| Latest revision |
Your text |
| Line 1: |
Line 1: |
| {{Status|RealWorld}} | | {{Iris}} |
| {{Stub}}
| | '''Episode 04''' is the fourth of five "episodes" in the [[Iris]] campaign. It can be found at [http://206.16.223.61/S17bqp/flash/web/index.html http://206.16.223.61/S17bqp/flash/web/index.html]. Once the page is loaded, there is a floating and rotating thing, with several [[Forerunner glyphs]] on it. Three of them link to files to download, and one links to a video that can be played. One of the files, Log4_Transcript.txt, contains the transcript of the video: |
| {{Infobox/Media/Film/Episode
| |
| |previous=[[Emergence]]
| |
| |next=[[Reckoning]]
| |
| |name=Homecoming
| |
| |image=[[File:HTV-Homecoming Eridanus.jpg|300px]]
| |
| |series=''[[Halo: The Television Series]]''
| |
| |season=[[Halo: The Television Series Season One|Season One]]
| |
| |episode=04
| |
| |airdate=[[2022#April|April 14, 2022]]{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}}
| |
| |runtime=54 minutes, 33 seconds
| |
| |directors=Roel Reiné
| |
| |writers=Justine Juel Gillmer<br>Steven Kane
| |
| }}
| |
| '''Homecoming''' is the fourth episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#April|April 14, 2022]].{{Ref/Reuse|Futon}}{{Ref/Site|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}}
| |
|
| |
|
| ==Official summary==
| | <pre>The Conservation Measure is the only sweet note in this discordant symphony we've arranged. |
| Guided by his visions, [[John-117/Silver|John]] takes [[Catherine Halsey/Silver|Halsey]] and [[Cortana/Silver|Cortana]] back to [[Eridanus II/Silver|where it all began]], looking for answers from his past. With [[Soren-066/Silver|Soren]] along for protection, [[Kwan Ha|Kwan]] goes in search of an army. Meanwhile, John's behavior inspires [[Kai-125/Silver|another]] [[Spartan]] to begin a journey of self-discovery. And [[Miranda Keyes/Silver|Miranda]] discovers a possible link between the [[Keystone|artifact]] and [[Halo Array|something much larger]].{{Ref/Site|URL=https://www.paramountplus.com/shows/video/kMvdjm6mRt4uSzRFZ_w_0BZmLQunWHwr/|Site=Paramount Plus|Page=Halo - Homecoming|D=22|M=12|Y=2023}}
| | {//} (IT'S THE ONLY CONSTRUCTIVE ACTIVITY IN DECADES OF DESTRUCTION) |
| | {//} (RESEARCHING THE ADVERSARY AS WE PROTECT THE WORTHY) |
| | We know that the Flood's biology is alien enough that it must be extragalactic in origin. |
| | But where did it come from? |
| | {//} (AND WHY DID IT COME HERE?) |
| | </pre> |
| | [[Image:StarImage4.jpg|thumb|left|150px|StarImage4.jpg]] |
| | [[Image:Unknown.jpg|thumb|right|150px|unknown.jpg]] |
| | Another file, unknown.jpg, has a picture of the stars with a strange colorful shape in the middle. Another picture, StarImage4.jpg, is a picture of the stars with [[AdjutantReflex]]'s avatar. |
|
| |
|
| ==Plot==
| | {{IrisEpisodes}} |
| {{Expand-section}} | |
| | |
| ==Appearances==
| |
| {{Expand-section}}
| |
| {{Featurelist|secondcolumn=title-5
| |
| |title-1=Characters|
| |
| *[[Adun Saly]]
| |
| *[[Agatha]] {{1st}}
| |
| *[[Attu]] {{1st}}
| |
| *[[Catherine Halsey/Silver|Catherine Halsey]]
| |
| *[[Cody]] {{Fm}}
| |
| *[[Cortana/Silver|Cortana]]
| |
| *[[Ellie]]
| |
| *[[Eloise]] {{Fm}}
| |
| *[[Franklin Mendez/Silver|Franklin Mendez]]
| |
| *[[Ivan]] {{Fm}}
| |
| *[[Jai-006/Silver|Jai-006]] {{Mo}}
| |
| *[[Jin Ha]] {{Mo}}
| |
| *[[John-117/Silver|John-117]]
| |
| *[[Kai-125/Silver|Kai-125]]
| |
| *[[Makee]] {{c|Flashback only}}
| |
