| Latest revision |
Your text |
| Line 5: |
Line 5: |
| |next=[[Solace (TV Series)|Solace]] | | |next=[[Solace (TV Series)|Solace]] |
| |name=Reckoning | | |name=Reckoning |
| |image=[[File:HTV-Reckoning Battle.jpg|300px]] | | |image= |
| |series=''[[Halo: The Television Series]]'' | | |series=''[[Halo: The Television Series]]'' |
| |season=[[Halo: The Television Series Season One|Season One]] | | |season=[[Halo: The Television Series Season One|Season One]] |
| |episode=05 | | |episode=05 |
| |airdate=[[2022#April|April 21, 2022]]{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}} | | |airdate=[[2022#April|April 21, 2022]]{{Ref/Reuse|Futon}} |
| |runtime=39 minutes, 39 seconds | | |runtime= |
| |directors=Jonathan Liebesman | | |directors= |
| |writers=Richard E. Robbins<br>Steven Kane | | |writers= |
| | |hidec=yes |
| }} | | }} |
| '''Reckoning''' is the fifth episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#April|April 21, 2022]].{{Ref/Reuse|Futon}}{{Ref/Site|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}} | | '''Reckoning''' is the fifth episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#April|April 21, 2022]].{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}}{{Ref/Site|Id=hollywood|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}} |
| | |
| ==Official summary==
| |
| On the run and out of options, [[Kwan Ha|Kwan]] and [[Soren-066/Silver|Soren]] have a difference of opinion. With the possibility of finding the mysterious [[Halo Array|Halo]] on everyone's minds, [[John-117/Silver|John]] makes a [[Flash cloning|horrible discovery]]. And the [[Human-Covenant War/Silver|war]] [[Battle of Eridanus II/Silver|rears its ugly head]].{{Ref/Site|URL=https://www.paramountplus.com/shows/video/4AEp_C93H9O_aa1vceb_K5K9Gn_qOzj1/|Site=Paramount Plus|Page=Halo - Reckoning|D=22|M=12|Y=2023}}
| |
|
| |
|
| ==Plot== | | ==Plot== |
| Line 32: |
Line 30: |
| *[[Jacob Keyes/Silver|Jacob Keyes]] | | *[[Jacob Keyes/Silver|Jacob Keyes]] |
| *[[John-117/Silver|John-117]] | | *[[John-117/Silver|John-117]] |
| *[[Kai-125/Silver|Kai-125]] | | *[[Kai-125]] |
| *[[Kwan Ha]] | | *[[Kwan Ha]] |
| *[[Margaret Parangosky/Silver|Margaret Parangosky]]
| |
| *[[Miranda Keyes/Silver|Miranda Keyes]] | | *[[Miranda Keyes/Silver|Miranda Keyes]] |
| *[[Parisa/Silver|Parisa]] {{1st}} | | *[[Riz-028]] |
| *[[Riz-028/Silver|Riz-028]]
| |
| *[[Soren-066/Silver|Soren-066]] | | *[[Soren-066/Silver|Soren-066]] |
| *[[Terrence Hood/Silver|Terrence Hood]] {{Mo}} | | *[[Vannak-134]] |
| *[[Vannak-134/Silver|Vannak-134]]
| |
| *[[Makee]] | | *[[Makee]] |
|
| |
|
| Line 52: |
Line 47: |
| |title-3=Organizations| | | |title-3=Organizations| |
| *[[Covenant]] | | *[[Covenant]] |
| *[[United Nations Space Command]] | | *[[United Nations Space Command]] |
| **[[UNSC Navy]]
| |
| ***[[UNSC Fleet Command]]
| |
| ****[[Asymmetric Warfare Research Group]]
| |
| *****[[SPARTAN-II program]]
| |
| ******[[Silver Team/Silver|Silver Team]]
| |
| ***[[Office of Naval Intelligence]]
| |
| ****[[Xeno-Materials Exploitation Group]]
| |
| *[[Reach for Life project]] {{c|flashback only}}
| |
| | |
| |title-4=Locations| | | |title-4=Locations| |
| *[[23 Librae system]] | | *[[23 Librae system]] |
| **[[Madrigal]] | | **[[Madrigal]] |
| ***[[Okjungdong Basin]] {{1st}}
| |
| **[[The Rubble/Silver|The Rubble]] {{Mo}}
