| Latest revision |
Your text |
| Line 9: |
Line 9: |
| |season=[[Halo: The Television Series Season One|Season One]] | | |season=[[Halo: The Television Series Season One|Season One]] |
| |episode=03 | | |episode=03 |
| |airdate=[[2022#April|April 7, 2022]]{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}} | | |airdate=[[2022#April|April 7, 2022]]{{Ref/Reuse|Futon}} |
| |runtime=54 minutes, 28 seconds | | |runtime= |
| |directors=Roel Reiné | | |directors= |
| |writers=Kyle Killen<br>Steven Kane | | |writers= |
| }} | | }} |
| '''Emergence''' is the third episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#April|April 7, 2022]].{{Ref/Reuse|Futon}}{{Ref/Site|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}} | | '''Emergence''' is the third episode of the [[Halo: The Television Series Season One|first season]] of ''[[Halo: The Television Series]]''. The episode aired on [[2022#April|April 7, 2022]].{{Ref/Site|Id=Futon|URL=http://www.thefutoncritic.com/showatch/halo/listings/|Site=The Futon Critic|Page=Shows A-Z – Halo on Paramount+|D=21|M=03|Y=2022}}{{Ref/Site|Id=hollywood|URL=https://www.hollywoodreporter.com/live-feed/halo-tv-series-finds-new-director-1188628|Site=The Hollywood Reporter|Page='Halo' TV Series Finds New Director|D=21|M=03|Y=2022}} |
|
| |
|
| ==Official summary== | | ==Official summary== |
| [[John-117/Silver|John]] meets [[Cortana/Silver|his new partner]], and he discovers secrets inside his own memory. [[Kwan Ha|Kwan]] wants to return to [[Madrigal/Silver|Madrigal]] to continue her people's [[Insurrection|fight for independence]], but [[Soren-066/Silver|Soren]] has other plans for her. [[Makee]] initiates her plan to retrieve the [[Keystone|Madrigal object]], with [[Skirmish on Gladius|deadly consequences]].{{Ref/Site|URL=https://www.paramountplus.com/shows/video/3toRoNvQZT4mb7i2MBLHmIqRuKY_6uFw/|Site=Paramount Plus|Page=Halo - Emergence|D=22|M=12|Y=2023}}
| | John meets his new partner, and he discovers secrets inside his own memory. Kwan wants to return to Madrigal to continue her people's fight for independence, but Soren has other plans for her. Makee initiates her plan to retrieve the Madrigal object, with deadly consequences.{{Ref/Site|Id=PPlusHaloS1E3Emergence|URL=https://www.paramountplus.com/shows/video/3toRoNvQZT4mb7i2MBLHmIqRuKY_6uFw/|Site=Paramount Plus|Page=Halo - Emergence|D=22|M=12|Y=2023}} |
|
| |
|
| ==Plot== | | ==Plot== |
| Line 30: |
Line 30: |
| *[[Cortana/Silver|Cortana]] {{1st}} | | *[[Cortana/Silver|Cortana]] {{1st}} |
| *[[John-117/Silver|John-117]] | | *[[John-117/Silver|John-117]] |
| *[[Kai-125/Silver|Kai-125]]
| |
| *[[Kessler]] | | *[[Kessler]] |
| *[[Laera]] {{1st}} | | *[[Laera]] {{1st}} |
| *[[Makee]] | | *[[Makee]] |
| *[[Nora-098]] {{Fm}} | | *[[Nora-098]] {{Fm}} |
| *[[Riz-028/Silver|Riz-028]]
| |
| *[[Vannak-134/Silver|Vannak-134]]
| |
| *[[Yates]] {{1st}} | | *[[Yates]] {{1st}} |
| *[[Prophet of Mercy/Silver|Prophet of Mercy]] | | *[[Prophet of Mercy/Silver|Prophet of Mercy]] |
| Line 53: |
Line 50: |
| *[[Insurrection]] | | *[[Insurrection]] |
| *[[Reach for Life project]] {{Fm}} | | *[[Reach for Life project]] {{Fm}} |
