| Latest revision |
Your text |
| Line 3: |
Line 3: |
| {{Infobox/Media/Film/Episode | | {{Infobox/Media/Film/Episode |
| |previous=[[Allegiance]] | | |previous=[[Allegiance]] |
| |next=[[Halo: The Television Series Season Two|Season Two]], [[Sanctuary (TV Series)|Sanctuary]] | | |next=[[Halo: The Television Series Season Two|Season Two]], [[Episode 1 (Season 2)|Episode 1]] |
| |name=Transcendence | | |name=Transcendence |
| |image=[[File:HTV-Transcendence 117.jpg|300px]] | | |image= |
| |series=''[[Halo: The Television Series]]'' | | |series=''[[Halo: The Television Series]]'' |
| |season=[[Halo: The Television Series Season One|Season One]] | | |season=[[Halo: The Television Series Season One|Season One]] |
| |episode=09 | | |episode=09 |
| |airdate=[[2022#May|May 19, 2022]]{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}} | | |airdate=[[2022#May|May 19, 2022]]{{Ref/Reuse|Futon}} |
| |runtime=48 minutes, 11 seconds | | |runtime= |
| |directors=Jonathan Liebesman | | |directors= |
| |writers=Steven Kane | | |writers= |
| | |hidec=yes |
| }} | | }} |
| '''Transcendence''' is the ninth and final episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#May|May 19, 2022]].{{Ref/Site|Id=hol5flywood|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}} | | '''Transcendence''' is the ninth and final episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#May|May 19, 2022]].{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}}{{Ref/Site|Id=hollywood|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}} |
| | |
| ==Official summary==
| |
| Beaten, battered, and [[Makee|betr]][[Catherine Halsey/Silver|ayed]], [[John-117/Silver|John 117]] leads the [[Spartan]]s on a [[Battle of Raas Kkhotskha|suicide mission]] to find the [[Halo Array|Halo]] and save [[human]]ity. But at what price?{{Ref/Reuse|Futon}}{{Ref/Site|URL=https://www.paramountplus.com/shows/video/5JoVKvnxqPadnkRmoOMyyfevOCpjC78X/|Site=Paramount Plus|Page=Halo - Transcendence|D=22|M=12|Y=2023}}
| |
|
| |
|
| ==Plot== | | ==Plot== |
| Line 32: |
Line 30: |
| *[[Jacob Keyes/Silver|Jacob Keyes]] | | *[[Jacob Keyes/Silver|Jacob Keyes]] |
| *[[John-117/Silver|John-117]] | | *[[John-117/Silver|John-117]] |
| *[[Kai-125/Silver|Kai-125]] | | *[[Kai-125]] |
| *[[Makee]] | | *[[Makee]] |
| *[[Margaret Parangosky/Silver|Margaret Parangosky]] | | *[[Margaret Parangosky/Silver|Margaret Parangosky]] |
| Line 39: |
Line 37: |
| *[[Prophet of Regret]] | | *[[Prophet of Regret]] |
| *[[Prophet of Truth]] | | *[[Prophet of Truth]] |
| *[[Riz-028/Silver|Riz-028]] | | *[[Riz-028]] |
| *[[Vannak-134/Silver|Vannak-134]] | | *[[Vannak-134]] |
|
| |
|
| |title-2=Species| | | |title-2=Species| |
| Line 52: |
Line 50: |
| *[[Covenant]] | | *[[Covenant]] |
| *[[United Nations Space Command]] | | *[[United Nations Space Command]] |
| **[[UNSC Navy]]
| | **[[UNSC Fleet Command]] |
| ***[[UNSC Fleet Command]]
| | ***[[Asymmetrical Warfare Research Group]] |
| ****[[Asymmetric Warfare Research Group]]
| | ****[[Silver Team]] |
| *****[[SPARTAN-II program]]
| |
| ******[[Silver Team/Silver|Silver Team]]
| |