| *[[Miranda Keyes/Silver|Miranda Keyes]]
| |
| *[[Kwan Ha]]
| |
| *[[Preston Cole]] {{Mo}}
| |
| *[[Riz-028/Silver|Riz-028]]
| |
| *[[Soojin Ha]] {{1st}}
| |
| *[[Soren-066/Silver|Soren-066]]
| |
| *[[Wikipedia:Sun Tzu|Sun Tzu]] {{Mo}}
| |
| *[[Vannak-134/Silver|Vannak-134]]
| |
| *[[Vinsher Grath]]
| |
| *[[Violetta Franco]] {{1st}}
| |
| | |
| |title-2=Species|
| |
| *[[Human]]
| |
| *[[Lekgolo]]
| |
| *[[Sangheili]]
| |
| *[[Unggoy]] {{Mo}}
| |
| | |
| |title-3=Organizations|
| |
| *[[Covenant]]
| |
| *[[Desert mystics]] {{Fm}}
| |
| *[[United Nations Space Command]]
| |
| **[[UNSC Navy]]
| |
| ***[[UNSC Fleet Command]]
| |
| ****[[Asymmetric Warfare Research Group]]
| |
| *****[[SPARTAN-II program]]
| |
| ******[[Silver Team/Silver|Silver Team]]
| |
| *[[Insurrection]] {{Mo}}
| |
| | |
| |title-4=Locations|
| |
| *[[Epsilon Eridani system]]
| |
| **[[Reach]]
| |
| *[[Eridanus system]]
| |
| **[[Eridanus II]]
| |
| ***[[Reach for Life installation]]
| |
| ****[[John-117's childhood home]]
| |
| *[[23 Librae system]]
| |
| **[[Madrigal]]
| |
| ***[[Granada]] {{Mo}}
| |
| ***[[Madrigal City]]
| |
| **[[The Rubble]] {{Mo}}
| |
| *[[New Carthage]] {{Mo}}
| |
| *[[Sedra]] {{Mo}}
| |
| | |
| |title-5=Events|
| |
| *[[Insurrection]] {{Mo}}
| |
| *[[Human-Covenant War/Silver|Human-Covenant War]] {{Mo}}
| |
| **[[Hunt for the Forerunner Keystone]]
| |
| ***[[Attack on Madrigal]] {{Mo}}
| |
| ***[[Skirmish on Gladius]] {{Mo}}
| |
| | |
| |title-6=Weapons|
| |
| *{{Pattern|Okarda'phaa|plasma rifle}}
| |
| *[[Type-33 needler]]
| |
| *{{Pattern|Vostu|carbine}}
| |
| *[[M6G magnum]]
| |
| *[[SRS99-S7 AM sniper rifle]]
| |
| |title-7=Vehicles|
| |
| | |
| |title-8=Technology and equipment|
| |
| *[[Emotional regulator]]
| |
| *[[Keystone]]
| |
| *[[MJOLNIR Powered Assault Armor/Mark VI]]
| |
| }}
| |
| | |
| ==Credits==
| |
| {{scrollbox|Directed by Roel Reiné
| |
| | |
| Written by Justine Juel Gillmer and Steven Kane
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Shabana Azmi
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * with Bokeem Woodbine and Natascha McElhone
| |
| | |
| Also Starring
| |
| | |
| * Burn Gorman
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * Steven Kane
| |
| * Kiki Wolfkill
| |
| * Frank O’Connor
| |
| * Bonnie Ross
| |
| * Darryl Frank
| |
| * Justin Falvey
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Kyle Killen
| |
| * Scott Pennington
| |
| | |
| Co-Executive Producers
| |
| | |
| * Gian Paolo Varani
| |
| * Richard E. Robbins
| |
| * Justine Juel Gillmer
| |
| | |
| Supervising Producer Silka Luisa
| |
| | |
| Consulting Producer
| |
| | |
| * Mark Malone
| |
| * Katie Swain
| |
| | |
| Producer
| |
| | |
| * Sheila Hockin
| |
| * Charlotte Keating
| |
| * Michael Armbruster
| |
| | |
| Director of Photography Eric Kress DFF
| |
| | |
| Production Designer Sophie Becher
| |
| | |
| Editor Maxime Lahaie
| |
| | |
| Music by Sean Callery
| |
| | |
| Casting by Jinya{{sic}} Jay and Olivia Brittain
| |
| | |
| Guest Starring
| |
| | |
| * Ryan McParland
| |
| * Angie Cepeda
| |
| | |
| Additional Cast (in Order of Appearance)
| |
| | |
| * Sergeant Mendez Sebastián Capitán Viveros
| |
| * Young John Casper Knopf
| |
| * John's Mother Sarah Ridgeway
| |
| * Jong Sook Khash-Erdene Ganbold
| |
| * Attu Ali Khan
| |
| * Madrigal Elder Jaram Lee
| |
| * Agatha Terne Nila Aalia
| |
| * John's Father Duncan Pow
| |
| * Soojin Ha Yuna Shin
| |
| * Fazekas Scott Karim
| |