| |
| *[[Eridanus system]] | | *[[Eridanus system]] |
| **[[Eridanus II/Silver|Eridanus II]] | | **[[Eridanus II]] |
| ***[[Reach for Life installation]] {{c|flashback only}}
| |
| ****[[John-117's childhood home]]
| |
|
| |
|
| |title-5=Events| | | |title-5=Events| |
| *[[Human-Covenant War/Silver|Human-Covenant War]] | | *[[Human-Covenant War/Silver|Human-Covenant War]] |
| **[[Hunt for Forerunner Keystone]] | | **[[Hunt for Forerunner Keystone]] |
| ***[[Battle of Eridanus II/Silver|Battle of Eridanus II]] | | ***[[Battle of Eridanus II]] |
|
| |
|
| |title-6=Weapons| | | |title-6=Weapons| |
| *[[BR55 battle rifle]] | | *[[Type-2 gravity hammer]] |
| *[[Gravity hammer (fiction)|Gravity hammer]]
| |
| *[[M392 DMR]]
| |
| *[[M45 shotgun]]
| |
| *[[M6G magnum]]
| |
| *[[MA5C assault rifle]]
| |
| *[[Needler]]
| |
| *[[Okarda'phaa-pattern plasma rifle]]
| |
| *[[Plasma pistol]]
| |
| *[[SRS99-S7 AM sniper rifle]]
| |
|
| |
|
| |title-7=Vehicles| | | |title-7=Vehicles| |
| *[[M12 Chaingun Warthog]] | | *[[M12 Chaingun Warthog]] |
| *[[D80 Condor]] | | *[[D80 Condor]] |
| **''[[Condor 472]]''
| | *{{Class|CCS|battlecruiser}} |
| *{{Pattern|Ket|battlecruiser}} | |
| *[[Is'belox-pattern Banshee]] | | *[[Is'belox-pattern Banshee]] |
| *[[Taaku Xur-pattern Spirit]] | | *[[Taaku Xur-pattern Spirit]] |
| *{{Pattern|Ru'swum|Phantom}} | | *{{Pattern|Ru'swum|Phantom}} |
| *{{UNSCShip|Pioneer}} {{1st}} | | *{{UNSCShip|Pioneer}} {{1st}} |
| *{{Class|Zheng He|courier}}
| |
| **''[[Endymion II]]''
| |
|
| |
|
| *|title-8=Technology and equipment| | | *|title-8=Technology and equipment| |
| *[[Emotional regulator]] {{Mo}}
| |
| *[[Flash cloning]]
| |
| *[[Keystone]] | | *[[Keystone]] |
| *[[Luminary]]
| |
| }} | | }} |
|
| |
|
| ==Credits== | | ==Credits== |
| {{scrollbox|Directed by Jonathan Liebesman | | {{Expand-section}} |
| | |
| Written by Richard E. Robbins and Steven Kane
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Shabana Azmi
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * with Bokeem Woodbine and Natascha McElhone
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * Steven Kane
| |
| * Kiki Wolfkill
| |
| * Frank O’Connor
| |
| * Bonnie Ross
| |
| * Justin Falvey
| |
| * Darryl Frank
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Kyle Killen
| |
| * Scott Pennington
| |
| | |
| Co-Executive Producers
| |
| | |
| * Gian Paolo Varani
| |
| * Richard E. Robbins
| |
| * Justine Juel Gillmer
| |
| | |
| Supervising Producer Silka Luisa
| |
| | |
| Consulting Producer
| |
| | |
| * Mark Malone
| |
| * Katie Swain
| |
| | |
| Producer
| |
| | |
| * Sheila Hockin
| |
| * Charlotte Keating
| |
| * Michael Armbruster
| |
| | |
| Director of Photography Karl Walter Lindenlaub ASC
| |
| | |
| Production Designer Sophie Becher
| |
| | |
| Editor Aaron Marshall CCE
| |
| | |
| Music by Sean Callery
| |
| | |
| Casting by Jinya{{sic}} Jay and Olivia Brittain
| |
| | |
| Guest Starring
| |
| | |
| * Ryan McParland
| |
| | |
| Additional Cast (in Order of Appearance)
| |
| | |
| * Katie Rios Isaura Barbé-Brown
| |
| * Young John Casper Knopf
| |
| * Sangheili Guard Hans Peterson
| |
| | |
| Unit Production Managers
| |
| | |
| * Robert Bernacchi
| |
| * Gabi Csoma
| |
| | |
| First Assistant Directors
| |
| | |
| * Peter Freeman
| |
| * Tony Adler
| |
| | |
| Second Assistant Director Robyn Glaser
