Editing Audio log (Halo 3: ODST)
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[[ | [[File:CommScreen.JPG|thumb|right|The Comm screen of the VISR, which allows playback of the Audio Logs.]] | ||
'''Audio Logs''' are sound files found at various types of data terminals in ''[[:Halo 3: ODST]]''. They tell "[[Sadie's Story]]", about an African girl called [[Sadie Endesha]] during the [[Battle of Earth|invasion of Earth]] in [[2552|October 20, 2552]]. Each log is accompanied by a "movie" of images. | |||
Unlocking Audio Logs will also unlock [[Supply Cache]]s scattered throughout the level [[Mombasa Streets]]. There are 30 logs in total. 29 of them can be found in Mombasa Streets while number 30 can only be found after acquiring the other 29. Number 30 can be found by following [[Unnamed NMPD Officer|the police officer]] in [[Data Hive (Level)|Data Hive]]. When all 30 logs are found, the achievement [[Audiophile]] is unlocked. <br /> | |||
== Audio Log Transcripts == | |||
=== Audio log 1, Circle 1, Arc 1 === | |||
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==Audio Log Transcripts== | |||
===Audio log 1, Circle 1, Arc 1=== | |||
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[[Superintendent]]: Hello, traveler. Mombasa welcomes you! Anxious? Stressed? Please remain calm. Control circuits now open -- with pride!<br /> | |||
[Sound: [[Vergil]] chime.]<br /> | [Sound: [[Vergil]] chime.]<br /> | ||
[Sound: Train whistles as morning commuters crowd the station.]<br /> | [Sound: Train whistles as morning commuters crowd the station.]<br /> | ||
Kiosk: (from speaker) Hello traveler. The Mombasa Transit Authority welcomes you to Kikowani station. How may I serve you?<br /> | |||
Sadie: One ticket to Old Mombasa please, here's my card -- no, scrap that. Traceable.<br /> | |||
Sadie: Damn it! Coins, need coins... [places coins into kiosk]<br /> | |||
Kiosk: Thank you! What is your final destination?<br /> | |||
Sadie: Magongo, if I don't get caught... hell, if I do.<br /> | |||
Kiosk: Thank you! Transfer for one to Magongo.<br /> | |||
Sadie: Let's go, let's go!<br /> | |||
Kiosk: Please collect your ticket.<br /> | |||
Sadie: Wait! Hold the doors, please!<br /> | |||
Train: (from speaker) All aboard train number 14. City center to Old Mombasa, now departing.<br /> | |||
Sadie: That was close...<br /> | |||
Train: Next stop, Makupa, Nairobi Road, Hope Station, and Magongo -- end of the line.<br /> | |||
Sadie: Almost there... Almost--<br /> | |||
[Sound: Train squeals to a stop.]<br /> | [Sound: Train squeals to a stop.]<br /> | ||
Train: Emergency stop, please remain calm. {Repeating}<br /> | |||
Sadie: Damn it! He found me! | |||
}} | }} | ||
===Audio log 2, Circle 1, Arc 2=== | === Audio log 2, Circle 1, Arc 2 === | ||
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[Sound: Train grinds to a stop.]<br /> | [Sound: Train grinds to a stop.]<br /> | ||
Crowd: Is something wrong?<br /> | |||
Crowd: How long are we going to sit here?<br /> | |||
Train: (from speaker) Emergency stop, please remain calm. {Repeating}<br /> | |||
Sadie: Vergil, you can't stop the train! There are other people on board!<br /> | |||
Superintendent: (distortion) Emergency stop--<br /> | |||
Sadie: Cut it out Vergil!<br /> | |||
Passenger: What are you doing crazy lady? Talking to the train?<br /> | |||
Sadie: (to Vergil) I wouldn't even be here if you hadn't kept turning all the traffic signals red!<br /> | |||
Superintendent: (Vergil chime) Detour! Proceed with caution!<br /> | |||
Passenger: Whoa, wait... the trains talking back to you now? What the heck's going on?<br /> | |||
Sadie: Sir, I'm really sorry about this. I was just trying to get out of the city.<br /> | |||
Sadie: (whispers) Vergil, I am going to enlist!<br /> | |||
Superintendent: Watch your speed! Children at play!<br /> | |||
Sadie: I'm nineteen!<br /> | |||
Sadie: And besides, the UNSC is taking everyone it can get!<br /> | |||
Superintendent: [Plays recording of traffic accident]<br /> | |||
Sadie: That's exactly what Dad would say!<br /> | |||
Passenger: You know... train's got a point. Lot of soldiers are dying these days.<br /> | |||
Sadie: He's not a train, he's a city.<br /> | |||
Sadie: (whispers, to Vergil) A bad, bad city!<br /> | |||
Superintendent: [Whimpers like a puppy]<br /> | |||
Sadie: That worked when I was a kid, Vergil. Open the doors, now!<br /> | |||
[Sound: Doors opening.]<br /> | [Sound: Doors opening.]<br /> | ||
Crowd: What was that all about?<br /> | |||
Crowd: Great, so now we have to walk to the platform?<br /> | |||
Crowd: Out of my way, let me through!<br /> | |||
Superintendent: Now departing Hope Station. Leaving, Hope Station --<br /> | |||
Sadie: Vergil... go to hell!<br /> | |||
[Sound: Crackling roar of a | [Sound: Crackling roar of a [[Covenant]] Slip-Space rupture]<br /> | ||
Crowd: The Covenant! Run!<br /> | |||