| | |
| Unit Production Managers
| |
| | |
| * Robert Bernacchi
| |
| * Gabi Csoma
| |
| | |
| First Assistant Director Dale Butler
| |
| | |
| Second Assistant Director Nadia Brand
| |
| | |
| [[343 Industries|343]]/''Halo'' Transmedia Producer Cheryl Nebelsieck
| |
| | |
| 343/''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| 343/''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| 343/''Halo'' Franchise Producer Carlos Naranjo
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Directors
| |
| | |
| * Andrew Ackland-Snow
| |
| * Kiera Tudway
| |
| | |
| Art Directors
| |
| | |
| * Matt Sims
| |
| * Brett Hirson
| |
| * Gergo Rieger
| |
| * Kriszta Szilagyi
| |
| * Renato Cseh
| |
| | |
| Standby Art Director Jim McCallum
| |
| | |
| Lead Graphics Designer Eva Hartmann
| |
| | |
| Costume Designer Giovanni Lipari
| |
| | |
| Costume Supervisors
| |
| | |
| * Gabor Homonnay
| |
| * Balazs Labancz
| |
| | |
| Hair Designer Mauro Tamagnini
| |
| | |
| Make Up Designer Felicity Bowring
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| Special Effects Coordinators
| |
| | |
| * Balazs Boross
| |
| * Adam Szucs
| |
| | |
| Movement Coach/Choreographer Kristof Varnagy
| |
| | |
| Armoury Liam Byrne
| |
| | |
| Military Advisor Daniel Hirst
| |
| | |
| Set Decorators
| |
| | |
| * Adam Polgar
| |
| * Guy Potgieter
| |
| | |
| Property Master Andrew Orlando
| |
| | |
| Clearances Coordinator Paula Byrden
| |
| | |
| Stunt Coordinator Domonkos Pardanyi
| |
| | |
| A Camera Operator Michael Soos
| |
| | |
| B Camera Operators
| |
| | |
| * Adam Fillenz
| |
| * Gyorgy Reder
| |
| | |
| Camera First Assistants
| |
| | |
| * Tamas Janossa
| |
| * Adam Kliegl
| |
| * Tamas Olah
| |
| | |
| Gaffers
| |
| | |
| * Oliver Whickman
| |
| * Laszlo Molnar
| |
| | |
| Key Grips
| |
| | |
| * Tommaso Mele
| |
| * Gabor Balda
| |
| | |
| Production Supervisor Lyndzi Doyle
| |
| | |
| Assistant Production Manager Alex Balla
| |
| | |
| Production Coordinator Veronika Bojtos
| |
| | |
| Key Script Supervisor Morag Cameron
| |
| | |
| Script Supervisor Dora Sarkozi
| |
| | |
| Script Coordinator Joe Greskoviak
| |
| | |
| Writer's Assistant Iván Karajz
| |
| | |
| Production Sound Mixer Tamas Devenyi
| |
| | |
| Senior Location Manager Andras Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Daniel Toth
| |
| * Csaba Sepsi
| |
| * Viktor Mitev
| |
| | |
| Transport Coordinator Sandor Viseralek
| |
| | |
| Hungarian Casting by Katalin Baranyi
| |
| | |
| Additional Casting by
| |
| | |
| * Poping Auyeung
| |
| * Yoko Narahashi
| |
| * Su Kim
| |
| | |
| Child Casting Verity Naughton
| |
| | |
| Casting Associate Melissa Gethin Clarke
| |
| | |
| Casting Assistant Becky Rossmaur
| |
| | |
| ; Second Unit
| |
| Second Unit Director Tom Struthers
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Unit Production Manager Veronika Dobos
| |
| | |
| Assistant Unit Production Managers
| |
| | |
| * Zsigmond Cholnoky
| |
| * Gabor Bukai
| |
| | |
| Production Coordinator Anna Szoke
| |
| | |
| Director of Photography Gabor Marosi
| |
| | |
| Camera Operators
| |
| | |
| * Attila Pfeffer
| |
| * Nandor Gulyas
| |
| | |
| Gaffer Mark Czirjak
| |
| | |
| Key Grips
| |
| | |
| * David Kecskemeti
| |
| * George Anton
| |
| | |
| Art Directors
| |
| | |
| * Norbert Nagy
| |
| * Mate Kovacsi
| |
| | |
| Key Hair Stylist Arianna Palmucci
| |
| | |
| Script Supervisor Julia Raczky
| |
| | |
| Sound Mixer Janos Csaki Jr.