| |
| | |
| [[343 Industries|343]]/''Halo'' Transmedia Producer Cheryl Nebelsieck
| |
| | |
| 343/''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| 343/''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| 343/''Halo'' Franchise Producer Carlos Naranjo
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Director Andrew Ackland-Snow
| |
| | |
| Art Directors
| |
| | |
| * Gergo Rieger
| |
| * Kriszta Szilagyi
| |
| * Renato Cseh
| |
| | |
| Standby Art Director Jim McCallum
| |
| | |
| Lead Graphics Designer Eva Hartmann
| |
| | |
| Costume Designer Giovanni Lipari
| |
| | |
| Costume Supervisors
| |
| | |
| * Gabor Homonnay
| |
| * Balazs Labancz
| |
| | |
| Hair Designer Mauro Tamagnini
| |
| | |
| Make Up Designer Felicity Bowring
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| Special Effects Coordinators
| |
| | |
| * Balazs Boross
| |
| * Adam Szucs
| |
| | |
| Movement Coach/Choreographer Kristof Varnagy
| |
| | |
| Armoury Liam Byrne
| |
| | |
| Military Advisor Daniel Hirst
| |
| | |
| Set Decorators
| |
| | |
| * Adam Polgar
| |
| * Guy Potgieter
| |
| * Nimrod Hajdu
| |
| | |
| Property Master Andrew Orlando
| |
| | |
| Clearances Coordinator Paula Byrden
| |
| | |
| Stunt Coordinators
| |
| | |
| * Domonkos Pardanyi
| |
| * Brett Chan
| |
| | |
| Fight Coordinator Vi Dan Tran
| |
| | |
| A Camera Operator Michael Soos
| |
| | |
| B Camera Operators
| |
| | |
| * Adam Fillenz
| |
| * Gyorgy Reder
| |
| | |
| Camera First Assistants
| |
| | |
| * Tamas Janossa
| |
| * Adam Kliegl
| |
| * Tamas Olah
| |
| | |
| Gaffers
| |
| | |
| * Jonathan Spencer
| |
| * Laszlo Molnar
| |
| | |
| Key Grips
| |
| | |
| * Tommaso Mele
| |
| * Gabor Balda
| |
| * Paolo Tiberti
| |
| | |
| Production Supervisor Lyndzi Doyle
| |
| | |
| Assistant Production Manager Alex Balla
| |
| | |
| Production Coordinator Veronika Bojtos
| |
| | |
| Key Script Supervisor Morag Cameron
| |
| | |
| Script Supervisor Dora Sarkozi
| |
| | |
| Script Coordinator Joe Greskoviak
| |
| | |
| Writer's Assistant Iván Karajz
| |
| | |
| Production Sound Mixer Tamas Devenyi
| |
| | |
| Senior Location Manager Andras Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Daniel Toth
| |
| * Csaba Sepsi
| |
| * Viktor Mitev
| |
| | |
| Transport Coordinator Sandor Viseralek
| |
| | |
| Hungarian Casting by Katalin Baranyi
| |
| | |
| Additional Casting by
| |
| | |
| * Poping Auyeung
| |
| * Yoko Narahashi
| |
| * Su Kim
| |
| | |
| Child Casting Verity Naughton
| |
| | |
| Casting Associate Melissa Gethin Clarke
| |
| | |
| Casting Assistant Becky Rossmaur
| |
| | |
| ; Second Unit
| |
| Second Unit Director Tom Struthers
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Unit Production Manager Veronika Dobos
| |
| | |
| Assistant Unit Production Managers
| |
| | |
| * Zsigmond Cholnoky
| |
| * Gabor Bukai
| |
| | |
| Production Coordinator Anna Szoke
| |
| | |
| Director of Photography Gabor Marosi
| |
| | |
| Camera Operators
| |
| | |
| * Attila Pfeffer
| |
| * Nandor Gulyas
| |
| | |
| Gaffer Mark Czirjak
| |
| | |
| Key Grips
| |
| | |
| * David Kecskemeti
| |
| * George Anton
| |
| | |
| Art Directors
| |
| | |
| * Norbert Nagy
| |
| * Chris Heap
| |
| | |
| Key Hair Stylist Arianna Palmucci
| |
| | |
| Script Supervisor Julia Raczky
| |
| | |
| Sound Mixer Janos Csaki Jr.
