Editing Halo 3: ODST Original Soundtrack

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*Marty O'Donnell was trying to evoke the feeling of jazz, while not literally creating jazz music. Throughout the soundtrack there are several songs that contain solo saxophone sections that create a lonely, urban atmosphere. In the tracks "Skyline" and "Traffic Jam" however, an electric guitar along with heavier sounding percussion are used in the more cinematic moments in the game.
*Marty O'Donnell was trying to evoke the feeling of jazz, while not literally creating jazz music. Throughout the soundtrack there are several songs that contain solo saxophone sections that create a lonely, urban atmosphere. In the tracks "Skyline" and "Traffic Jam" however, an electric guitar along with heavier sounding percussion are used in the more cinematic moments in the game.
*The soundtrack won several awards; the Best Original Score at the 2009 Spike Video Game Awards<ref>[http://en.wikipedia.org/wiki/Spike_Video_Game_Awards#2009_Awards '''Wikipedia''': ''2009 Spike Video Game Awards'']</ref> and Best Original Score and Sounds in the Czech Gaming Awards "Invaze 2009".{{citation needed}}
*The soundtrack won several awards; the Best Original Score at the 2009 Spike Video Game Awards<ref>[http://en.wikipedia.org/wiki/Spike_Video_Game_Awards#2009_Awards '''Wikipedia''': ''2009 Spike Video Game Awards'']</ref> and Best Original Score and Sounds in the Czech Gaming Awards "Invaze 2009".{{citation needed}}
*Most of the tracks that play during [[Mombasa Streets]] have a [http://en.wikipedia.org/wiki/Film_noir film noir] flair, due to the jazz perspective used in the soundtrack. This seems fitting, since most film noir movies are about detectives, and [[The Rookie]] is, in a sense, a detective.
*Most of the tracks that play during [[Mombasa Streets]] have a [http://en.wikipedia.org/wiki/Film_noir film noir] flare, due to the jazz perspective used in the soundtrack. This seems fitting, since most film noir movies are about detectives, and [[The Rookie]] is, in a sense, a detective.


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