| ***[[Office of Naval Intelligence]] | | ***[[Office of Naval Intelligence]] |
| ****[[Xeno-Materials Exploitation Group]]
| | ***[[Xeno-Materials Exploitation Group]] |
|
| |
|
| |title-4=Locations| | | |title-4=Locations| |
| Line 74: |
Line 70: |
|
| |
|
| |title-6=Weapons| | | |title-6=Weapons| |
| *[[BR55 battle rifle]] | | *[[gravity mace]] |
| *[[Gravity hammer (fiction)|gravity hammer]]
| |
| *[[Gravity mace]]
| |
| *[[M392 DMR]]
| |
| *[[M6G magnum]]
| |
| *[[MA5C assault rifle]] | | *[[MA5C assault rifle]] |
| *[[Okarda'phaa-pattern plasma rifle]] | | *[[Okarda'phaa-pattern plasma rifle]] |
| *[[Paegaas Workshop Spiker]] | | *[[Gravity hammer (fiction)|gravity hammer]] |
| *[[SRS99-S7 AM sniper rifle]]
| |
| *[[Type-25 plasma pistol]] | | *[[Type-25 plasma pistol]] |
| *[[Type-33 needler]] | | *[[Type-33 needler]] |
| Line 101: |
Line 92: |
|
| |
|
| ==Credits== | | ==Credits== |
| {{scrollbox|Directed by Jonathan Liebesman | | {{Expand-section}} |
| | |
| Written by Steven Kane
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Shabana Azmi
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * with Bokeem Woodbine and Natascha McElhone
| |
| | |
| Also Starring
| |
| | |
| * Julian Bleach
| |
| * Karl Johnson
| |
| * Hilton McRae
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * Steven Kane
| |
| * Kiki Wolfkill
| |
| * Frank O’Connor
| |
| * Bonnie Ross
| |
| * Justin Falvey
| |
| * Darryl Frank
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Kyle Killen
| |
| * Scott Pennington
| |
| | |
| Co-Executive Producers
| |
| | |
| * Gian Paolo Varani
| |
| * Richard E. Robbins
| |
| * Justine Juel Gillmer
| |
| | |
| Supervising Producer Silka Luisa
| |
| | |
| Consulting Producer
| |
| | |
| * Mark Malone
| |
| * Katie Swain
| |
| | |
| Producer
| |
| | |
| * Sheila Hockin
| |
| * Charlotte Keating
| |
| * Michael Armbruster
| |
| | |
| Directors of Photography
| |
| | |
| * Karl Walter Lindenlaub ASC
| |
| * Ed Wild BSC
| |
| | |
| Production Designer Sophie Becher
| |
| | |
| Editor Aaron Marshall CCE
| |
| | |
| Music by Sean Callery
| |
| | |
| Casting by Jinya{{sic}} Jay and Olivia Brittain
| |
| | |
| Guest Starring Ryan McParland
| |
| | |
| Additional Cast (in Order of Appearance)
| |
| | |
| * MP Takacs Gustavo Chiang
| |
| * MP Choksey Oladapo Oluwatosin Okunlola
| |
| * Marine Doyle Samuel Tamunotoku Gbobo
| |
| * Flight Technician Javal Caroline Boulton
| |
| * MP Malya Claudius Peters
| |
| * UNSC Nurse Danielle Fiamanya
| |
| * Evans Balázs Csémy
| |
| | |
| Unit Production Manager Gabi Csoma
| |
| | |
| First Assistant Director Dale Butler
| |
| | |
| Second Assistant Director Nadia Brand
| |
| | |
| [[343 Industries|343]]/''Halo'' Transmedia Producer Cheryl Nebelsieck
| |
| | |
| 343/''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| 343/''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| 343/''Halo'' Franchise Producer Carlos Naranjo
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Directors
| |
| | |
| * Andrew Ackland-Snow
| |
| * Kiera Tudway
| |
| | |
| Art Directors
| |
| | |
| * Gergo Rieger
| |
| * Kriszta Szilagyi
| |
