| Latest revision |
Your text |
| Line 17: |
Line 17: |
|
| |
|
| ==Official summary== | | ==Official summary== |
| Survivors from [[Battle of Eridanus II/Silver|battle]] return to [[Reach/Silver|Reach]]. [[John-117/Silver|John]] confronts [[Catherine Halsey/Silver|Dr. Halsey]], and the lies of his past.{{Ref/Site|URL=https://www.paramountplus.com/shows/video/1hZyoPQHGFk6mkcg7ruJltp_L68yWmUA/|Site=Paramount Plus|Page=Halo - Solace|D=22|M=12|Y=2023}} | | Survivors from battle return to Reach. John confronts Dr. Halsey, and the lies of his past.{{Ref/Site|URL=https://www.paramountplus.com/shows/video/1hZyoPQHGFk6mkcg7ruJltp_L68yWmUA/|Site=Paramount Plus|Page=Halo - Solace|D=22|M=12|Y=2023}} |
|
| |
|
| ==Plot== | | ==Plot== |
| Line 31: |
Line 31: |
| *[[Jacob Keyes/Silver|Jacob Keyes]] | | *[[Jacob Keyes/Silver|Jacob Keyes]] |
| *[[John-117/Silver|John-117]] | | *[[John-117/Silver|John-117]] |
| *[[Kai-125/Silver|Kai-125]] | | *[[Kai-125]] |
| *[[Kwan Ha]] {{c|Hallucination}} | | *[[Kwan Ha]] {{c|Hallucination}} |
| *[[Makee]] | | *[[Makee]] |
| Line 37: |
Line 37: |
| *[[Miranda Keyes/Silver|Miranda Keyes]] | | *[[Miranda Keyes/Silver|Miranda Keyes]] |
| *[[Reth/Silver|Reth]] {{c|flashback only}} | | *[[Reth/Silver|Reth]] {{c|flashback only}} |
| *[[Riz-028/Silver|Riz-028]] | | *[[Riz-028]] |
| *[[Roman Quinn]] {{Fm}} | | *[[Roman Quinn]] {{Fm}} |
| *[[Vannak-134/Silver|Vannak-134]] | | *[[Vannak-134]] |
|
| |
|
| |title-2=Species| | | |title-2=Species| |
| Line 47: |
Line 47: |
| *[[Covenant]] {{Mo}} | | *[[Covenant]] {{Mo}} |
| *[[United Nations Space Command]] | | *[[United Nations Space Command]] |
| **[[UNSC Navy]]
| |
| ***[[UNSC Fleet Command]]
| |
| ****[[Asymmetric Warfare Research Group]]
| |
| *****[[SPARTAN-II program]]
| |
| ******[[Silver Team/Silver|Silver Team]]
| |
| ***[[Office of Naval Intelligence]]
| |
| ****[[Xeno-Materials Exploitation Group]]
| |
|
| |
|
| |title-4=Locations| | | |title-4=Locations| |
| Line 75: |
Line 68: |
| |title-6=Weapons| | | |title-6=Weapons| |
| *[[M6 Spartan Laser]] {{c|Holographic only}} | | *[[M6 Spartan Laser]] {{c|Holographic only}} |
| *[[SRS99-S7 AM sniper rifle]]
| |
|
| |
|
| |title-7=Vehicles| | | |title-7=Vehicles| |
| Line 98: |
Line 90: |
|
| |
|
| ==Credits== | | ==Credits== |
| {{scrollbox|Directed by Jonathan Liebesman | | {{Expand-section}} |
| | |
| Written by Silka Luisa and Steven Kane
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Shabana Azmi
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * with Bokeem Woodbine and Natascha McElhone
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * Steven Kane
| |
| * Kiki Wolfkill
| |
| * Frank O’Connor
| |
| * Bonnie Ross
| |
| * Darryl Frank
| |
| * Justin Falvey
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Kyle Killen
| |
| * Scott Pennington
| |
| | |
| Co-Executive Producers
| |
| | |
| * Gian Paolo Varani
| |
| * Richard E. Robbins
| |
| * Justine Juel Gillmer
| |
| | |
| Supervising Producer Silka Luisa
| |
| | |
| Consulting Producer
| |
| | |
| * Mark Malone
| |
| * Katie Swain
| |
| | |
| Producer
| |
| | |
| * Sheila Hockin
| |
| * Charlotte Keating