Crowd: Mommy, what's happening?<br /> | |||
Crowd: They're here, they found us!<br /> | |||
Sadie: Scratch that... Hell just came here. | |||
}} | }} | ||
===Audio log 3, Circle 1, Arc 3=== | === Audio log 3, Circle 1, Arc 3 === | ||
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[Sound: Cars honk, crowd panics as a Covenant | [Sound: Cars honk, crowd panics as a Covenant carrier passes overhead.]<br /> | ||
Crowd: Move! The Covenant are coming!<br /> | |||
Crowd: Please, mister, you gotta take me! Get me outa here! Please! Wait!<br /> | |||
Crowd: Can I use your [[Chatter]]? I gotta call my family!<br /> | |||
Crowd: I told 'em! I told 'em this was going to happen! They didn't listen, and now we're all going to die!<br /> | |||
Sadie: (into Chatter) Vergil? Can you hear me? I'm on my Chatter. But I'm off the train in Old Mombasa and--<br /> | |||
Superintendent: (from Chatter) No parking, violators will be ticketed and towed!<br /> | |||
Sadie: I know! I can see it! A giant Covenant ship, just hanging above the city center!<br /> | |||
Sadie: There's a kiosk on the platform. Makupa station. Meet me there, ok?<br /> | |||
[Sound: Vergil chime]<br /> | [Sound: Vergil chime]<br /> | ||
Sadie: (pushing through the crowd) Excuse me! Sorry! Hey! Watch it, mister!<br /> | |||
Kiosk: (from speaker) Please state your destination.<br /> | |||
Sadie: Vergil, give me eyes on Dad, quick!<br /> | |||
Kiosk: I'm sorry, I don't recognize that -- (distortion)<br /> | |||
[[Dr. Endesha]]: (from kiosk) Sadie, where are you?<br /> | |||
Sadie: Train station, Old Mombasa. Dad, there's a ship --<br /> | |||
Dr. Endesha: Listen sweetheart, I wanted to tell you at breakfast, but you left so early...<br /> | |||
Dr. Endesha: You know my latest project? The seismic survey for the new construction downtown?<br /> | |||
Sadie: Dad! There's a Covenant ship --<br /> | |||
Dr. Endesha: Well Vergil found something under the city! I've never seen anything like it --<br /> | |||
Sadie: Dad! Covenant are attacking the city, do you hear what I'm saying?! You've got to get out of there!<br /> | |||
Dr. Endesha: Don't worry, I'm nine levels underground. And I built Vergil's data-center to be very, very secure.<br /> | |||
Sadie: Fine. then I'll come to you.<br /> | |||
Dr. Endesha: No, absolutely not! Stay exactly where you are! I'll have Vergil --<br /> | |||
Sadie: Sorry, Dad! (fakes static) There's, uh, something wrong..<br /> | |||
Dr. Endesha: This is a video connection, Sadie. I can see you making those sounds.<br /> | |||
Sadie: Right... well, tough!<br /> | |||
Sadie: Vergil, get that train going in reverse!<br /> | |||
Dr. Endesha: Sadie Endesha, I will not allow you to put yourself in danger... --<br /> | |||
[Sound: Whistle of Covenant tank fire.]<br /> | [Sound: Whistle of Covenant tank fire.]<br /> | ||
Dr. Endesha: What's that noise?<br /> | |||
Sadie: Uh oh... Incoming!<br /> | |||
[Sound: Covenant plasma fire slams into station] | [Sound: Covenant plasma fire slams into station] | ||
}} | }} | ||
===Audio log 4, Circle 2, Arc 1=== | === Audio log 4, Circle 2, Arc 1 === | ||
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[Sound: Covenant plasma fire slams into station.]<br /> | [Sound: Covenant plasma fire slams into station.]<br /> | ||
Crowd: They blew up the train!<br /> | |||
Crowd: No! My husband was on board!<br /> | |||
Crowd: Screw you! I'm out of here!<br /> | |||
[Sound: Sirens wail as a police car pulls up to curb beside the station.]<br /> | [Sound: Sirens wail as a police car pulls up to curb beside the station.]<br /> | ||
Sadie: (moves through the crowd to street, coughs) Ow! Hey! Stop pushing!<br /> | |||
[[Kinsler]]: (from police car) Sadie? Miss Endesha, is that you?!<br /> | |||
Sadie: Commissioner Kinsler?! (to crowd) Ow! Get off of me!<br /> | |||
Kinsler: Officer [[Mike Branley|Branley]]! Control this crowd before they trample her into the sidewalk!<br /> | |||
Mike: (exiting car) Yes, sir!<br /> | |||
Mike: NMPD! Everyone, back off!<br /> | |||
Crowd: Lousy cops!<br /> | |||
Crowd: Hey! Give us your car!<br /> | |||
Mike: I said back off! [Fires pistol into the air]<br /> | |||
Mike: (to Sadie) Are you hurt?<br /> | |||
Sadie: No, I'll be alright...<br /> | |||
Crowd: Hey, why don't you help us?<br /> | |||
Crowd: Yeah, give us your car, cop!<br /> | |||
Kinsler: Branley! Get her inside!<br /> | |||
Mike: Take my hand. We gotta go.<br /> | |||
[Sound: Sadie and Mike enter the car and slam the doors.]<br /> | [Sound: Sadie and Mike enter the car and slam the doors.]<br /> | ||
Kinsler: What the devil are you doing out in the old city?<br /> | |||
Sadie: There was... something wrong with the train.<br /> | |||
Kinsler: You don't say...<br /> | |||
Kinsler: (laughs) I know all about Vergil and his overprotective urges, Sadie.<br /> | |||
[Sound: Angry crowd pounds on the car]<br /> | [Sound: Angry crowd pounds on the car]<br /> | ||