| | |
| Standby Art Director Jim McCallum
| |
| | |
| Lead Graphics Designer Eva Hartmann
| |
| | |
| Costume Designer Giovanni Lipari
| |
| | |
| Costume Supervisors
| |
| | |
| * Gabor Homonnay
| |
| * Balazs Labancz
| |
| | |
| Hair Designer Mauro Tamagnini
| |
| | |
| Make Up Designer Felicity Bowring
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| SFX Floor Supervisor Dave Stewart
| |
| | |
| SFX Pyro Supervisor Csaba Kiss
| |
| | |
| SFX Workshop Supervisor Ruan Liebenberg
| |
| | |
| Movement Coach/Choreographer Kristof Varnagy
| |
| | |
| Armoury Liam Byrne
| |
| | |
| Military Advisor Daniel Hirst
| |
| | |
| Set Decorators
| |
| | |
| * Guy Potgieter
| |
| * Adam Polgar
| |
| | |
| Property Master Andrew Orlando
| |
| | |
| Clearances Coordinator Paula Byrden
| |
| | |
| Stunt Coordinators
| |
| | |
| * Domonkos Pardanyi
| |
| * Brett Chan
| |
| | |
| Fight Coordinator Vi-Dan Tran
| |
| | |
| A Camera Operator Michael Soos
| |
| | |
| B Camera Operators Gyorgy Reder
| |
| | |
| Camera First Assistants
| |
| | |
| * Tamas Janossa
| |
| * Adam Kliegl
| |
| * Tamas Olah
| |
| | |
| Gaffers
| |
| | |
| * Jonathan Spencer
| |
| * Will Finch
| |
| * Laszlo Molnar
| |
| | |
| Key Grips
| |
| | |
| * Tommaso Mele
| |
| * Paolo Tiberti
| |
| * Gabor Balda
| |
| | |
| Production Supervisor Lyndzi Doyle
| |
| | |
| Assistant Production Manager Alex Balla
| |
| | |
| Production Coordinator Veronika Bojtos
| |
| | |
| Key Script Supervisor Morag Cameron
| |
| | |
| Script Coordinator Joe Greskoviak
| |
| | |
| Writer's Assistant Iván Karajz
| |
| | |
| Production Sound Mixer Tamas Devenyi
| |
| | |
| Senior Location Manager Andras Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Daniel Toth
| |
| * Csaba Sepsi
| |
| * Viktor Mitev
| |
| | |
| Transport Coordinator Sandor Viseralek
| |
| | |
| Hungarian Casting by Katalin Baranyi
| |
| | |
| Additional Casting by
| |
| | |
| * Poping Auyeung
| |
| * Yoko Narahashi
| |
| * Su Kim
| |
| | |
| Additional Voice Casting by Phoebe Scholfield
| |
| | |
| Child Casting Verity Naughton
| |
| | |
| Casting Associate Melissa Gethin Clarke
| |
| | |
| Casting Assistant Becky Rossmaur
| |
| | |
| ; Second Unit
| |
| Second Unit Director Tom Struthers
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Unit Production Manager Veronika Dobos
| |
| | |
| Assistant Unit Production Manager Gabor Bukai
| |
| | |
| Director of Photography Gabor Marosi
| |
| | |
| Camera Operators Nandor Gulyas
| |
| | |
| Gaffer Mark Czirjak
| |
| | |
| Key Grip George Anton
| |
| | |
| Art Director Mate Kovacsi
| |
| | |
| Script Supervisor Julia Raczky
| |
| | |
| Communication Technician Balazs Toth
| |
| | |
| Sound Mixer Otto Olah
| |
| | |
| Video Assist Operator Jan Wachowski
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Kolos Trimmel
| |
| * Peter Dano
| |
| * Carla Self
| |
| * Linda Gillespie
| |
| | |
| Language Consultant David J. Peterson
| |
| | |
| Dialogue Coaches Hans Peterson
| |
| | |
| Digital Imaging Technicians
| |
| | |
| * Peter Racz
| |
| * Attila Tumbasz
| |
| | |
| Senior Colourist Bill Ferwerda
| |
| | |