| |
| * Michael Armbruster
| |
| | |
| Director of Photography Karl Walter Lindenlaub ASC
| |
| | |
| Production Designer Sophie Becher
| |
| | |
| Editor Dan Briceno
| |
| | |
| Music by Sean Callery
| |
| | |
| Casting by Jinya{{sic}} Jay and Olivia Brittain
| |
| | |
| Guest Starring
| |
| | |
| * Ryan McParland
| |
| | |
| Additional Cast (in Order of Appearance)
| |
| | |
| * Young John Casper Knopf
| |
| * Marine Lieutenant Goy Quynh Ngoc Do
| |
| * UNSC Nurse Danielle Fiamanya
| |
| * MP Malya Claudius Peters
| |
| * Penma Miranda Wilson
| |
| * David Agnoli Francisco Labbe
| |
| * Bota Iván Fenyő
| |
| * Ops Tech Pereria Hans Peterson
| |
| * Control Tech Ladi Johnny K. Palmer
| |
| * Flight Tech Juric
| |
| * Major Ira Halal Roderick Hill
| |
| * Wounded Marine Balázs Bölkény
| |
| * John's Father Duncan Pow
| |
| | |
| Unit Production Managers
| |
| | |
| * Robert Bernacchi
| |
| * Gabi Csoma
| |
| | |
| First Assistant Directors
| |
| | |
| * Peter Freeman
| |
| * Tony Adler
| |
| | |
| Second Assistant Directors Robyn Glaser
| |
| | |
| [[343 Industries|343]]/''Halo'' Transmedia Producer Cheryl Nebelsieck
| |
| | |
| 343/''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| 343/''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| 343/''Halo'' Franchise Producer Carlos Naranjo
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Directors
| |
| | |
| * Gergo Rieger
| |
| * Kriszta Szilagyi
| |
| * Brett Hirson
| |
| | |
| Standby Art Director Jim McCallum
| |
| | |
| Lead Graphics Designer Eva Hartmann
| |
| | |
| Costume Designer Giovanni Lipari
| |
| | |
| Costume Supervisors
| |
| | |
| * Gabor Homonnay
| |
| * Balazs Labancz
| |
| | |
| Hair Designer Mauro Tamagnini
| |
| | |
| Make Up Designer Felicity Bowring
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| Special Effects Coordinators
| |
| | |
| * Balazs Boross
| |
| * Adam Szucs
| |
| | |
| Movement Coach/Choreographer Kristof Varnagy
| |
| | |
| Armoury Liam Byrne
| |
| | |
| Military Advisor Daniel Hirst
| |
| | |
| Set Decorators
| |
| | |
| * Adam Polgar
| |
| * Guy Potgieter
| |
| * Nimrod Hajdu
| |
| | |
| Property Master Andrew Orlando
| |
| | |
| Clearances Coordinator Paula Byrden
| |
| | |
| Stunt Coordinators
| |
| | |
| * Domonkos Pardanyi
| |
| * Brett Chan
| |
| | |
| Fight Coordinator Vi Dan Tran
| |
| | |
| A Camera Operator Michael Soos
| |
| | |
| B Camera Operators
| |
| | |
| * Adam Fillenz
| |
| * Gyorgy Reder
| |
| | |
| Camera First Assistants
| |
| | |
| * Tamas Janossa
| |
| * Adam Kliegl
| |
| * Tamas Olah
| |
| | |
| Gaffers
| |
| | |
| * Jonathan Spencer
| |
| * Laszlo Molnar
| |
| | |
| Key Grips
| |
| | |
| * Tommaso Mele
| |
| * Gabor Balda
| |
| * Paolo Tiberti
| |
| | |
| Production Supervisor Lyndzi Doyle
| |
| | |
| Assistant Production Manager Alex Balla
| |
| | |
| Production Coordinator Veronika Bojtos
| |
| | |
| Key Script Supervisor Morag Cameron
| |
| | |
| Script Supervisor Dora Sarkozi
| |
| | |
| Script Coordinator Joe Greskoviak
| |
| | |
| Writer's Assistant Iván Karajz
| |
| | |
| Production Sound Mixer Tamas Devenyi
| |
| | |