| *[[United Nations Space Command]] | | *[[United Nations Space Command]] |
| **[[UNSC Navy]]
| |
| ***[[UNSC Fleet Command]]
| |
| ****[[Asymmetric Warfare Research Group]]
| |
| *****[[SPARTAN-II program]]
| |
| ******[[Silver Team/Silver|Silver Team]]
| |
| ***[[Office of Naval Intelligence]]
| |
| ****[[Xeno-Materials Exploitation Group]]
| |
|
| |
|
| |title-4=Locations| | | |title-4=Locations| |
| Line 101: |
Line 91: |
| *{{Class|Gladius|heavy corvette}} | | *{{Class|Gladius|heavy corvette}} |
| **{{UNSCShip|Gladius}} {{1st}} | | **{{UNSCShip|Gladius}} {{1st}} |
| *[[Zheng He-class courier]] {{1st}}
| |
| **[[Endymion II]]
| |
| *[[Tug]]
| |
| *{{Pattern|Ceudar|heavy corvette}} | | *{{Pattern|Ceudar|heavy corvette}} |
|
| |
|
| Line 116: |
Line 103: |
|
| |
|
| ==Credits== | | ==Credits== |
| {{scrollbox|Directed by Roel Reiné | | {{Expand-section}} |
| | |
| Written by Kyle Killen and Steven Kane
| |
| | |
| Developed by Kyle Killen and Steven Kane
| |
| | |
| Based on the ''Halo'' Video Game Universe
| |
| | |
| Starring
| |
| | |
| * Pablo Schreiber
| |
| * Shabana Azmi
| |
| * Natasha Culzac
| |
| * Olive Gray
| |
| * Yerin Ha
| |
| * Bentley Kalu
| |
| * Kate Kennedy
| |
| * Charlie Murphy
| |
| * Danny Sapani
| |
| * Jen Taylor
| |
| * with Bokeem Woodbine and Natascha McElhone
| |
| | |
| Also Starring
| |
| | |
| * Burn Gorman
| |
| * Fiona O’Shaughnessy
| |
| * Julian Bleach
| |
| * Karl Johnson
| |
| * Hilton McRae
| |
| | |
| Executive Producers
| |
| | |
| * Steven Spielberg
| |
| * Steven Kane
| |
| * Kiki Wolfkill
| |
| * Frank O’Connor
| |
| * Bonnie Ross
| |
| * Justin Falvey
| |
| * Darryl Frank
| |
| * Otto Bathurst
| |
| * Toby Leslie
| |
| * Kyle Killen
| |
| * Scott Pennington
| |
| | |
| Co-Executive Producers
| |
| | |
| * Gian Paolo Varani
| |
| * Richard E. Robbins
| |
| * Justine Juel Gillmer
| |
| | |
| Supervising Producer Silka Luisa
| |
| | |
| Consulting Producer
| |
| | |
| * Mark Malone
| |
| * Katie Swain
| |
| | |
| Producer
| |
| | |
| * Sheila Hockin
| |
| * Charlotte Keating
| |
| * Michael Armbruster
| |
| | |
| Director of Photography Eric Kress DFF
| |
| | |
| Production Designer Sophie Becher
| |
| | |
| Editor Geoff Ashenhurst
| |
| | |
| Music by Sean Callery
| |
| | |
| Casting by Jinya{{sic}} Jay and Olivia Brittain
| |
| | |
| Guest Starring
| |
| | |
| * Ryan McParland
| |
| | |
| Additional Cast (in Order of Appearance)
| |
| | |
| * Det Billy Marlow
| |
| * Young Makee Zazie Hayhurst
| |
| * Enforcer Robert Jackson
| |
| * Enforcer #2 Ádám Boncz
| |
| * Sangheili #1 Hans Peterson
| |
| * Squirrel Gábor Nagypál
| |
| * Trokan Anna Trokán
| |
| * Captain Yates Matt Devere
| |
| * Radio Operator Zsófia Miklós
| |
| * Weapons Operator Sorel Kembe
| |
| * Sensor Operator Lilien Fanni Namenyi
| |
| * John's Mother Sarah Ridgeway
| |
| * John's Father Duncan Pow
| |
| * Kessler Tylan Bailey
| |
| * Young Marine Natalia Tóth
| |
| * Second Marine Kevin Ogunleye
| |
| * Teenager Áron Árany-Tóth
| |
| | |
| Unit Production Managers
| |
| | |
| * Robert Bernacchi
| |
| * Gabi Csoma
| |
| | |
| First Assistant Director Dale Butler
| |
| | |
| Second Assistant Director Nadia Brand