| Senior Online Editor Adrian Saywell
| |
| | |
| Digital Dailies Supervisor Adam Jurkovich
| |
| | |
| Project Managers
| |
| | |
| * Sarah Riley
| |
| * Shane Allan
| |
| | |
| Post Producer Bill Goddard
| |
| | |
| Associate Producer Ian Keltie
| |
| | |
| Post Production Supervisor Lee Hughes
| |
| | |
| Post Production Coordinator Kathleen Harris
| |
| | |
| Post Production Coordinator (Deliverables) Renée Perrin
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy Maclean
| |
| | |
| Trainee Assistant Picture Editor Jesse Scarrow
| |
| | |
| Sound Designers
| |
| | |
| * Brennan Mercer
| |
| * David Evans
| |
| | |
| Supervising Sound Editor (ADR) Dale Sheldrake
| |
| | |
| Sound Effects Editor David Caporale
| |
| | |
| Dialogue Editor Claire Dobson
| |
| | |
| “Comprehension”
| |
| | |
| Composed by Sean Callery and Colin Stetson
| |
| | |
| Featuring Colin Stetson
| |
| | |
| Music Editor Yuri Gorbachow
| |
| | |
| First Assistant Sound Editors
| |
| | |
| * Sue Fawcett
| |
| * Andrew Wright
| |
| * Nadya Hanlon
| |
| | |
| Re-Recording Mixers
| |
| | |
| * Lou Solakofski
| |
| * Matt Chan
| |
| | |
| Lead Visual Effects Supervisor
| |
| | |
| * Tom Turnbull
| |
| * Dominic Remane
| |
| | |
| Visual Effects Producer Bill Halliday
| |
| | |
| Lead On Set VFX Supervisor Leann Harvey
| |
| | |
| VFX Production Manager Kelsey Thompson
| |
| | |
| Lead VFX Data Wrangler Tamas Udvardi
| |
| | |
| VFX Data Wrangler Bence Tobik
| |
| | |
| Assistant VFX Data Wranglers
| |
| | |
| * Bennett Gyurik
| |
| * Tamas Hajdu
| |
| | |
| Previz Consultant Jaron Clegg
| |
| | |
| ; Visual Effects by Mr. X
| |
| Visual Effects Supervisor Craig Calvert
| |
| | |
| Senior Visual Effects Producer Luke Groves
| |
| | |
| Visual Effects Producer Nick Colangelo
| |
| | |
| CG Supervisor Kedar Nath Manapragada
| |
| | |
| Animation Supervisor Martin Hesselink
| |
| | |
| VFX Lighting Supervisor Viduttam Rajan Katkar
| |
| | |
| ; Visual Effects by Pixomondo
| |
| Visual Effects Supervisor Phil Prates
| |
| | |
| Asset Supervisor Sunkwan Lee
| |
| | |
| Pre-Visualization Supervisor Chris De Souza
| |
| | |
| Lead Animator Navdeep Singh
| |
| | |
| Senior Animator Sejung Kim
| |
| | |
| Lead Animator Parisa Behvar
| |
| | |
| ; Visual Effects by Redefine
| |
| VFX Supervisor Vishal Anand
| |
| | |
| VFX Producer Bakshad Amrolia
| |
| | |
| Associate VFX Supervisor Sunil Kamath
| |
| | |
| VFX Production Manager Graham Tailleur
| |
| | |
| CG Supervisor Ramesh Chinneri
| |
| | |
| Compositing Supervisor Gary Couto
| |
| | |
| ; Visual Effects by Rodeo FX
| |
| Visual Effects Supervisor Patrick David
| |
| | |
| Visual Effects Producer Nancy Heller
| |
| | |
| CG Supervisor Xavier Lafarge
| |
| | |
| Compositing Supervisor Pierre-Hugues Vachon
| |
| | |
| VFX Asset Supervisor Vincent L'heureaux
| |
| | |
| Matte Painter Mai-anh Tran
| |
| | |
| ; Visual Effects by Rocket Science VFX
| |
| Visual Effects Supervisor Tom Plaskett
| |
| | |
| Compositing Supervisor Mohsin Kazi
| |
| | |
| Lead Lighter Rachad Meya
| |
| | |
| VFX Producer JP Giamos
| |
| | |
| VFX Production Manager John Markle