Kinsler: Branley! Drive!<br /> | |||
Mike: Yes, sir! [Honks car horn] What's our destination?<br /> | |||
Kinsler: That's a very good question...<br /> | |||
Sadie: My dad. He's at work.<br /> | |||
Kinsler: The data center below the ONI building?<br /> | |||
Kinsler: No, I don't think so. There are too many Covenant in that district.<br /> | |||
Kinsler: I'd like to take you somewhere much more... private.<br /> | |||
[Sound: Police car accelerates away from the station.] | [Sound: Police car accelerates away from the station.] | ||
}} | }} | ||
===Audio log 5, Circle 2, Arc 2=== | === Audio log 5, Circle 2, Arc 2 === | ||
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[Sound: Police car accelerates away from the station.] | [Sound: Police car accelerates away from the station.] | ||
<br /> | <br />Kinsler: Branley? The partition if you please. | ||
<br /> | <br />Mike: Yes sir... [Raises privacy partition.] | ||
<br /> | <br />Sadie: Where are we going? | ||
<br /> | <br />Kinsler: The police department has an emergency bunker outside the city limits. We'll be very safe. | ||
<br /> | <br />Sadie: That's very kind of you, Commissioner. But I can't. I'm sorry. If you would please take me to the city center -- | ||
<br /> | <br />Kinsler: Such a serious young woman. Just like your mother... 'New Mombasa's most passionate public defender.' | ||
<br /> | <br />Kinsler: Too bad her last client really was a sick, murdering bastard. | ||
<br /> | <br />Kinsler: (sliding across the seat to Sadie) She had your eyes... | ||
<br /> | <br />Sadie: (into her Chatter) Vergil, stop the car! | ||
<br /> | <br />Kinsler: As police commissioner it's my job to uphold the law. And I'm afraid this city has very strict, personal privacy statutes. | ||
<br /> | <br />Kinsler: My car is off the grid, Sadie. As far as Vergil is concerned, you just disappeared... | ||
<br />[Sound: Sadie slaps Kinsler's face.] | <br />[Sound: Sadie slaps Kinsler's face.] | ||
<br /> | <br />Kinsler: (laughs) Assaulting a police officer. That's a serious offense. | ||
<br /> | <br />Sadie: Don't come any closer! | ||
<br /> | <br />Kinsler: (laughs) Just like your mother... | ||
<br /> | <br />Sadie: (struggling) Let go of me! | ||
<br /> | <br />Kinsler: (struggling) It's the end of the world... | ||
<br /> | <br />Sadie: Vergil! Please! Somebody! | ||
<br /> | <br />Kinsler: Nobody cares what happens to one... lost... soul! | ||
<br />[Sound: Tires squeal as the car comes to an abrupt stop.] | <br />[Sound: Tires squeal as the car comes to an abrupt stop.] | ||
<br /> | <br />Kinsler: Officer! Why are we stopping? Keep going! | ||
<br />[Sound: Mike exits the car and opens Kinsler's door.] | <br />[Sound: Mike exits the car and opens Kinsler's door.] | ||
<br /> | <br />Mike: Get out. | ||
<br /> | <br />Kinsler: What?! | ||
<br /> | <br />Mike: You heard me... (grabs Kinsler) | ||
<br /> | <br />Kinsler: Let go of my coat! What do you think you're doing?! | ||
<br /> | <br />Mike: My job. | ||
<br />[Sound: Mike punches Kinsler, knocking him to the ground.] | <br />[Sound: Mike punches Kinsler, knocking him to the ground.] | ||
<br /> | <br />Sadie: I hope that hurt, you son of a bitch! | ||
<br /> | <br />Kinsler: (panting) Not as much as you're going to hurt when I -- | ||
<br />[Sound: Mike punches Kinsler again] | <br />[Sound: Mike punches Kinsler again] | ||
<br /> | <br />Mike: Commissioner, I'm taking the car. | ||
<br /> | <br />Mike: You want to get out of the city? You can walk like everyone else. (enters car, slams door) | ||
<br /> | <br />Kinsler: (spitting blood) You'll pay for this Branley! | ||
<br /> | <br />Mike: It's the end of the world... Nobody cares what happens to you. | ||
<br />[Sound: Tires squeal as the police car pulls away from Kinsler.] | <br />[Sound: Tires squeal as the police car pulls away from Kinsler.] | ||
}} | }} | ||
===Audio log 6, Circle 2, Arc 3=== | === Audio log 6, Circle 2, Arc 3=== | ||
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[Sound: Mike lowers the privacy partition.] | [Sound: Mike lowers the privacy partition.] | ||
<br /> | <br />Mike: You okay back there? | ||
<br /> | <br />Sadie: Thanks for... pulling him off of me. | ||
<br /> | <br />Mike: Kinsler had it coming. I've been his driver two weeks? Seen enough to last a lifetime... | ||
<br /> | <br />Mike: Name's Mike. Mike Branley. | ||
<br /> | <br />Sadie: Sadie Endesha. | ||
<br /> | <br />Sadie: You know, for a cop, you make a pretty good guardian angel. | ||
<br /> | <br />Mike: Ex-cop. | ||
<br /> | <br />Sadie: Yeah... Sorry about that. | ||
<br /> | <br />Mike: Ah, I was looking for a career change anyway. | ||
<br /> | <br />Sadie: How about soldier? | ||
<br />[ | <br />[Sound: Distant explosions in the city] | ||
<br /> | <br />Mike: Does seem like a growth sector... | ||
