| Latest revision |
Your text |
| Line 1: |
Line 1: |
| {{Status|RealWorld}} | | {{Era|RW}} |
| {{Stub}}
| | '''Episode 7''' is the seventh episode of the ''[[Halo: The Television Series]]'' first [[Halo: The Television Series Season One|season]].<ref name="hollywood">[https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628 '''The Hollywood Reporter''': 'Halo' TV Series Finds New Director]</ref> |
| {{Infobox/Media/Film/Episode
| |
| |previous=[[Solace (TV Series)|Solace]]
| |
| |next=[[Allegiance]]
| |
| |name=Inheritance
| |
| |image=[[File:HTV-Inheritance Mystics.jpg|300px]]
| |
| |series=''[[Halo: The Television Series]]''
| |
| |season=[[Halo: The Television Series Season One|Season One]]
| |
| |episode=07
| |
| |airdate=[[2022#May|May 5, 2022]]{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}}
| |
| |runtime=50 minutes, 44 seconds
| |
| |directors=Jessica Lowrey
| |
| |writers=Steven Kane
| |
| }}
| |
| '''Inheritance''' is the seventh episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#May|May 5, 2022]].{{Ref/Reuse|Futon}}{{Ref/Site|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}}
| |
| | |
| ==Official summary==
| |
| [[Kwan Ha|Kwan]]'s journey to uncover her family's "true purpose" takes her deep into the deserts of [[Madrigal/Silver|Madrigal]]. [[Soren-066/Silver|Soren]] obsesses over unfinished business.{{Ref/Site|URL=https://www.paramountplus.com/shows/video/8V3oehZmeFtfuCgpSSlCS4Lp4Jema_3G/|Site=Paramount Plus|Page=Halo - Inheritance|D=22|M=12|Y=2023}}
| |
| | |
| ==Plot==
| |
| {{Expand-section}}
| |
| | |
| ==Appearances==
| |
| {{Expand-section}}
| |
| {{Featurelist|secondcolumn=title-5
| |
| |title-1=Characters|
| |
| *[[Desiderata]] {{1st}}
| |
| *[[Jin Ha]] {{c|Flashback & hallucination}}
| |
| *[[John-117/Silver|John-117]] {{c|Hallucination}}
| |
| *[[Kessler]]
| |
| *[[Kwan Ha]]
| |
| *[[Laera]]
| |
| *[[Madrigal Monitor]] {{1st}}
| |
| *[[Reth/Silver|Reth]] {{c|Hallucination}}
| |
| *[[Soren-066/Silver|Soren-066]]
| |
| *[[Squirrel (human)|Squirrel]]
| |
| *[[Vinsher Grath]]
| |
| *[[Violetta Franco]] {{Mo}}
| |
| | |
| |title-2=Species|
| |
| *[[Human]]
| |
| *[[Sangheili]] {{c|Corpses only}}
| |
| *[[Quadwing]] {{Mo}}
| |
| | |
| |title-3=Organizations|
| |
| *[[Desert mystics]] {{1st}}
| |
| *[[Covenant]] {{Mo}}
| |
| *[[Insurrection]]
| |
| *[[United Nations Space Command]] {{Mo}}
| |
| **[[UNSC Marine Corps]] {{Mo}}
| |
| | |
| |title-4=Locations|
| |
| *[[23 Librae system]]
| |
| **[[Hesiod]]
| |
| ***[[The Rubble]]
| |
| **[[Madrigal]]
| |
| ***[[Jin Ha's Outpost]]
| |
| | |
| |title-5=Events|
| |
| *[[Insurrection]]
| |
| **[[Battle of Jin Ha's Outpost]] {{1st}}
| |
| *[[Human-Covenant War/Silver|Human-Covenant War]]
| |
| **[[Operation: DEFIANT GLASS]] {{Mo}}
| |
| | |
| |title-6=Weapons|
| |
| *[[MA5C assault rifle]]
| |
| *{{Pattern|Anskum|plasma grenade}}
| |
| | |
| |title-7=Vehicles|
| |
| *[[D80 Condor]]
| |
| **''[[Condor 325]]'' {{c|Hallucination only}}
| |
| *[[Soren's ship]]
| |
| | |
| |title-8=Technology and equipment|
| |
| *[[Artificial intelligence]]
| |
| **[[Monitor]]
| |
| }}
| |
| | |
| ==Credits==
| |
| {{scrollbox|Directed by Jessica Lowrey
| |
| | |
| Written by Steven Kane
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Shabana Azmi
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * with Bokeem Woodbine and Natascha McElhone