| |
| | |
| 343/''Halo'' Transmedia Producer Cheryl Nebelsieck
| |
| | |
| 343/''Halo'' Canon Technical Consultant Kenneth Peters
| |
| | |
| 343/''Halo'' Franchise Manager Corrinne Robinson
| |
| | |
| 343/''Halo'' Franchise Producer Carlos Naranjo
| |
| | |
| Supervising Art Director Matt Hywel-Davies
| |
| | |
| Senior Art Directors
| |
| | |
| * Andrew Ackland-Snow
| |
| * Kiera Tudway
| |
| | |
| Art Directors
| |
| | |
| * Matt Sims
| |
| * Brett Hirson
| |
| * Gergo Rieger
| |
| * Kriszta Szilagyi
| |
| * Renato Cseh
| |
| * Jim McCallum
| |
| | |
| Lead Graphics Designer Eva Hartmann
| |
| | |
| Costume Designer Giovanni Lipari
| |
| | |
| Costume Supervisors
| |
| | |
| * Gabor Homonnay
| |
| * Balazs Labancz
| |
| | |
| Hair Designer Mauro Tamagnini
| |
| | |
| Make Up Designer Felicity Bowring
| |
| | |
| Special Effects Supervisor Paul Stephenson
| |
| | |
| Special Effects Coordinators
| |
| | |
| * Balazs Boross
| |
| * Adam Szucs
| |
| | |
| Movement Coach/Choreographer Kristof Varnagy
| |
| | |
| Armoury Liam Byrne
| |
| | |
| Military Advisor Daniel Hirst
| |
| | |
| Set Decorators
| |
| | |
| * Adam Polgar
| |
| * Guy Potgieter
| |
| | |
| Property Master Andrew Orlando
| |
| | |
| Clearances Coordinator Paula Byrden
| |
| | |
| Stunt Coordinator Domonkos Pardanyi
| |
| | |
| A Camera Operator Michael Soos
| |
| | |
| B Camera Operators
| |
| | |
| * Adam Fillenz
| |
| * Gyorgy Reder
| |
| | |
| Camera First Assistants
| |
| | |
| * Tamas Janossa
| |
| * Adam Kliegl
| |
| * Tamas Olah
| |
| | |
| Gaffers
| |
| | |
| * Oliver Whickman
| |
| * Laszlo Molnar
| |
| | |
| Key Grips
| |
| | |
| * Tommaso Mele
| |
| * Gabor Balda
| |
| | |
| Production Supervisor Lyndzi Doyle
| |
| | |
| Assistant Production Manager Alex Balla
| |
| | |
| Production Coordinator Veronika Bojtos
| |
| | |
| Key Script Supervisor Morag Cameron
| |
| | |
| Script Supervisor Dora Sarkozi
| |
| | |
| Script Coordinator Joe Greskoviak
| |
| | |
| Writer's Assistant Iván Karajz
| |
| | |
| Production Sound Mixer Tamas Devenyi
| |
| | |
| Senior Location Manager Andras Rudolf
| |
| | |
| Location Managers
| |
| | |
| * Daniel Toth
| |
| * Csaba Sepsi
| |
| * Viktor Mitev
| |
| | |
| Transport Coordinator Sandor Viseralek
| |
| | |
| Hungarian Casting by Katalin Baranyi
| |
| | |
| Additional Casting by
| |
| | |
| * Poping Auyeung
| |
| * Yoko Narahashi
| |
| * Su Kim
| |
| | |
| Child Casting Verity Naughton
| |
| | |
| Casting Associate Melissa Gethin Clarke
| |
| | |
| Casting Assistant Becky Rossmaur
| |
| | |
| ; Second Unit
| |
| Second Unit Director Tom Struthers
| |
| | |
| Second Unit 1st Assistant Director Mircea Hategan
| |
| | |
| Unit Production Manager Veronika Dobos
| |
| | |
| Assistant Unit Production Manager Zsigmond Cholnoky
| |
| | |
| Production Coordinator Anna Szoke
| |
| | |
| Director of Photography Gabor Marosi
| |
| | |
| Camera Operator Attila Pfeffer
| |
| | |
| Gaffer Mark Czirjak
| |
| | |
| Key Grip David Kecskemeti
| |
| | |
| Art Director Norbert Nagy
| |
| | |
| Key Hair Stylist Arianna Palmucci
| |
| | |
| Script Supervisor Julia Raczky
| |
| | |
| Sound Mixer Janos Csaki Jr.