<br /> | <br />Sadie: Mike, I need to get back over the bridge, to the ONI building downtown. | ||
<br /> | <br />Mike: Well, that's a problem, because I need to keep away from Covenant plasma fire. | ||
<br /> | <br />Sadie: OK... just drop me off here. | ||
<br /> | <br />Mike: Don't be stupid! What are you going to do? | ||
<br /> | <br />Mike: Fight your way through a few million refugees just so the Covenant can kill you a little faster? | ||
<br /> | <br />Sadie: (whisper) And this is why you always bring cab fare on a first date... | ||
<br /> | <br />Mike: I'm trying to save your life! | ||
<br /> | <br />Sadie: You're trying to save your own ass! | ||
<br /> | <br />Mike: And yours! | ||
<br /> | <br />Sadie: I think I'm the only person in this car who needs to be thinking about my ass! | ||
<br /> | <br />Mike: Fine. | ||
<br /> | <br />Sadie: Fine! | ||
<br />[ | <br />[Sound: Tires squeal as the car comes to an abrupt stop.] | ||
<br /> | <br />Sadie: (opening her door) Thanks for saving me for like, three minutes! | ||
<br /> | <br />Mike: You're welcome! | ||
<br />[ | <br />[Sound: Sadie slams her door, Mike drives away.] | ||
<br /> | <br />Sadie: Well... I sure showed him. | ||
}} | }} | ||
===Audio log 7, Circle 3, Arc 1=== | ===Audio log 7, Circle 3, Arc 1=== | ||
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[Sound: Tires squeal as Mike's car pulls away from Sadie] | [Sound: Tires squeal as Mike's car pulls away from Sadie] | ||
<br /> | <br /> Sadie: Great. I'm stranded on the wrong side of the bridge in the middle of an alien invasion... | ||
<br /> | <br /> Sadie: And I just pissed-off the only person willing to help me out. | ||
<br /> | <br /> Sadie: Go me. | ||
<br /> [Sound: A goat near Sadie bleats.] | <br /> [Sound: A goat near Sadie bleats.] | ||
<br /> | <br /> Sadie: My feelings exactly... | ||
<br /> | <br /> Crowd: Move those animals! | ||
<br /> | <br /> Crowd: Step aside! Let us pass! | ||
<br /> | <br /> Crowd: Clear out the streets, we need to move! | ||
<br /> | <br /> Sadie: (into her Chatter) Dad? | ||
<br /> | <br /> Dr. Endesha: (from Chatter) Sadie! Thank God! Vergil couldn't find you anywhhere! | ||
<br /> | <br /> Sadie: Yeah, you can thank Kinsler for that. | ||
<br /> | <br /> Dr. Endesha: Police Commissioner Kinsler? What do you mean? | ||
<br /> | <br /> Sadie: I don't want to talk about it... | ||
<br /> | <br /> [[Jonas]]: Get your kebabs here! | ||
<br /> | <br /> Sadie: Oh my God! | ||
<br /> | <br /> Dr. Endesha: What? What is it, Sadie? | ||
<br /> | <br /> Sadie: The biggest man I've ever seen! | ||
<br /> | <br /> Dr. Endesha: Where are you? | ||
<br /> | <br /> Sadie: The Old Town market. A butcher is giving away his food. | ||
<br /> | <br /> Sadie: Too bad it won't keep the Covenant from glassing the city... | ||
<br /> | <br /> Dr. Endesha: They won't glass the city! | ||
<br /> | <br /> Sadie: (walking to the butcher)Hang on, dad... | ||
<br /> | <br /> Dr. Endesha: I'm in contact with an ONI officer. She thinks these Covenant are just a reconnaissance force. | ||
<br /> | <br /> Dr. Endesha: And I think they're looking for the same thing Vergil found in his seismic survey! | ||
<br /> | <br /> Sadie: Dad, I'll call you back. | ||
<br /> [Sound: Honking car horn.] | <br /> [Sound: Honking car horn.] | ||
<br /> | <br /> Angry Driver: Move you oaf! Get that table out of the road! | ||
<br /> | <br /> Jonas: Calm yourself, friend. Stop honking (laughs) and have a kebab. | ||
<br /> | <br /> Angry Driver: For the last time, move your fat ass-- | ||
<br /> [Sound: The car creaks as Jonas leans on the hood.] | <br /> [Sound: The car creaks as Jonas leans on the hood.] | ||
<br /> | <br /> Jonas: My friend, I am an eight hundred pound man with a large cleaver who kills animals every day and chops them into pieces. | ||
<br /> | <br /> Jonas: (laughs) Do you really want us to be enemies? Or would you rather a nice kebab? | ||
}} | }} | ||
===Audio log 8, Circle 3, Arc 2=== | ===Audio log 8, Circle 3, Arc 2=== | ||
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[ | [Sound: Bleating goats and hoking car horn] | ||
<br /> | <br /> Crowd: Mommy, that's too loud! | ||
<br /> | <br /> Crowd: Somebody make him stop! | ||
<br /> | <br /> Crowd: Move that car! | ||
<br /> | <br /> Angry Driver: (honks) For the last time, you blimp! Get out of the road! | ||
<br /> [ | <br /> [Sound: Jonas hefts his cleaver and smashes it into the car.] | ||
<br /> | <br /> Angry Driver: You put your cleaver through the hood of my car! | ||
<br /> | <br /> Jonas: Oh, a thousand pardons. But it was either that, or smash your windshield, pull you out... | ||
<br /> | <br /> Jonas: And make you into kebabs. | ||
<br /> | <br /> Angry Driver: What?! No! No-no! Hey wait! | ||
<br /> | <br /> Jonas: Then please. Stop honking your horn. It frightens the children. | ||
<br /> [ | <br /> [Sound: The car backs-up quickly.] | ||
