Editing Halo: Original Soundtrack
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{{Title|''Halo: Original Soundtrack''}} | {{Title|''Halo: Original Soundtrack''}} | ||
{{ | {{Era|RW}} | ||
{{Soundtrack infobox | {{Soundtrack infobox | ||
|image=[[File:HaloSoundtrackCover.jpg|300px]] | |image=[[File:HaloSoundtrackCover.jpg|300px]] | ||
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==Overview== | ==Overview== | ||
===Composition=== | ===Composition=== | ||
The composition of the soundtrack for ''Halo: Combat Evolved'' began with the ''[[Halo Theme]]'' in July of [[1999]]. The ''Halo Theme'' was composed to invoke feelings of "ancient, epic, and mysterious", and made its debut in the [[Halo announcement trailer|''Halo'' MacWorld premiere demo]].{{Ref/YouTube|Id=aias|oPK81NG5ncE|Academy of Interactive Arts & Science|Halo and Destiny Composer, Marty O'Donnell <nowiki>|</nowiki> The AIAS Game Maker's Notebook}}{{Ref/Film|Id=RTL|[[Remaking the Legend]]}} | The composition of the soundtrack for ''Halo: Combat Evolved'' began with the ''[[Halo Theme]]'' in July of [[1999]]. The ''Halo Theme'' was composed to invoke feelings of "ancient, epic, and mysterious", and made its debut in the [[Halo announcement trailer|''Halo'' MacWorld premiere demo]].{{Ref/YouTube|Id=aias|oPK81NG5ncE|Academy of Interactive Arts & Science|Halo and Destiny Composer, Marty O'Donnell <nowiki>|</nowiki> The AIAS Game Maker's Notebook}}{{Ref/Film|Id=RTL|[[Remaking the Legend]]}} | ||
O'Donnell and Salvatori then completed the rest of the soundtrack over the course of [[2001]]. Different aspects of the ''Halo Theme'', including the Gregorian chant and string melody, were adapted into other musical pieces in the game.{{Ref/YouTube|Id=digipen|UKG0d3jYe9Q|Martin O'Donnell|Composing Music for Halo, Destiny, and Golem}} The composers worked closely with the level designers to understand where the different points of tension and release would come into play within each level. The music was cut and edited into chunks that the game audio engine played dynamically based on the player's actions. The music used [[Wikipedia:MIDI|MIDI]] recordings, featuring keyboards, synths, and samplers as well as digital recording equipment controlled by computers. The composers added live instrumental performances to those recordings where needed. Certain tracks only adapted the live performance.{{Ref/Site | O'Donnell and Salvatori then completed the rest of the soundtrack over the course of [[2001]]. Different aspects of the ''Halo Theme'', including the Gregorian chant and string melody, were adapted into other musical pieces in the game.{{Ref/YouTube|Id=digipen|UKG0d3jYe9Q|Martin O'Donnell|Composing Music for Halo, Destiny, and Golem}} The composers worked closely with the level designers to understand where the different points of tension and release would come into play within each level. The music was cut and edited into chunks that the game audio engine played dynamically based on the player's actions. The music used [[Wikipedia:MIDI|MIDI]] recordings, featuring keyboards, synths, and samplers as well as digital recording equipment controlled by computers. The composers added live instrumental performances to those recordings where needed. Certain tracks only adapted the live performance.{{Ref/Site|URL=https://web.archive.org/web/20070301150741/http://www.xbox.com/en-US/games/h/halo/themakers3.htm|Site=Xbox.com|Page=Halo: Combat Evolved - Just the Right Sense of "Ancient"}} | ||
===Release=== | ===Release=== | ||
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While not displayed on the track listing, the soundtrack contains the track ''[[Siege of Madrigal]]'' from [[Bungie]]'s previous game, ''[[wikipedia:Myth The Fallen Lords|Myth: The Fallen Lords]]''. It plays following a period of silence near the end of the final track. | While not displayed on the track listing, the soundtrack contains the track ''[[Siege of Madrigal]]'' from [[Bungie]]'s previous game, ''[[wikipedia:Myth The Fallen Lords|Myth: The Fallen Lords]]''. It plays following a period of silence near the end of the final track. | ||
