto Cadenas Esteban
| |
| | |
| 3D Lead José Luis Barreiro Gómez
| |
| | |
| Production
| |
| | |
| * Reyes Arnal Risueño
| |
| * Marco Sacido Lechap
| |
| * Sara Terol Miralles
| |
| * Marta Muñoz Ovejero
| |
| * Sara Lucia Alvarez
| |
| | |
| FX Lead David Blanco Castillero
| |
| | |
| DMP
| |
| | |
| * Javier Sicilia
| |
| * Manuel Huertas
| |
| * Alejandra Ortiz Vilches
| |
| | |
| Compositors
| |
| | |
| * Carlos Claramount
| |
| * Fernando Adem
| |
| * Juan Carlos Atares
| |
| * Paco Sánchez Real
| |
| * Carlos Rivera Urbina
| |
| * Alejandro Rivas Llave
| |
| * José Ramón Lastras
| |
| * Bernat Enrich Miquel
| |
| | |
| 3D
| |
| | |
| * Alberto C. Martínez
| |
| * Iván Torres Pardo
| |
| * Gustavo Labrador
| |
| * Carlos Esteban Díez
| |
| * José Daniel Núñez
| |
| * Frédéric Martinez Menendez
| |
| * Jorge José Sánchez
| |
| * Jose Angel Ramirez
| |
| * Nauzet Naranjo
| |
| * Santi Bonet Garrote
| |
| * Zaida De Torre
| |
| * Javier Argente Gómez
| |
| | |
| MM
| |
| | |
| * Yusef El Khadir Palomo
| |
| * Pao Durán
| |
| * Miguel Susaeta Vallejo
| |
| | |
| Assembly
| |
| | |
| * Carlos G. Cardoso
| |
| * Aníbal Del Busto
| |
| * Paula Rodríguez García
| |
| * Jerome Juan
| |
| | |
| ;Visual Effects by Cúbica VFX
| |
| VFX Supervisors
| |
| | |
| * Joan Amer
| |
| * Cesc Bienzobas
| |
| | |
| VFX Producer Mariano Liwski
| |
| | |
| VFX Coordinators
| |
| | |
| * Anna Cabañas
| |
| * David Vallès
| |
| | |
| Additional Production Crew
| |
| | |
| * Olaia Casal
| |
| * Anna Gispert
| |
| | |
| Lead VFX Artists
| |
| | |
| * Carles Zamorano
| |
| * Carlos Navarro
| |
| * Javi Verdugo
| |
| | |
| VFX Artists
| |
| | |
| * Arturo Arjona
| |
| * Llorenç Borràs
| |
| * Toni Buenavida
| |
| * Ole Bunger
| |
| * Gabriel Casado
| |
| * Marc Costa
| |
| * Ilona Escudero
| |
| * Laura Gil
| |
| * Juan Carlos Gracia
| |
| * Hosam Mansouri
| |
| * Álvaro Moga
| |
| * Guillem Pagès
| |
| * Mari Carmen Pallarols
| |
| * Helena Palomares
| |
| * Alba Ribera
| |
| * Iñaki Sánchez
| |
| * Oriol Massana
| |
| * Joak Cuervo
| |
| * Juan Listello
| |
| * Roberto García
| |
| * Gloria Bernabeu
| |
| * Noa Bofill
| |
| * Francesc Macià
| |
| * Marco Rossi
| |
| * Gerard Dunleavy
| |
| * Kiko Navarro
| |
| * Taio Prince
| |
| * Joan Azpeitia
| |
| * Washington Neira
| |
| | |
| ;Visual Effects by Incessant Rain Studios
| |
| VFX Supervisor Rameshwor Shrestha
| |
| | |
| VFX Producer Deepa Chipalu Joshi
| |
| | |
| Production Coordinator Abhishek Chitrakar
| |
| | |
| Lead Compositor Krijan Shrestha
| |
| | |
| Compositors
| |
| | |
| * Aman Ghazu
| |
| * Amit Ghaju
| |
| * Amit Pujari
| |
| * Anup Shakya
| |
| * Gyanendra Maharjan
| |
| * Gyanon Chitrakar
| |
| * Mahendra Maharjan
| |
| * Manil Shrestha
| |
| * Nikesh Maharjan
| |
| * Prakash Senchuri
| |
| * Prashkala Budathoki
| |
| * Rabindra Maharjan
| |
| * Ram Kumar Lama
| |
| * Rikam Maharjan