<br /> | <br /> Sadie: (into her Chatter) Sorry, dad. There was sort of a... thing, here. What were you saying? | ||
<br /> | <br /> Dr. Endesha: (from Chatter) Sadie. New Mombasa is the only place on Earth the Covenant is attacking! | ||
<br /> | <br /> Sadie: What? Why? | ||
<br /> | <br /> Dr. Endesha: Vergil's survey! He detected some very unusual seismic activity all along the Great Rift. | ||
<br /> | <br /> Jonas: (to Sadie) Would you like a kebab, young lady? Chicken, mutton, beef! One free for every refugee! | ||
<br /> | <br /> Sadie: I'm not a refugee! I'm going... there! | ||
<br /> | <br /> Jonas: Across the bridge? To where the aliens are landing? | ||
<br /> | <br /> Jonas: {tut-tuts} Take two kebabs... | ||
<br /> | <br /> Dr. Endesha: Sadie, stay out of the city center! I don't want you coming anywhere near the security zone! | ||
<br /> | <br /> Sadie: Sorry, Dad. Gotta go. I'll call you back. | ||
<br /> | <br /> Dr. Endesha: Sadie -- (Chatter disconnect) | ||
<br /> | <br /> Jonas: Come my friend! Don't be shy! Free food for the journey! | ||
<br /> | <br /> Crowd: Thanks you! Asante! Asante sana! | ||
<br /> [ | <br /> [Sound: Distant explosions in the city.] | ||
<br /> | <br /> Jonas: Now, young lady... if you are headed into the war zone, you must eat! Curried lamb? Roast chicken? | ||
<br /> | <br /> Sadie: They look delicious. Really. But I'm not hungry. | ||
<br /> [ | <br /> [Sound: Another explosion nearer the market.] | ||
<br /> | <br /> Jonas: (biting into a kebab) my dear... | ||
<br /> | <br /> Jonas: The end of the world is nothing to face... (swallows) on an empty stomach. | ||
<br /> [ | <br /> [Sound: Jonas chews, burps loudly and continues to eat his kebab.] | ||
}} | }} | ||
===Audio log 9, Circle 3, Arc 3=== | ===Audio log 9, Circle 3, Arc 3=== | ||
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[Sound: Jonas ignores nearby explosions and continues to loudly chew on his kebab] | [Sound: Jonas ignores nearby explosions and continues to loudly chew on his kebab] | ||
<br /> | <br /> Sadie: Listen, what you're doing? Feeding all these hungry people? It's really a noble thing... | ||
<br /> | <br /> Sadie: But you can't stay here! The fighting is going to spread -- across the water, into the old city! | ||
<br /> Jonas: (chews and swallows) Would you be a dear and run to the wine merchant? | <br /> Jonas: (chews and swallows) Would you be a dear and run to the wine merchant? | ||
<br /> Jonas: (burps) This lamb would be perfect with a twenty-three Ida Sirah... | <br /> Jonas: (burps) This lamb would be perfect with a twenty-three Ida Sirah... | ||
<br /> | <br /> Sadie: I understand you're... too heavy to walk very far. But there are other options! | ||
<br /> Jonas: (laughs) You could carry me, perhaps? | <br /> Jonas: (laughs)You could carry me, perhaps? | ||
<br /> Sadie: (into her Chatter) Vergil, you listening? | <br /> Sadie: (into her Chatter) Vergil, you listening? | ||
<br /> Superintendent: (from Chatter) [Vergil chime] | <br /> Superintendent: (from Chatter) [Vergil chime] | ||
<br /> | <br /> Sadie: I need you to divert a city vehicle to my current location. A forklift, or maybe an [[Olifant]] -- | ||
<br /> Jonas: A garbage truck? I think I am insulted. {Vergil chime} | <br /> Jonas: A garbage truck? I think I am insulted. {Vergil chime} | ||
<br /> | <br /> Sadie: If you stay here, you'll die! | ||
<br /> | <br /> Sadie: You need to get to the train station. Or the waterfront -- it's much closer! | ||
<br /> Jonas: Look at me... | <br /> Jonas: Look at me... | ||
<br /> Jonas: Nobody will give me a place on a boat, or a bus, or a train. I would take up five seats. | <br /> Jonas: Nobody will give me a place on a boat, or a bus, or a train. I would take up five seats. | ||
<br /> Jonas: I am not worth five people... | <br /> Jonas: I am not worth five people... | ||
<br /> | <br /> Sadie: You can't just give up -- throw away your life! | ||
<br /> Jonas: And what about your life? You seem determined to go to the one place you are most likely to die. | <br /> Jonas: And what about your life? You seem determined to go to the one place you are most likely to die. | ||
<br /> | <br /> Sadie: I'm going to find my father. He needs me. Just like all your customers need you! | ||
<br /> Jonas: Very well young lady. I am convinced! I too will leave Mombasa... | <br /> Jonas: Very well young lady. I am convinced! I too will leave Mombasa... | ||
<br /> | <br /> Sadie: Good! | ||
<br /> Jonas: ...As soon as you do. | <br /> Jonas: ...As soon as you do. | ||
<br /> | <br /> Sadie: No! | ||
<br /> Jonas: First you make your father safe. Then you come back and rescue me! | <br /> Jonas: First you make your father safe. Then you come back and rescue me! | ||
<br /> Jonas: My brave warrior princess, riding her fearless fork-lift! (laughs) | <br /> Jonas: My brave warrior princess, riding her fearless fork-lift! (laughs) | ||