| |
| | |
| Also Starring
| |
| | |
| * Burn Gorman
| |
| * Fiona O’Shaughnessy
| |
| * Johann Myers
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * Steven Kane
| |
| * Kiki Wolfkill
| |
| * Frank O’Connor
| |
| * Bonnie Ross
| |
| * Justin Falvey
| |
| * Darryl Frank
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Kyle Killen
| |
| * Scott Pennington
| |
| | |
| Co-Executive Producers
| |
| | |
| * Gian Paolo Varani
| |
| * Richard E. Robbins
| |
| * Justine Juel Gillmer
| |
| | |
| Supervising Producer Silka Luisa
| |
| | |
| Consulting Producer
| |
| | |
| * Mark Malone
| |
| * Katie Swain
| |
| | |
| Producer
| |
| | |
| * Sheila Hockin
| |
| * Charlotte Keating
| |
| * Michael Armbruster
| |
| | |
| Director of Photography Ed Wild BSC
| |
| | |
| Production Designer Sophie Becher
| |
| | |
| Editor Geoff Ashenhurst
| |
| | |
| Music by Sean Callery
| |
| | |
| Casting by Jinya{{sic}} Jay and Olivia Brittain
| |
| | |
| Guest Starring
| |
| | |
| * Jung Hwan Gong
| |
| | |
| Additional Cast (in Order of Appearance)
| |
| | |
| * Malchin Felipe Gabriel Mariano
| |
| * Agatha Terne Nila Aalia
| |
| * Soojin Ha Yuna Shin
| |
| * Raphael Bivas Martin Fisher
| |
| * Young Father J. Sebastian Lee
| |
| * Professor Ian Pirie
| |
| * Ruben Sky Yang
| |
| * Filip Petér Jankovics
| |
| * Daranka Nóra Trokán
| |
| * Squirrel Gábor Nagypál
| |
| * Trokan Anna Trokán
| |
| * Kessler Tylan Bailey
| |
| * Desiderata Josette Simon
| |
| * Pete Máté Bede-Fazekas
| |
| * Man at the Well Joshua Jo
| |
| | |
| Unit Production Managers
| |
| | |
| * Gabi Csoma
| |
| * Robert Bernacchi
| |
| | |
| First Assistant Director Dale Butler
| |
| | |
| Second Assistant Director Nadia Brand
| |
| | |
| [[343 Industries|343]]/''Halo'' Transmedia Producer Cheryl Nebelsieck
| |
| | |
| 343/''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| 343/''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| 343/''Halo'' Franchise Producer Carlos Naranjo
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Director Kiera Tudway
| |
| | |
| Art Directors
| |
| | |
| * Gergo Rieger
| |
| * Kriszta Szilagyi
| |
| * Matt Sims
| |
| * Richard Campling
| |
| | |
| Standby Art Director Jim McCallum
| |
| | |
| Lead Graphics Designer Eva Hartmann
| |
| | |
| Costume Designer Giovanni Lipari
| |
| | |
| Costume Supervisors
| |
| | |
| * Gabor Homonnay
| |
| * Balazs Labancz
| |
| | |
| Hair Designer Mauro Tamagnini
| |
| | |
| Series Make Up Designer Felicity Bowring
| |
| | |
| Make Up Designer Talli Patcher
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| Special Effects Coordinator Adam Szucs
| |
| | |
| Movement Coach/Choreographer Kristof Varnagy
| |
| | |
| Armoury Liam Byrne
| |
| | |
| Military Advisor Daniel Hirst
| |
| | |
| Set Decorators
| |
| | |
| * Guy Potgieter
| |
| * Nimrod Hajdu
| |
| | |
| Property Master Andrew Orlando
| |
| | |
| Clearances Coordinator Paula Byrden
| |
| | |
| Stunt Coordinator Brett Chan
| |
| | |
| Fight Coordinator Johnny Yang
| |
| | |
| A Camera/Steadicam Operator Michael Soos
| |
| | |
| B Camera Operators
| |
| | |
| * Adam Fillenz
| |
| * Gyorgy Reder
| |
| | |
| Camera First Assistants
| |
| | |
| * Tamas Janossa
| |
| * Adam Kliegl
| |
| * Tamas Olah
| |
| | |
| Gaffers
| |
| | |
| * Will Finch
| |
| * Laszlo Molnar
| |
| | |
| Key Grips
| |
| | |
| * Gabor Balda
| |
| * Paolo Tiberti