| |
| | |
| DIT Robert Gradvolt
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Kolos Trimmel
| |
| * Peter Dano
| |
| * Carla Self
| |
| * Linda Gillespie
| |
| | |
| Language Consultant David J. Peterson
| |
| | |
| Dialogue Coach Hans Peterson
| |
| | |
| Digital Imaging Technicians Peter Racz
| |
| | |
| Senior Colourist Bill Ferwerda
| |
| | |
| Senior Online Editor Adrian Saywell
| |
| | |
| Digital Dailies Supervisor Adam Jurkovich
| |
| | |
| Project Managers
| |
| | |
| * Sarah Riley
| |
| * Shane Allan
| |
| | |
| Post Producer Bill Goddard
| |
| | |
| Associate Producer Ian Keltie
| |
| | |
| Post Production Supervisor Lee Hughes
| |
| | |
| Post Production Coordinator Kathleen Harris
| |
| | |
| Post Production Coordinator (Deliverables) Renée Perrin
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy Maclean
| |
| * Simon Thede
| |
| | |
| Assistant Picture Editor Arielle Skolnik
| |
| | |
| Trainee Assistant Picture Editor Jesse Scarrow
| |
| | |
| Sound Designers Brennan Mercer
| |
| | |
| Supervising Sound Editor Jane Tattersall, MPSE
| |
| | |
| Supervising Sound Editor (ADR) Dale Sheldrake
| |
| | |
| Sound Effects Editor David Caporale
| |
| | |
| Dialogue Editor Claire Dobson
| |
| | |
| “The Lake of Eternal Life”
| |
| | |
| Performed by Jaram Lee
| |
| | |
| Composed by Abel Korzeniowski
| |
| | |
| Lyrics by Steven Kane
| |
| | |
| Music Editor Yuri Gorbachow
| |
| | |
| 1st Assistant Sound Editors
| |
| | |
| * Sue Fawcett
| |
| * Andrew Wright
| |
| * Nadya Hanlon
| |
| | |
| Re-Recording Mixers
| |
| | |
| * Lou Solakofski
| |
| * Matt Chan
| |
| | |
| Lead Visual Effects Supervisor
| |
| | |
| * Tom Turnbull
| |
| * Dominic Remane
| |
| | |
| Visual Effects Producer Bill Halliday
| |
| | |
| Lead On Set VFX Supervisor Leann Harvey
| |
| | |
| VFX Production Manager Kelsey Thompson
| |
| | |
| Lead VFX Data Wrangler Tamas Udvardi
| |
| | |
| VFX Data Wrangler Bence Tobik
| |
| | |
| Assistant VFX Data Wranglers
| |
| | |
| * Bennett Gyurik
| |
| * Tamas Hajdu
| |
| | |
| ; Visual Effects by Rocket Science VFX
| |
| Visual Effects Supervisor Tom Plaskett
| |
| | |
| DFX Supervisor Chris Zammit
| |
| | |
| CG Supervisor Amiy Shrivastava
| |
| | |
| Compositing Supervisor Mohsin Kazi
| |
| | |
| VFX Producer JP Giamos
| |
| | |
| VFX Production Manager John Markle
| |
| | |
| ; Visual Effects by Pixomondo
| |
| Visual Effects Supervisor Phil Prates
| |
| | |
| Lead Character/Creature Artist Toshi Kosaka
| |
| | |
| Layout/Previz Lead Matt Ralph
| |
| | |
| Visual Effects Producer Nicole Cedic
| |
| | |
| Senior Compositor Rick Smith
| |
| | |
| Pipeline TD Jose Alejandro Enriquez
| |
| | |
| ; Visual Effects by Rodeo FX
| |
| Visual Effects Supervisor Patrick David
| |
| | |
| Visual Effects Producer Nancy Heller
| |
| | |
| CG Supervisor Xavier Lafarge
| |
| | |
| Compositing Supervisor Pierre-Hugues Vachon
| |
| | |
| VFX Asset Supervisor Vincent L'heureaux
| |
| | |
| Matte Painter Mai-anh Tran
| |
| | |
| ; Visual Effects by Mr. X
| |
| Visual Effects Supervisor Craig Calvert
| |
| | |
| Senior Visual Effects Producer Luke Groves
| |
| | |