<br /> | <br /> Sadie: Deal. Just... don't give up. | ||
<br /> Jonas: Well if I run out of hope? (laughs) I will still have kebabs! | <br /> Jonas: Well if I run out of hope? (laughs) I will still have kebabs! | ||
<br /> [Sound: Covenant plasma fire slams into the market.] | <br /> [Sound: Covenant plasma fire slams into the market.] | ||
Line 337: | Line 333: | ||
<br /> Crowd: My shop! Everything is gone! | <br /> Crowd: My shop! Everything is gone! | ||
<br /> {Crowd: -- we've got to get out of here!} | <br /> {Crowd: -- we've got to get out of here!} | ||
<br /> | <br /> Sadie: (pushing through crowd) Excuse me! Ow! Sorry! | ||
<br /> | <br /> Sadie: (to Jonas) I'll be back soon! | ||
<br /> Jonas: Of course you will! | <br /> Jonas: Of course you will! | ||
<br /> Crowd: Wrong way, crazy girl! | <br /> Crowd: Wrong way, crazy girl! | ||
<br /> {Jonas: Chicken! -- Beef! --} | <br /> {Jonas: Chicken! -- Beef! --} | ||
<br /> | <br /> Sadie: Please, just let me through! | ||
<br /> Superintendent: (from Chatter) Caution! One way street! | <br /> Superintendent: (from Chatter) Caution! One way street! | ||
<br /> | <br /> Sadie: Stop it, Vergil! | ||
<br /> Superintendent: Warning! No U-turn allowed! | <br /> Superintendent: Warning! No U-turn allowed! | ||
<br /> | <br /> Sadie: I'll find dad. Then I'll come back. | ||
<br /> Superintendent: [Whines like a puppy.] {Vergil chime} | <br /> Superintendent: [Whines like a puppy.] {Vergil chime} | ||
<br /> | <br /> Sadie: I'm not crying... | ||
<br /> | <br /> Sadie: I'm not. | ||
}} | }} | ||
===Audio log 10, Circle 4, Arc 1=== | ===Audio log 10, Circle 4, Arc 1=== | ||
{{ | {{scroll box | ||
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[Sound: Civilians scream as fighting rages in the city.] | [Sound: Civilians scream as fighting rages in the city.] | ||
<br /> | <br /> Crowd: Oh God. Oh god! | ||
<br /> | <br /> Crowd: Out of the car. We'll go on foot! | ||
<br /> | <br /> Crowd: No! My bags! I have my whole life in there! | ||
<br /> | <br /> Crowd: I don't give a damn! Leave it! | ||
<br /> | <br /> Looter: Smash the machines! Take the money! | ||
<br /> | <br /> Looter: Get back! This one is mine! | ||
<br /> | <br /> Looter: Screw you! There's plenty for everyone! | ||
<br /> | <br /> ATM: (from speaker) Welcome to your African Trust automated teller machine! Banking with pride! | ||
<br /> | <br /> Sadie: Finally, an ATM that still works... Vergil, get dad! | ||
<br /> | <br /> ATM: Please place your right hand - (distortion) | ||
<br /> | <br /> Dr. Endesha: (from ATM) Sadie! Where are you? | ||
<br /> | <br /> Sadie: Outside one of the casinos, down by the river! I can barely hear you dad! There are looters inside smashing everything! | ||
<br /> | <br /> Dr. Endesha: Covenant troops have spread all over the city center! | ||
<br /> | <br /> Dr. Endesha: I can see them on the monitors in my lab! You've got to get as far away as you can -- | ||
<br /> | <br /> Sadie: Forget it! I'm coming to get you! End of discussion! | ||
<br /> [Sound: Smashing glass and a scream inside the casino.] | <br /> [Sound: Smashing glass and a scream inside the casino.] | ||
<br /> | <br /> Superintendent: (from ATM) Invest wisely! Open a personal savings account today! | ||
<br /> | <br /> Dr. Endesha: Listen to Vergil, Sadie! | ||
<br /> | <br /> Sadie: This looting is just the beginning, dad! | ||
<br /> | <br /> Sadie: Pretty soon we won't need the Covenant to tear us apart -- we'll do that all by ourselves! | ||
<br /> | <br /> Sadie: Vergil, you've watched me all my life, kept me safe. Now you've got to save the city! | ||
<br /> [Sound: Vergil plays a recording of a police siren over the PA.] | <br /> [Sound: Vergil plays a recording of a police siren over the PA.] | ||
<br /> | <br /> Looter: It's the cops! Run for it! | ||
<br /> { | <br /> {Looter: Damn it, we're trapped!} | ||
<br /> | <br /> Looter: Crap. Grab what you can and go! | ||
<br /> | <br /> Looter: No way I'm gettin' busted! | ||
<br /> { | <br /> {Looter: Cops? I'm out of here!} | ||
<br /> | <br /> Sadie: That-a-boy! Scare them all the way to the river! I know they can afford the ferry! | ||
<br /> | <br /> Sadie: Dad, can Vergil track the Covenant as they move? Stream positional data to the UNSC? | ||
<br /> | <br /> Dr. Endesha: Yes, I might be able to re-configure his traffic congestion cameras to isolate known Covenant vehicle profiles. | ||
<br /> | <br /> Sadie: Maybe the [[ARGUS]] sniffers can pick-up their soldiers too? | ||
<br /> | <br /> Sadie: I've only seen vids of the different Covenant species, but I bet they all stink in their own, special way. | ||
<br /> | <br /> Dr. Endesha: That's an excellent idea! Vergil, get right on it! | ||
<br /> | <br /> Superintendent: (from ATM) [Vergil chime] | ||