| Senior Location Manager Andras Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Daniel Toth
| |
| * Viktor Mitev
| |
| * Csaba Sepsi
| |
| | |
| Transport Coordinator Sandor Viseralek
| |
| | |
| Hungarian Casting by Katalin Baranyi
| |
| | |
| Additional Casting by
| |
| | |
| * Poping Auyeung
| |
| * Yoko Narahashi
| |
| * Su Kim
| |
| | |
| Child Casting Verity Naughton
| |
| | |
| Casting Associate Melissa Gethin Clarke
| |
| | |
| Casting Assistant Becky Rossmaur
| |
| | |
| ; Second Unit
| |
| Second Unit Director Tom Struthers
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Unit Production Manager Veronika Dobos
| |
| | |
| Assistant Unit Production Manager Gabor Bukai
| |
| | |
| Director of Photography Gabor Marosi
| |
| | |
| Camera Operator Nandor Gulyas
| |
| | |
| Gaffer Mark Czirjak
| |
| | |
| Key Grip George Anton
| |
| | |
| Art Director Chris Heap
| |
| | |
| Script Supervisor Julia Raczky
| |
| | |
| Communication Technician Gabor Bacskay
| |
| | |
| Video Assist Operator Jan Wachowski
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Kolos Trimmel
| |
| * Peter Dano
| |
| * Carla Self
| |
| * Linda Gillespie
| |
| | |
| Language Consultant David J. Peterson
| |
| | |
| Dialogue Coach Hans Peterson
| |
| | |
| Digital Imaging Technicians
| |
| | |
| * Peter Racz
| |
| * Attila Tumbasz
| |
| | |
| Senior Colourist Bill Ferwerda
| |
| | |
| Senior Online Editor Adrian Saywell
| |
| | |
| Digital Dailies Supervisor Adam Jurkovich
| |
| | |
| Project Managers
| |
| | |
| * Sarah Riley
| |
| * Shane Allan
| |
| | |
| Post Producer Bill Goddard
| |
| | |
| Associate Producer Ian Keltie
| |
| | |
| Post Production Supervisor Lee Hughes
| |
| | |
| Post Production Coordinator Kathleen Harris
| |
| | |
| Post Production Coordinator (Deliverables) Renée Perrin
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy Maclean
| |
| * Simon Thede
| |
| | |
| Assistant Picture Editor Arielle Skolnik
| |
| | |
| Trainee Assistant Picture Editor Jesse Scarrow
| |
| | |
| Sound Designers Brennan Mercer
| |
| | |
| Supervising Sound Editor (ADR) Dale Sheldrake
| |
| | |
| Sound Effects Editor David Caporale
| |
| | |
| Dialogue Editor Claire Dobson
| |
| | |
| “Comprehension”
| |
| | |
| Composed by Sean Callery and Colin Stetson
| |
| | |
| Featuring Colin Stetson
| |
| | |
| Music Editor Yuri Gorbachow
| |
| | |
| 1st Assistant Sound Editors
| |
| | |
| * Sue Fawcett
| |
| * Andrew Wright
| |
| * Nadya Hanlon
| |
| | |
| Re-Recording Mixers
| |
| | |
| * Lou Solakofski
| |
| * Matt Chan
| |
| | |
| Lead Visual Effects Supervisor
| |
| | |
| * Dominic Remane
| |
| * Tom Turnbull
| |
| | |
| Visual Effects Producer Bill Halliday
| |
| | |
| Lead On Set VFX Supervisor Leann Harvey
| |
| | |
| On Set VFX Supervisor Lee Wilson
| |
| | |
| VFX Production Manager Kelsey Thompson
| |
| | |
| Lead VFX Data Wrangler Tamas Udvardi
| |
| | |
| VFX Data Wrangler Bence Tobik
| |
| | |
| Assistant VFX Data Wranglers
| |
| | |
| * Bennett Gyurik
| |
| * Tamas Hajdu
| |
| | |
| Previz Consultant Jaron Clegg
| |
| | |
| ; Visual Effects by Pixomondo
| |
| Visual Effects Supervisor Phil Prates
| |
| | |