| Visual Effects Producer Nick Colangelo
| |
| | |
| CG Supervisor Kedar Nath Manapragada
| |
| | |
| Animation Supervisor Martin Hesselink
| |
| | |
| VFX Lighting Supervisor Viduttam Rajan Katkar
| |
| | |
| ; Visual Effects by Mavericks VFX
| |
| Visual Effects Supervisor Randall Rosa
| |
| | |
| Visual Effects Producer Tracy Grant
| |
| | |
| CG Department Coordinator Tae Hyun Kim
| |
| | |
| VFX Compositor Aditi Chowdhury
| |
| | |
| VFX Layout Artist Nizar Mohamed
| |
| | |
| VFX Lighter Ameek Singh
| |
| | |
| ; Visual Effects by Take 5
| |
| Assistant Production Manager Kealeagh Brewer
| |
| | |
| VFX Compositing Supervisor Maria Gordon
| |
| | |
| VFX Lead Compositor Jerry Lai
| |
| | |
| Lead Matte Painter Alphonso Young
| |
| | |
| VFX Compositors
| |
| | |
| * Travis Pond
| |
| * Vikram Chandran
| |
| | |
| ; Visual Effects by Fillscrn
| |
| Compositing Supervisor Balázs Balogh
| |
| | |
| Digital Compositors
| |
| | |
| * Balázs Varga
| |
| * Andor Záhonyi
| |
| * Róbert Illés
| |
| * Dóra Bárány
| |
| * Attila Czeglédi
| |
| | |
| ; Visual Effects by Fuse FX
| |
| VFX Supervisor Marcus Levere<br>
| |
| Lead Compositor Udit Mohan<br>
| |
| Lead FX Artist Chris Hempel<br>
| |
| VFX Producer Fikayo Ogundare<br>
| |
| VFX Coordinator Sebastian Tirlui<br>
| |
| CG Supervisor Sean Ritchie
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Colour And Finish Company 3 Toronto
| |
| | |
| Dailies Colorfront
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Sound and Picture
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| | |
| Funded by the Government of Canada
| |
| | |
| Financé par le Gouvernement du Canada
| |
| | |
| * Creative BC
| |
| * Québec Cgre
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| | |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services In Hungary provided by Mid Atlantic Films
| |
| | |
| Producers
| |
| | |
| * Adam Goodman
| |
| * Howard Ellis
| |
| | |
| Head of Production Gergő Balika
| |
| | |
| Thank you to
| |
| | |
| The National Film Office-National Media and Info-Communications Authority Of Hungary and the Hungarian National Film Fund
| |
| | |
| National Film Institute Hungary
| |
| | |
| Supported by the Hungarian Film Incentive
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2022 Microsoft. ''Halo'', Master Chief, 343 Industries and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| Chapter E11ven
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+}}
| |
| | |
| ==Gallery==
| |
| <gallery>
| |
| File:HTV-Homecoming-Bridge Meeting.png|John-117 and Cortana on the bridge of the ''Endymion II''.
| |
| File:HTV-Homecoming-Reach For Life.png|''Endymion II'' lands on Eridanus II.
| |
| File:HTV-Homecoming-Wormy.jpg|Kai-125 looking at preserved Lekgolo in Dr. Keyes' lab.
| |
| File:HTV-Homecoming-FavoriteWeapon.jpg|Kai holding a needler.
| |
| File:HTV-Homecoming-Keystone.png|John and Halsey stare at the Forerunner artifact.
| |
| </gallery>
| |
| ==Sources==
| |
| {{Ref/Sources}}
| |
| | |
| {{Navbox/Media/Film}}
| |
| {{Navbox/Media/Film/TVShow}}
| |
| [[Category:Halo: The Television Series Season One]]
| |