<br /> | <br /> Dr. Endesha: Sadie, I know I've been busy, and we don't always have time to talk. | ||
<br /> | <br /> Dr. Endesha: But sweetheart... you make me very, very proud. | ||
<br /> | <br /> Sadie: Well... I just figure if we know where the bastards are, we can at least run away better. | ||
<br /> [Sound: [[M90 Close Assault Weapon System|Shotgun]] pump.] | <br /> [Sound: [[M90 Close Assault Weapon System|Shotgun]] pump.] | ||
<br /> | <br /> [[Crone]]: That was a nice trick with the police sirens, girly. But I ain't so stupid. | ||
<br /> | <br /> Crone: Step away from that cash machine, or I'm going to blow your pretty head off! | ||
}} | }} | ||
===Audio log 11, Circle 4, Arc 2=== | ===Audio log 11, Circle 4, Arc 2=== | ||
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[Sound: Distant explosions mix with the jingle of nearby slot-machines] | [Sound: Distant explosions mix with the jingle of nearby slot-machines] | ||
<br /> | <br /> Crowd: She's got a shotgun! Look out! | ||
<br /> | <br /> Crowd: Come on, she's old! We can take her! | ||
<br /> { | <br /> {Crowd: No way!} | ||
<br /> | <br /> Crone: (shoots into the air) You think I'm deaf?! Last warning! Back away from my cash machine! | ||
<br /> | <br /> Crone: (to Sadie) You too, girly! | ||
<br /> | <br /> Dr. Endesha: (from ATM) Sadie! Get out of there! | ||
<br /> | <br /> Sadie: Look, I'm stepping back, OK? Why don't you just put down your gun and -- | ||
<br /> | <br /> Crone: (shoots into the air) Time to break the piggy bank! | ||
<br /> | <br /> Sadie: Hey! You almost hit me! | ||
<br /> [ | <br /> [Sound: The Crone smashes the ATM with her fist.] | ||
<br /> | <br /> Superintendent: (from ATM) African Trust -- | ||
<br /> | <br /> Crone: Open up! | ||
<br /> | <br /> Superintendent: Banking with pride! | ||
<br /> | <br /> Crone: Open up! | ||
<br /> [ | <br /> [Sound: As the Crone continues smashing, a [[Type-52 Troop Carrier|drop-ship]] flies toward the casino.] | ||
<br /> | <br /> Sadie: Everyone! Listen! That's a Covenant drop-ship! | ||
<br /> | <br /> Looter: Covies! Let's get out of here! | ||
<br /> Looter: Leave the money! Run! Run! | |||
<br /> | <br /> Crone: {Shotgun pump} Forty years I've been coming to this place. Forty years of losing my hard-earned cash... | ||
<br /> | <br /> Crone: Well, today I hit the jackpot! You hear me, you damn machine? I... want... my... money! | ||
<br /> | <br /> [Sound: Crone shoots the ATM.] | ||
<br /> [ | <br /> Superintendent: [Vergil chime] Incorrect password. Please remove your card. | ||
<br /> | <br /> Sadie: Vergil, give her the money! Then we've got to find some cover! | ||
<br /> | <br /> [Sound: Money whirs out the ATM.] | ||
<br /> [ | <br /> Crone: (laughs) Out of my way, you little slut! | ||
<br /> | <br /> {[Sound: Covenant drop-ship flies closer.]} | ||
<br /> {[ | <br /> {Crone: Yes! Mine! All mine!} | ||
<br /> { | <br /> Sadie: (running) Gotta find a place to hide... There! Dumpster! Across the street! | ||
<br /> | <br /> [Sound: [[Jiralhanae|Brutes]] exit the drop-ship and walk to the ATM.] | ||
<br /> [ | <br /> Sadie: (whisper) Brutes! Look how big they are! | ||
<br /> | <br /> Crone: Jackpot! I win! I win! | ||
<br /> | <br /> Sadie: (whisper) Move! They're right on top of you! | ||
<br /> | <br /> Brute: [Angry roar] | ||
<br /> | <br /> Sadie: Oh my God! It just tore the ATM off the casino wall! | ||
<br /> | <br /> {Crone: It's mine, damn you! It's my pay day!} | ||
<br /> { | <br /> [Sound: The Brute slams the ATM onto the Crone.] | ||
<br /> [ | <br /> Crone: {[}gurgling scream{]} | ||
<br /> | <br /> Superintendent: (from Chatter) Transaction complete! Please come again! | ||
<br /> | <br /> {Superintendent: [Vergil chime]} | ||
<br /> | |||
}} | }} | ||
===Audio log 12, Circle 4, Arc 3=== | ===Audio log 12, Circle 4, Arc 3=== | ||
{{ | {{scroll box | ||
|content = [Sound: Slot-machines jingle inside the casino.] | |content = [Sound: Slot-machines jingle inside the casino.] | ||
<br /> | <br /> Crone: (dying) Jackpot... jackpot... | ||
<br /> | <br /> Sadie: (whisper) Oh my God! She's crushed under the ATM! | ||
<br /> | <br /> Brute: [Angry growl.] | ||
<br /> | <br /> Sadie: (whisper) Please don't look behind this dumpser, you big dumb Brutes. Please, please, please... | ||
<br /> | <br /> Brute: [Angry roar.] | ||
<br /> | <br /> Crone: Alien son of a bitch! Think I'd share any of this with you -- | ||
<br /> [ | <br /> [Sound: A Brute shoots the Crone then they all march down the street] | ||
<br /> | <br /> Sadie: That's it...keep walking. Nothing more to see here... | ||
<br /> | <br /> Dr. Endesha: (from Chatter) Sadie! Are you alright?! | ||
<br /> [Sound: The Brutes turn and shoot Sadie's dumpster.] | <br /> [Sound: The Brutes turn and shoot Sadie's dumpster.] | ||
<br /> | <br /> Sadie: I was! | ||