| |
| | |
| DIT Robert Gradvolt
| |
| | |
| Financial Controller Wendy Ellerker
| |
| | |
| Production Accountants
| |
| | |
| * Kolos Trimmel
| |
| * Peter Dano
| |
| * Carla Self
| |
| * Linda Gillespie
| |
| | |
| Language Consultant David J. Peterson
| |
| | |
| Dialogue Coach Hans Peterson
| |
| | |
| Digital Imaging Technician Peter Racz
| |
| | |
| Senior Colourist Bill Ferwerda
| |
| | |
| Senior Online Editor Adrian Saywell
| |
| | |
| Digital Dailies Supervisor Adam Jurkovich
| |
| | |
| Project Managers
| |
| | |
| * Sarah Riley
| |
| * Shane Allan
| |
| | |
| Post Producer Bill Goddard
| |
| | |
| Associate Producer Ian Keltie
| |
| | |
| Post Production Supervisor Lee Hughes
| |
| | |
| Post Production Coordinator Kathleen Harris
| |
| | |
| Post Production Coordinator (Deliverables) Renée Perrin
| |
| | |
| VFX Editor Andrew Bukovac
| |
| | |
| First Assistant Picture Editors
| |
| | |
| * Wes Demkiw
| |
| * Daisy Maclean
| |
| * Simon Thede
| |
| | |
| Assistant Picture Editor Arielle Skolnik
| |
| | |
| Trainee Assistant Picture Editor Jesse Scarrow
| |
| | |
| Sound Designers
| |
| | |
| * Brennan Mercer
| |
| * David Evans
| |
| | |
| Supervising Sound Editor Jane Tattersall, MPSE
| |
| | |
| Supervising Sound Editor (ADR) Dale Sheldrake
| |
| | |
| Sound Effects Editor David Caporale
| |
| | |
| Dialogue Editor Claire Dobson
| |
| | |
| Music Editor Yuri Gorbachow
| |
| | |
| 1st Assistant Sound Editors
| |
| | |
| * Sue Fawcett
| |
| * Andrew Wright
| |
| * Nadya Hanlon
| |
| | |
| Re-Recording Mixers
| |
| | |
| * Lou Solakofski
| |
| * Matt Chan
| |
| | |
| Lead Visual Effects Supervisors
| |
| | |
| * Dominic Remane
| |
| * Tom Turnbull
| |
| | |
| Visual Effects Producer Bill Halliday
| |
| | |
| Lead On Set VFX Supervisor Leann Harvey
| |
| | |
| VFX Production Manager Kelsey Thompson
| |
| | |
| Lead VFX Data Wrangler Tamas Udvardi
| |
| | |
| VFX Data Wrangler Bence Tobik
| |
| | |
| Assistant VFX Data Wranglers
| |
| | |
| * Bennett Gyurik
| |
| * Tamas Hajdu
| |
| | |
| ; Visual Effects by Pixomondo
| |
| Visual Effects Supervisor Phil Prates
| |
| | |
| VFX Production Manager Esther Gonzalez Flores
| |
| | |
| VFX Character/Creature Supervisor Sung June Kim
| |
| | |
| VFX Animation Supervisor Steve Seongik Hong
| |
| | |
| VFX Lead Jinsung Kim
| |
| | |
| ; Visual Effects by Mr. X
| |
| Visual Effects Supervisor Craig Calvert
| |
| | |
| Senior Visual Effects Producer Luke Groves
| |
| | |
| Visual Effects Producer Nick Colangelo
| |
| | |
| CG Supervisor Kedar Nath Manapragada
| |
| | |
| Animation Supervisor Martin Hesselink
| |
| | |
| VFX Lighting Supervisor Viduttam Rajan Katkar
| |
| | |
| ; Visual Effects by Rocket Science VFX
| |
| Visual Effects Supervisor Tom Plaskett
| |
| | |
| DFX Supervisor Chris Zammit
| |
| | |
| CG Supervisor Amiy Shrivastava
| |
| | |
| Compositing Supervisor Mohsin Kazi
| |
| | |
| VFX Producer JP Giamos
| |
| | |
| VFX Production Manager John Markle
| |
| | |
| ; Visual Effects by Cinesite
| |