| |
| | |
| Production Supervisor Lyndzi Doyle
| |
| | |
| Assistant Production Manager Alex Balla
| |
| | |
| Production Coordinator Veronika Bojtos
| |
| | |
| Key Script Supervisor Morag Cameron
| |
| | |
| Script Coordinator Joe Greskoviak
| |
| | |
| Writer's Assistant Iván Karajz
| |
| | |
| Production Sound Mixer Tamas Devenyi
| |
| | |
| Senior Location Manager Andras Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Daniel Toth
| |
| * Csaba Sepsi
| |
| * Viktor Mitev
| |
| | |
| Additional Voice Casting by Phoebe Scholfield
| |
| | |
| Child Casting Verity Naughton
| |
| | |
| Casting Associate Melissa Gethin Clarke
| |
| | |
| Casting Assistant Becky Rossmaur
| |
| | |
| ; Second Unit
| |
| Second Unit Director Tom Struthers
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Unit Production Manager Veronika Dobos
| |
| | |
| Assistant Unit Production Manager Gabor Bukai
| |
| | |
| Director of Photography Gabor Marosi
| |
| | |
| Camera Operators Nandor Gulyas
| |
| | |
| Gaffer Mark Czirjak
| |
| | |
| Key Grips George Anton
| |
| | |
| Art Directors Chris Heap
| |
| | |
| Script Supervisor Julia Raczky
| |
| | |
| Sound Mixer Otto Olah
| |
| | |
| Video Assist Operator Jan Wachowski
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Kolos Trimmel
| |
| * Peter Dano
| |
| * Carla Self
| |
| * Linda Gillespie
| |
| | |
| Language Consultant David J. Peterson
| |
| | |
| Dialogue Coach Hans Peterson
| |
| | |
| Digital Imaging Technicians
| |
| | |
| * Peter Racz
| |
| * Attila Tumbasz
| |
| | |
| Senior Colourist Bill Ferwerda
| |
| | |
| Senior Online Editor Adrian Saywell
| |
| | |
| Digital Dailies Supervisor Adam Jurkovich
| |
| | |
| Project Managers
| |
| | |
| * Sarah Riley
| |
| * Shane Allan
| |
| | |
| Post Producer Bill Goddard
| |
| | |
| Associate Producer Ian Keltie
| |
| | |
| Post Production Supervisor Lee Hughes
| |
| | |
| Post Production Coordinator Kathleen Harris
| |
| | |
| Post Production Coordinator (Deliverables) Renée Perrin
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy Maclean
| |
| | |
| Trainee Assistant Picture Editor Jesse Scarrow
| |
| | |
| Sound Designer Brennan Mercer
| |
| | |
| Supervising Sound Editor Dale Sheldrake
| |
| | |
| Sound Effects Editor David Caporale
| |
| | |
| Dialogue Editors
| |
| | |
| * Claire Dobson
| |
| * Krystin Hunter
| |
| | |
| Music Editor Yuri Gorbachow
| |
| | |
| 1st Assistant Sound Editors
| |
| | |
| * Sue Fawcett
| |
| * Andrew Wright
| |
| * Nadya Hanlon
| |
| | |
| Re-Recording Mixers
| |
| | |
| * Lou Solakofski
| |
| * Matt Chan
| |
| | |
| Lead Visual Effects Supervisor
| |
| | |
| * Tom Turnbull
| |
| * Dominic Remane
| |
| | |
| Visual Effects Producer Bill Halliday
| |
| | |
| Lead On Set VFX Supervisor Leann Harvey
| |
| | |
| On Set VFX Supervisor Jon Park
| |
| | |
| VFX Production Manager Kelsey Thompson
| |
| | |
| Lead VFX Data Wrangler Tamas Udvardi
| |
| | |
| VFX Data Wrangler Bence Tobik
| |
| | |
| Assistant VFX Data Wranglers
| |
| | |
| * Bennett Gyurik
| |
| * Tamas Hajdu
| |
| | |
| ; Visual Effects by Rodeo FX
| |
| Visual Effects Supervisor Patrick David
| |
| | |
| Visual Effects Producer Nancy Heller
| |
| | |
| CG Supervisor Xavier Lafarge
| |
| | |
| Compositing Supervisor Pierre-Hugues Vachon
| |
| | |
| VFX Asset Supervisor Vincent L'heureaux
| |
| | |
| Matte Painter Mai-anh Tran
| |
| | |