| |
| * Rojal Maharjan
| |
| * Sabin Maharjan
| |
| * Sambu Rajbahak
| |
| * Sarendra Shrestha
| |
| * Shishir Dangol
| |
| * Sushil Rai
| |
| | |
| ;Visual Effects by Fillscrn
| |
| VFX Supervisor Balázs Balogh
| |
| | |
| VFX Producer Balázs Rozgonyi
| |
| | |
| Lead Compositors
| |
| | |
| * Gergely Kanyog
| |
| * József Morvay
| |
| | |
| Compositors
| |
| | |
| * Bence Hegybíró
| |
| * Péter Hostyánszki
| |
| * Gábor Kutyik
| |
| * Gergely Attila Velki
| |
| | |
| 2D/3D Animation Lead Balázs Fekti
| |
| | |
| 2D/3D Motion Designers
| |
| | |
| * Richard Besenczi
| |
| * Gábor Kamlah
| |
| | |
| Matchmove Artist Róbert Illés
| |
| | |
| Digital Artists
| |
| | |
| * Zoltán Fiedler
| |
| * Sándor Mankó
| |
| | |
| ;Visual Effects by Crafty Apes
| |
| VFX Supervisor Mark Bortolotto
| |
| | |
| VFX Producer Tanya Ligertwood
| |
| | |
| Comp Supervisor Mark Derksen
| |
| | |
| CG Supervisor Chris Cook
| |
| | |
| Production Manager Ana Ostovic
| |
| | |
| Production Coordinator Emma Klingspohn
| |
| | |
| Compositors
| |
| | |
| * Alexander Greenberg
| |
| * Aragon Pawson
| |
| * Gunnar Heiss
| |
| * Juan Rodriguez
| |
| * Jayden Kim
| |
| * Keyvin Dell
| |
| * Kenneth Lo
| |
| * Sean O'Hara
| |
| * Tasha Brotherton
| |
| * David Guerrero
| |
| * Jonathan Smith
| |
| * Paola Barrenechea
| |
| * Katrina Chiu
| |
| | |
| 3D
| |
| | |
| * Eugene Paluso
| |
| * Nate Iversen
| |
| * Milan Bojanic
| |
| * Arni Haraldsson
| |
| | |
| VFX Support Team
| |
| | |
| * Grant Storrie
| |
| * Anthony Corsi
| |
| | |
| ;Visual Effects by WEFX
| |
| Executive VFX Supervisor Mo Ghorbankarimi
| |
| | |
| VFX Production Manager Baris Ozmorali
| |
| | |
| VFX Production Coordinator Vivek Farmakar
| |
| | |
| Compositing Supervisor Scott Buda
| |
| | |
| VFX Supervisor Matthew Segal
| |
| | |
| CG Supervisors
| |
| | |
| * Igor Avdyushin
| |
| * Filip Kicev
| |
| | |
| Asset Supervisor Sonny Ong
| |
| | |
| VFX Producers
| |
| | |
| * Janna Miller
| |
| * Steve Stransman
| |
| * Amanda Lariviere
| |
| | |
| Rigging Supervisor Ethan Lee
| |
| | |
| FX Supervisor Vimal Mallireddy
| |
| | |
| FX Artist Justin Boon
| |
| | |
| Lighting Olabisi Famutimi
| |
| | |
| Compositors
| |
| | |
| * Alex Basso
| |
| * Julien Chagnon-Zimmerly
| |
| * Jeremy Patterson
| |
| * Lisa Jiang
| |
| * Ashley Hakker
| |
| | |
| Matte Painting
| |
| | |
| * Rui Wang
| |
| * Shuren Hao
| |
| | |
| Tracking And Layout
| |
| | |
| * Josh Clark
| |
| * Jeevith Kanth
| |
| * Austin Baerg
| |
| | |
| Asset Artists
| |
| | |
| * Jejin Lee
| |
| * Pablo Gonzalez
| |
| | |
| VFX Assembly
| |
| | |
| * Brandon Terry
| |
| * Jeremiah Mcwhirter
| |
| * Maurizio Sestito
| |
| * César Alejandro Karraá Valladares
| |
| | |
| Support Team
| |
| | |
| * Laurence Cymet
| |
| * John Tran
| |
| * Timothy Toulis
| |
| | |
| ;Visual Effects by Rocket Science Visual Effects
| |
| VFX Supervisor Nikola Simeonov