| |
| | |
| DIT Robert Gradvolt
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Kolos Trimmel
| |
| * Peter Dano
| |
| * Carla Self
| |
| * Linda Gillespie
| |
| | |
| Language Consultant David J. Peterson
| |
| | |
| Dialogue Coach Hans Peterson
| |
| | |
| Digital Imaging Technicians
| |
| | |
| * Peter Racz
| |
| * Attila Tumbasz
| |
| | |
| Senior Colourist Bill Ferwerda
| |
| | |
| Senior Online Editor Adrian Saywell
| |
| | |
| Digital Dailies Supervisor Adam Jurkovich
| |
| | |
| Project Managers
| |
| | |
| * Sarah Riley
| |
| * Shane Allan
| |
| | |
| Post Producer Bill Goddard
| |
| | |
| Associate Producer Ian Keltie
| |
| | |
| Post Production Supervisor Lee Hughes
| |
| | |
| Post Production Coordinator Kathleen Harris
| |
| | |
| Post Production Coordinator (Deliverables) Renée Perrin
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy Maclean
| |
| * Simon Thede
| |
| | |
| Assistant Picture Editor Arielle Skolnik
| |
| | |
| Trainee Assistant Picture Editor Jesse Scarrow
| |
| | |
| Sound Designers Brennan Mercer
| |
| | |
| Supervising Sound Editor Jane Tattersall, MPSE
| |
| | |
| Supervising Sound Editor (ADR) Dale Sheldrake
| |
| | |
| Sound Effects Editors
| |
| | |
| * David Caporale
| |
| * Tyler Whitham
| |
| | |
| Dialogue Editor Claire Dobson
| |
| | |
| Music Editor Yuri Gorbachow
| |
| | |
| 1st Assistant Sound Editors
| |
| | |
| * Sue Fawcett
| |
| * Andrew Wright
| |
| * Nadya Hanlon
| |
| | |
| Re-Recording Mixers
| |
| | |
| * Lou Solakofski
| |
| * Matt Chan
| |
| | |
| Additional Re-Recording Mixer James Bastable
| |
| | |
| Lead Visual Effects Supervisor
| |
| | |
| * Dominic Remane
| |
| * Tom Turnbull
| |
| | |
| Visual Effects Producer Bill Halliday
| |
| | |
| Lead On Set VFX Supervisor Leann Harvey
| |
| | |
| On Set VFX Supervisors
| |
| | |
| * Jon Park
| |
| * Lee Wilson
| |
| | |
| VFX Production Manager Kelsey Thompson
| |
| | |
| Lead VFX Data Wrangler Tamas Udvardi
| |
| | |
| VFX Data Wrangler Bence Tobik
| |
| | |
| Assistant VFX Data Wranglers
| |
| | |
| * Bennett Gyurik
| |
| * Tamas Hajdu
| |
| | |
| Previz Consultant Jaron Clegg
| |
| | |
| ; Visual Effects by MPC
| |
| VFX Supervisor Tim Ledbury
| |
| | |
| Associate VFX Supervisor Izet Buco
| |
| | |
| CG Supervisor Sebastian Becker
| |
| | |
| Animation Supervisor Jed Fisher
| |
| | |
| Asset Supervisor Sam Lucas
| |
| | |
| VFX Producer Nicola Kingham
| |
| | |
| ; Visual Effects by Redefine
| |
| VFX Supervisor Vishal Anand
| |
| | |
| VFX Producer Bakshad Amrolia
| |
| | |
| Associate VFX Supervisor Izet Buco
| |
| | |
| VFX Production Manager Graham Tailleur
| |
| | |
| CG Supervisor Bruno Xiberras
| |
| | |
| Compositing Supervisor Gary Couto
| |
| | |
| ; Visual Effects by Mavericks VFX
| |
| Visual Effects Supervisor Randall Rosa
| |
| | |
| Visual Effects Producer Tracy Grant
| |
| | |
| Compositing Supervisor Brett Landon
| |
| | |
| VFX Compositor Laura Brewer
| |
| | |
| VFX Lighter Tarun Behal
| |
| | |
| FX Artist Maria Sahai
| |
| | |
| ; Visual Effects by Rodeo FX
| |
| Visual Effects Supervisor Patrick David
| |
| | |
| Visual Effects Producer Nancy Heller
| |
| | |
| CG Supervisor Xavier Lafarge
| |