One piece of music, heard on the level ''[[Assault on the Control Room]]'', does not appear on the soundtrack. Retroactively titled ''[[Lost Muse]]'' by O'Donnell, it was made available on [[Bungie.net]] until the site went offline in 2021.{{Ref/Site | One piece of music, heard on the level ''[[Assault on the Control Room]]'', does not appear on the soundtrack. Retroactively titled ''[[Lost Muse]]'' by O'Donnell, it was made available on [[Bungie.net]] until the site went offline in 2021.{{Ref/Site|URL=http://halo.bungie.net/projects/halo/asset_thumb_viewer.aspx?at=55&cc=25|Site=Bungie.net|Page=Lost Muse}} | ||
Various pieces of music from the soundtrack would be arranged and orchestrated for ''Halo 2'' and ''[[Halo 3]]''. Called “emotional equity” by O’Donnell, players would feel a sense of familiarity when themes are being repurposed, remixed, and reused throughout the trilogy.{{Ref/YouTube|0zG18XfsnvI|The Act Man|A LEGENDARY Interview with Martin O’Donnell (Composer From Bungie, Halo, Destiny)}} | Various pieces of music from the soundtrack would be arranged and orchestrated for ''Halo 2'' and ''[[Halo 3]]''. Called “emotional equity” by O’Donnell, players would feel a sense of familiarity when themes are being repurposed, remixed, and reused throughout the trilogy.{{Ref/YouTube|0zG18XfsnvI|The Act Man|A LEGENDARY Interview with Martin O’Donnell (Composer From Bungie, Halo, Destiny)}} | ||
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===E3 2003=== | ===E3 2003=== | ||
{{Main|Halo 2 E3 demo}} | {{Main|Halo 2 E3 demo}} | ||
The 2003 ''Halo 2'' E3 demo depicts an early build of ''Halo 2''. The demo shows the [[Covenant]] invasion of [[Mombasa]], [[Kenya]] on [[Earth]]. John-117, [[Cortana]], and | The 2003 ''Halo 2'' E3 demo depicts an early build of ''Halo 2''. The demo shows the [[Covenant]] invasion of [[Mombasa]], [[Kenya]] on [[Earth]]. John-117, [[Cortana]], and [Orbital Drop Shock Trooper|ODSTs]] were deployed from [[Avery Johnson|Sergeant Major Avery Johnson]]'s Pelican to reinforce [[UNSC Marine Corps|UNSC Marines]] and [[Banks|Sergeant Banks]] in the city. | ||
===''The Last Spartan'' Preview=== | ===''The Last Spartan'' Preview=== | ||
{{Main|The Last Spartan}} | {{Main|The Last Spartan}} | ||
There is a preview of ''[[The Last Spartan]]'', a track from the [[Halo 2: Original Soundtrack|''Halo 2'' soundtrack]]. It is accompanied by an image from the ''Halo 2'' announcement trailer, featuring John-117, holding a Battle Rifle, about to leave | There is a preview of ''[[The Last Spartan]]'', a track from the [[Halo 2: Original Soundtrack|''Halo 2'' soundtrack]]. It is accompanied by an image from the ''Halo 2'' announcement trailer, featuring John-117, holding a Battle Rifle, about to leave ''Cairo Station'' into space. | ||
===''Ghosts of Reach'' Preview=== | ===''Ghosts of Reach'' Preview=== | ||
{{Main|Ghosts of Reach}} | {{Main|Ghosts of Reach}} | ||
There is a preview of ''[[Ghosts of Reach]]'', a track from the ''Halo 2'' soundtrack. It is accompanied by an image from the ''Halo 2'' E3 demo, featuring John-117 [[dual wielding]] SMGs and looking up at the sky before Covenant | There is a preview of ''[[Ghosts of Reach]]'', a track from the ''Halo 2'' soundtrack. It is accompanied by an image from the ''Halo 2'' E3 demo, featuring John-117 [[dual wielding]] SMGs and looking up at the sky before [[Covenant drop pod]]s land near him. | ||
==Sources== | ==Sources== | ||
{{Ref/Sources}} | {{Ref/Sources}} | ||
{{ | {{Halo Music}} | ||
[[Category:Halo music|Halo 1: Original Soundtrack]] | |||
[[Category:Halo: Combat Evolved OST| ]] | [[Category:Halo: Combat Evolved OST| ]] |