| ; Visual Effects by Goodbye Kansas Studios
| |
| VFX Supervisors
| |
| | |
| * Peter Muyzers
| |
| * Jason Gross
| |
| | |
| CG Supervisor Martin Törnestedt
| |
| | |
| Senior VFX Producer Matilda Olsson
| |
| | |
| VFX Coordinator Josefine Jakobsson
| |
| | |
| Compositing Lead Daniel Norlund
| |
| | |
| ; Visual Effects by Stereo D
| |
| VFX Supervisor Grant Lee
| |
| | |
| VFX Line Producer Melissa Espina
| |
| | |
| Associate Line Producer Amod Diwakar
| |
| | |
| VFX Production Manager Skye Morandin
| |
| | |
| Roto Artist Ajay Saini
| |
| | |
| Paint Artist Vikas Gandhale
| |
| | |
| ; Visual Effects by Mr. X
| |
| Visual Effects Supervisor Craig Calvert
| |
| | |
| Senior Visual Effects Producer Luke Groves
| |
| | |
| Visual Effects Producer Nick Colangelo
| |
| | |
| CG Supervisor Kedar Nath Manapragada
| |
| | |
| Animation Supervisor Martin Hesselink
| |
| | |
| VFX Lighting Supervisor Viduttam Rajan Katkar
| |
| | |
| ; Visual Effects by Take 5
| |
| VFX Compositing Supervisor Maria Gordon
| |
| | |
| VFX Lead Compositor Jerry Lai
| |
| | |
| Lead Matte Painter Alphonso Young
| |
| | |
| VFX Compositors
| |
| | |
| * Yuri Shubenin
| |
| * Genesis Rivas
| |
| * Denis St. Pierre
| |
| | |
| ; Visual Effects by Mavericks VFX
| |
| Visual Effects Supervisor Randall Rosa
| |
| | |
| Production Manager Mark Ferguson
| |
| | |
| Visual Effects Coordinator Caleb Hutchinson
| |
| | |
| Digital Artists Dominic Cheung
| |
| | |
| Visual Effects Compositors Rashida Brown
| |
| | |
| VFX Tracking Artist Daniel Lowenberg
| |
| | |
| ; Visual Effects by Fillscrn
| |
| Compositing Supervisor Balázs Balogh
| |
| | |
| Digital Compositors
| |
| | |
| * Balázs Varga
| |
| * József Morvay
| |
| | |
| ; Visual Effects by Frame Distillery
| |
| Visual Effects Supervisor Rob Del Ciancio<br>
| |
| CG Supervisor Steve McArdle
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Colour and Finish Company 3 Toronto
| |
| | |
| Dailies Colorfront
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Sound and Picture
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| | |
| Funded by the Government of Canada
| |
| | |
| Financé par le Gouvernement du Canada
| |
| | |
| * Creative BC
| |
| * Québec Cgre
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| | |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services In Hungary provided by Mid Atlantic Films
| |
| | |
| Producers
| |
| | |
| * Adam Goodman
| |
| * Howard Ellis
| |
| | |
| Head of Production Gergő Balika
| |
| | |
| Thank you to
| |
| | |
| The National Film Office-National Media and Info-Communications Authority Of Hungary and the Hungarian National Film Fund
| |
| | |
| National Film Institute Hungary
| |
| | |
| Supported by the Hungarian Film Incentive
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2022 Microsoft. ''Halo'', Master Chief, 343 Industries and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| Many of the ''Halo'' games include notable music composed by [[Martin O'Donnell]] and [[Michael Salvatori]].
| |
| | |
| Chapter E11ven
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+}}
| |
| | |
| ==Trivia==
| |
| Just before [[Kwan Ha]] shoots the Sky Pipe, the ammo counter on [[John-117/Silver|John-117]]'s discarded [[MA5C]] reads 01, meaning that there was only one bullet left in it.
| |
|
| |
|
| ==Sources== | | ==Sources== |