| |
| | |
| VFX Production Coordinator Michael Osuszek
| |
| | |
| ; Visual Effects by Stereo D
| |
| Visual Effects Supervisor Grant Lee
| |
| | |
| Senior VFX Line Producer R. Parthasarathy
| |
| | |
| VFX Line Producer Melissa Espina
| |
| | |
| VFX Production Manager Skye Morandin
| |
| | |
| Roto Artist Pravin Kumar
| |
| | |
| Paint Artist Shantanu Narendra Khule
| |
| | |
| ; Visual Effects by Fillscrn
| |
| Digital Compositors
| |
| | |
| * Balázs Varga
| |
| * Andor Záhonyi
| |
| * Róbert Illés
| |
| * Gergely Kányog
| |
| * József Morvay
| |
| * Dénes Molnár
| |
| | |
| ; Visual Effects by Frame Distillery
| |
| Visual Effects Supervisor Rob Del Ciancio
| |
| | |
| CG Supervisor Steve McArdle
| |
| | |
| ; Visual Effects by Take 5
| |
| Assistant Production Manager Kealeagh Brewer<br>
| |
| VFX Compositing Supervisor Maria Gordon<br>
| |
| VFX Lead Compositor Jerry Lai<br>
| |
| VFX Compositors
| |
| * Travis Pond
| |
| * Denis St. Pierre
| |
| * Corey Wayne
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Colour And Finish Company 3 Toronto
| |
| | |
| Dailies Colorfront
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Sound and Picture
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| | |
| Funded by the Government of Canada
| |
| | |
| Financé par le Gouvernement du Canada
| |
| | |
| * Creative BC
| |
| * Québec Cgre
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| | |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services In Hungary provided by Mid Atlantic Films
| |
| | |
| Producers
| |
| | |
| * Adam Goodman
| |
| * Howard Ellis
| |
| | |
| Head of Production Gergő Balika
| |
| | |
| Thank you to
| |
| | |
| The National Film Office-National Media and Info-Communications Authority Of Hungary and the Hungarian National Film Fund
| |
| | |
| National Film Institute Hungary
| |
| | |
| Supported by the Hungarian Film Incentive
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2022 Microsoft. ''Halo'', Master Chief, 343 Industries and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| Many of the ''Halo'' games include notable music composed by [[Martin O'Donnell]] and [[Michael Salvatori]].
| |
| | |
| Chapter E11ven
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+}}
| |
| | |
| ==Gallery== | | ==Gallery== |
| <gallery> | | <gallery> |
| File:HTV_TempleBattle_Concept.jpg|Concept art for the final battle inside the temple. | | File:HTV_TempleBattle_Concept.jpg|Concept art for the final battle inside the temple. |
| File:HTV Transcendence HalseyShip.png|UNSC Marines take aim at ''Endymion II''. | | File:HTV Transcendence HalseyShip.png|UNSC Marines take aim at ''Endmyion II''. |
| File:HTV Transcendence JohnRings.jpg|John-117 idle in ''Condor 325''.
| |
| File:HTV Transcendence Grav-distortion.png|The gravity distortion of the Aspero system. | | File:HTV Transcendence Grav-distortion.png|The gravity distortion of the Aspero system. |
| File:HTV-Transcendence-CovHomeworld.png|''Condor 325'' approached Raas Kkhotskha. | | File:HTV-Transcendence-CovHomeworld.png|''Condor 325'' approached Raas Kkhotskha. |