| Visual Effects Producer Jonathan Brayer
| |
| | |
| Visual Effects Supervisor Sean Stranks
| |
| | |
| VFX Project Manager Amanda Nguyen
| |
| | |
| CG Supervisor Graham Huston
| |
| | |
| Compositing Supervisor Christian Simon
| |
| | |
| ; Visual Effects by Rodeo FX
| |
| Visual Effects Supervisor Patrick David
| |
| | |
| Visual Effects Producer Nancy Heller
| |
| | |
| CG Supervisor Xavier Lafarge
| |
| | |
| Compositing Supervisor Pierre-Hugues Vachon
| |
| | |
| VFX Asset Supervisor Vincent L'heureaux
| |
| | |
| Matte Painter Mai-anh Tran
| |
| | |
| ; Visual Effects by Take 5
| |
| Assistant Production Manager Kealeagh Brewer
| |
| | |
| VFX Compositing Supervisor Maria Gordon
| |
| | |
| VFX Lead Compositor Jerry Lai
| |
| | |
| Lead Matte Painter Alphonso Young
| |
| | |
| VFX Compositors
| |
| | |
| * Travis Pond
| |
| * Corey Mayne
| |
| * Yuri Shubenin
| |
| | |
| ; Visual Effects by Fillscrn
| |
| Digital Compositors
| |
| | |
| * Balázs Varga
| |
| * Andor Záhonyi
| |
| * Róbert Illés
| |
| * Dóra Bárány
| |
| * Gergely Kányog
| |
| * József Morvay
| |
| | |
| Post Production Services Take 5 Productions
| |
| | |
| Colour And Finish Company 3 Toronto
| |
| | |
| Dailies Colorfront
| |
| | |
| Sound Post Production
| |
| | |
| * Formosa Group Toronto
| |
| * Footsteps Sound and Picture
| |
| | |
| Main Title Design Goodbye Kansas Studios
| |
| | |
| Funded by the Government of Canada
| |
| | |
| Financé par le Gouvernement du Canada
| |
| | |
| * Creative BC
| |
| * Québec Cgre
| |
| * Ontario Creates
| |
| * Production Services Tax Credit Sodec
| |
| * British Columbia
| |
| * DGC (Directors Guild of Canada) Ontario
| |
| | |
| With the participation of the Province of British Columbia Production Services Tax Credit
| |
| | |
| Production services In Hungary provided by Mid Atlantic Films
| |
| | |
| Producers
| |
| | |
| * Adam Goodman
| |
| * Howard Ellis
| |
| | |
| Head of Production Gergő Balika
| |
| | |
| Thank you to
| |
| | |
| The National Film Office-National Media and Info-Communications Authority Of Hungary and the Hungarian National Film Fund
| |
| | |
| National Film Institute Hungary
| |
| | |
| Supported by the Hungarian Film Incentive
| |
| | |
| The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
| |
| | |
| ©2022 Microsoft. ''Halo'', Master Chief, 343 Industries and all related properties, titles, logos, and characters are trademarks of the Microsoft group of companies.
| |
| | |
| Microsoft is the author and creator of this motion picture for the purpose of copyright, trademark, and other laws in all countries throughout the world. All rights reserved.
| |
| | |
| This motion picture is protected under the laws of the United States, Canada and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
| |
| | |
| Chapter E11ven
| |
| | |
| One Big Picture
| |
| | |
| Amblin Television
| |
| | |
| 343 Industries
| |
| | |
| Showtime A Presentation of Paramount Networks Inc. A PARAMOUNT COMPANY
| |
| | |
| Paramount+}}
| |
|
| |
|
| ==Gallery== | | ==Gallery== |