| | |
| Compositing Supervisor Pierre-Hugues Vachon
| |
| | |
| VFX Asset Supervisor Vincent L'heureaux
| |
| | |
| Matte Painter Mai-anh Tran
| |
| | |
| ; Visual Effects by Pixomondo
| |
| Visual Effects Producer Becca Donohoe
| |
| | |
| Visual Effects Coordinator Taylor Jans
| |
| | |
| Matchmove Lead John Murnaghan
| |
| | |
| Layout Supervisor Michael Becki
| |
| | |
| Matte Painting Supervisor Dieter Magallan
| |
| | |
| Global Head of Pipeline Sebastian Kral
| |
| | |
| ; Visual Effects by Mr. X
| |
| Visual Effects Supervisor Craig Calvert
| |
| | |
| Senior Visual Effects Producer Luke Groves
| |
| | |
| Visual Effects Producer Nick Colangelo
| |
| | |
| CG Supervisor Kedar Nath Manapragada
| |
| | |
| Animation Supervisor Martin Hesselink
| |
| | |
| VFX Lighting Supervisor Viduttam Rajan Katkar
| |
| | |
| ; Visual Effects by Rocket Science VFX
| |
| Visual Effects Supervisor Tom Plaskett
| |
| | |
| Compositing Supervisor Mohsin Kazi
| |
| | |
| Lead Lighter Rachad Meya
| |
| | |
| VFX Producer JP Giamos
| |
| | |
| VFX Production Manager John Markle
| |
| | |
| VFX Production Coordinator Michael Osuszek
| |
| | |
| ; Visual Effects by Take 5
| |
| Assistant Production Manager Kealeagh Brewer
| |
| | |
| VFX Compositing Supervisor Maria Gordon
| |
| | |
| VFX Lead Compositor Jerry Lai
| |
| | |
| Lead Matte Painter Alphonso Young
| |
| | |
| VFX Compositors
| |
| | |
| * Travis Pond
| |
| * Vikram Chandran
| |
| * Corey Mayne
| |
| | |
| ; Visual Effects by Fillscrn
| |
| Compositing Supervisor Balázs Balogh
| |
| | |
| Digital Compositors
| |
| | |
| * Balázs Varga
| |
| * József Morvay
| |
| | |
| ; Visual Effects by Stereo D
| |
| VFX Supervisor Yael Majors<br>
| |
| Associate Line Producer Kari-Lyn Gravel<br>
| |
| Assistant Production Manager Hakimudding Hussain<br>
| |
| Assistant Roto Lead Dnyaneshwar Prabhakar Kakde<br>
| |
| Paint Artist Rahul Venkateshwar Chintawar<br>
| |
| Production Assistant Refo Yovarda
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Colour And Finish Company 3 Toronto
| |
| | |
| Dailies Colorfront
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Sound and Picture
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| | |
| Funded by the Government of Canada
| |
| | |
| Financé par le Gouvernement du Canada
| |
| | |
| * Creative BC
| |
| * Québec Cgre
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| | |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services In Hungary provided by Mid Atlantic Films
| |
| | |
| Producers
| |
| | |
| * Adam Goodman
| |
| * Howard Ellis
| |
| | |
| Head of Production Gergő Balika
| |
| | |
| Thank you to
| |
| | |
| The National Film Office-National Media and Info-Communications Authority Of Hungary and the Hungarian National Film Fund
| |
| | |
| National Film Institute Hungary
| |
| | |
| Supported by the Hungarian Film Incentive
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2022 Microsoft. ''Halo'', Master Chief, 343 Industries and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| Chapter E11ven
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+}}
| |
| | |
| ==Gallery== | | ==Gallery== |
| <gallery> | | <gallery> |