| |
| | |
| VFX Producer John Markle
| |
| | |
| VFX Coordinator Carly Baker
| |
| | |
| VFX Assembly
| |
| | |
| * Timothy Mah
| |
| * Steve Elliot
| |
| | |
| Lead Compositor David Rezek
| |
| | |
| Compositors
| |
| | |
| * Louisa Au
| |
| * Amber Evans
| |
| | |
| 3D Layout Lead Eugene Chucha
| |
| | |
| 3D Layout Artist Sujin Lee
| |
| | |
| 3D Lighting Lead Khushroo Surveyor
| |
| | |
| ;Visualization and Motion Capture by Prewizards Studio
| |
| Previz/Postviz Supervisor Laszlo Maczo<br>
| |
| Previz/Postviz Artist Andras Grega-Kovacs<br>
| |
| Previz Artists
| |
| * Eniko Kives
| |
| * Norbert Szocs
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| * Creative BC
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| Produced with film and television tax credit assistance from the Government of Ontario<br>
| |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services in Hungary provided by Mid Atlantic Films
| |
| Producers
| |
| * Adam Goodman
| |
| * Howard Ellis
| |
| Head of Production Gergő Balika
| |
| Thank you to the National Film Office - National Media and Info-Communications Authority of Hungary and the Hungarian National Film Fund<br>
| |
| National Film Institute Hungary<br>
| |
| Supported by the Hungarian Film Incentive
| |
| | |
| Production services in Iceland provided by True North<br>
| |
| Producer Leifur B. Dagfinnsson<br>
| |
| With Support from Film in Iceland
| |
| | |
| Production services In Slovenia provided by Pakt Media<br>
| |
| Producer Diego Zanco<br>
| |
| The film was supported by the Cash Rebate Scheme of the Republic of Slovenia, operated by the Slovenian Film Centre, a public Agency, supported by the Ministry of Culture of the Republic of Slovenia
| |
| | |
| This audiovisual production has benefited from the tax credit for the production of foreign motion picture granted by the Spanish Government
| |
| | |
| This film has benefited from the French Tax Rebate for International Productions<br>
| |
| Cette oeuvre a bénéficié du crédit d'impôt en faveur de la production de films étrangers en France
| |
| <br>
| |
| CNC<br>
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2024 Microsoft. ''Halo'', Master Chief, [[343 Industries]] and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Many of the ''Halo'' games include notable music composed by Martin O'Donnell and Michael Salvatori.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| David Wiener MORE LIKE THIS
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+
| |
| }} | |
|
| |
|
| ==Gallery== | | ==Gallery== |
| <gallery> | | <gallery> |
| File:HTVS2 - VisegradPoster.jpg|Poster of episode
| |
| File:HTVS2 VisegradPosterInt.jpg|International poster of episode.
| |
| File:HTVS2 Visegrad BlueOnBlue.jpg | | File:HTVS2 Visegrad BlueOnBlue.jpg |
| File:HTVS2 Visegrad Silver.jpg | | File:HTVS2 Visegrad Silver.jpg |