| Visual Effects Coordinator Adrian Dario Enriquez Cedeno
| |
| | |
| Lightning Lead Helena Massoud
| |
| | |
| Head of FX Bahador Mehrpouya
| |
| | |
| Lead FX Artist Farhad Hosseinpouri
| |
| | |
| Head of IT Reza Gharooni
| |
| | |
| ; Visual Effects by Rocket Science VFX
| |
| Visual Effects Supervisor Tom Plaskett
| |
| | |
| Compositing Supervisor Mohsin Kazi
| |
| | |
| Lead Lighter Rachad Meya
| |
| | |
| VFX Producer JP Giamos
| |
| | |
| VFX Production Manager John Markle
| |
| | |
| VFX Production Coordinator Michael Osuszek
| |
| | |
| ; Visual Effects by Fillscrn
| |
| Digital Compositors
| |
| | |
| * Balázs Varga
| |
| * Andor Záhonyi
| |
| * Róbert Illés
| |
| * Gergely Kányog
| |
| * József Morvay
| |
| * Dénes Molnár
| |
| | |
| ; Visual Effects by Rodeo FX
| |
| Visual Effects Supervisor Patrick David
| |
| | |
| Visual Effects Producer Nancy Heller
| |
| | |
| CG Supervisor Xavier Lafarge
| |
| | |
| Compositing Supervisor Pierre-Hugues Vachon
| |
| | |
| VFX Asset Supervisor Vincent L'heureaux
| |
| | |
| Matte Painter Mai-anh Tran
| |
| | |
| ; Visual Effects by Take 5
| |
| Assistant Production Manager Kealeagh Brewer
| |
| | |
| VFX Compositing Supervisor Maria Gordon
| |
| | |
| VFX Lead Compositor Jerry Lai
| |
| | |
| Lead Matte Painter Alphonso Young
| |
| | |
| VFX Compositors
| |
| | |
| * Yuri Shubenin
| |
| * Corey Mayne
| |
| | |
| ; Visual Effects by Frame Distillery
| |
| Visual Effects Supervisor Rob Del Ciancio
| |
| | |
| CG Supervisor Steve McArdle
| |
| | |
| ; Visual Effects by Mr. X
| |
| Visual Effects Supervisor Craig Calvert
| |
| | |
| Senior Visual Effects Producer Luke Groves
| |
| | |
| Visual Effects Producer Nick Colangelo
| |
| | |
| CG Supervisor Kedar Nath Manapragada
| |
| | |
| Animation Supervisor Martin Hesselink
| |
| | |
| VFX Lighting Supervisor Viduttam Rajan Katkar
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Colour And Finish Company 3 Toronto
| |
| | |
| Dailies Colorfront
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Sound and Picture
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| | |
| Funded by the Government of Canada
| |
| | |
| Financé par le Gouvernement du Canada
| |
| | |
| * Creative BC
| |
| * Québec Cgre
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| | |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services In Hungary provided by Mid Atlantic Films
| |
| | |
| Producers
| |
| | |
| * Adam Goodman
| |
| * Howard Ellis
| |
| | |
| Head of Production Gergő Balika
| |
| | |
| Thank you to
| |
| | |
| The National Film Office-National Media and Info-Communications Authority Of Hungary and the Hungarian National Film Fund
| |
| | |
| National Film Institute Hungary
| |
| | |
| Supported by the Hungarian Film Incentive
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2022 Microsoft. ''Halo'', Master Chief, 343 Industries and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| Many of the ''Halo'' games include notable music composed by [[Martin O'Donnell]] and [[Michael Salvatori]].
| |
| | |
| Chapter E11ven
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+}}
| |
|
| |
|
| ==Trivia== | | ==Trivia== |