<br /> [Sound: The Brutes fire at Sadie as she runs for cover.] | <br /> [Sound: The Brutes fire at Sadie as she runs for cover.] | ||
<br /> | <br /> Dr. Endesha: I'm sorry! Run! Run! | ||
<br /> [Sound: Suddenly, a car races down the street, smashes the Brutes, and then plows into the casino.] | <br /> [Sound: Suddenly, a car races down the street, smashes the Brutes, and then plows into the casino.] | ||
<br /> | <br /> Brutes: [Dying growls] | ||
<br /> | <br /> Sadie: Vergil?! A car just came out of nowhere -- smashed all the Brutes! Was that you? | ||
<br /> [Sound: The car door opens with a groan.] | <br /> [Sound: The car door opens with a groan.] | ||
<br /> | <br /> Mike: (exiting the car) My head... I thought air-bags were supposed to stop you from getting hurt... | ||
<br /> | <br /> Sadie: Mike! You came back! | ||
<br /> | <br /> Dr. Endesha: Who's "Mike"? Sadie, what's going on?! | ||
<br /> | <br /> Sadie: Hang on, dad... | ||
<br /> | <br /> Sadie: (to Mike) Let me help you out of there. | ||
<br /> | <br /> Mike: (groans) I'm OK... Seriously. | ||
<br /> | <br /> Sadie: That whole macho tough-guy thing? It's really never worked for me. | ||
<br /> | <br /> Sadie: Give me your hand... | ||
<br /> | <br /> Mike: Uhn... Be gentle | ||
<br /> | <br /> Mike: Take me around front. Let me see what I hit... | ||
<br /> | <br /> Mike: Brutes huh? | ||
<br /> | <br /> Mike: Well that's never coming out of the grille. | ||
}} | }} | ||
===Audio log 13, Circle 5, Arc 1=== | ===Audio log 13, Circle 5, Arc 1=== | ||
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[Sound: Jingle of slot-machines, groaning car metal.] | [Sound: Jingle of slot-machines, groaning car metal.] | ||
<br /> | <br /> Dr. Endesha: Sadie, thank the gentleman. | ||
<br /> | <br /> Sadie: (whisper) Great etiquette tip, Dad! Let me get back to you... [Chatter disconnect] | ||
<br /> | <br /> Sadie: My father says I should thank you for saving my life. | ||
<br /> | <br /> Mike: Couldn't save the car, though. I think there's something stuck in the... Oh. | ||
<br /> | <br /> Sadie: That's a... Eww. | ||
<br /> | <br /> Mike: Paw... Yeah. I can see that. | ||
<br /> | <br /> Sadie: Mike. Seriously. Thanks. | ||
<br /> | <br /> Mike: Hey, I didn't want to be the guy who leaves the damsel in distress. | ||
<br /> | <br /> Sadie: Plus all the lights turned red when you tried to drive away. | ||
<br /> | <br /> Mike: How did you...? | ||
<br /> | <br /> Sadie: Vergil. | ||
<br /> | <br /> Mike: Who's that? Your... boyfriend? | ||
<br /> | <br /> Sadie: (laughs) Not quite. You know the Superintendent? | ||
<br /> | <br /> Mike: Sure. The AI that runs the city. Picks up the garbage, monitors the traffic. It helped me trace a license-plate last week. | ||
<br /> | <br /> Sadie: Well... Vergil is part of the Superintendent -- a sub-routine my Dad wrote to look after me when I was a kid. | ||
<br /> | <br /> Mike: Look after you? | ||
<br /> | <br /> Sadie: After my mom died, it was just Dad and me. He did his best. But his job... | ||
<br /> | <br /> Sadie: When Dad couldn't be there, Vergil was. | ||
<br /> | <br /> Sadie: He helped me get to school on time, made sure I bought a healthy lunch and didn't watch too much TV -- that sort of thing. | ||
<br /> | <br /> Mike: Must have been annoying. | ||
<br /> | <br /> Superintendent: (from Chatter) Your tax dollars at work! | ||
<br /> | <br /> Sadie: It still is... | ||
<br /> | <br /> Sadie: Mike. Why are you helping me? | ||
<br /> | <br /> Mike: I'm a cop. "Service to All", right? | ||
<br /> | <br /> Sadie: Uh-huh. | ||
<br /> | <br /> Mike: Look, the city's under attack... A lot of people need help. | ||
<br /> | <br /> Mike: Well... I can die a hero or die a coward but -- | ||
<br /> | <br /> Sadie: Got any choices that don't involve dying? | ||
<br /> [Sound: Distant explosions in the city center.] | <br /> [Sound: Distant explosions in the city center.] | ||
<br /> | <br /> Mike: Not if you want to go back over that bridge. | ||
}} | }} | ||
===Audio log 14, Circle 5, Arc 2=== | ===Audio log 14, Circle 5, Arc 2=== | ||
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[ | [Sound: Honking car horns and panicked screams.] | ||
<br /> | <br /> Crowd: Hold my hand, son! Don't look down! | ||
<br /> | <br /> Crowd: Is it true? They've shut down the tether!? | ||
<br /> | <br /> Crowd: Officer? Where should we go when we're off the bridge? | ||
<br /> | <br /> Cop: Just keep walking! Get out of the city! | ||
<br /> | <br /> Cop: Everyone try and stay calm! Marines will be here soon! | ||
<br /> | <br /> Propaganda: (from PA) Citizens! Your neighbors are resisting! | ||
<br /> | <br /> Propaganda: A popular uprising is inflicting heavy casualties on the invaders! We will prevail! | ||
<br /> | <br /> Mike: How are we going to get across this bridge? It's packed! | ||
<br /> | <br /> Sadie: Good manners and pointy elbows! | ||
<br /> | <br /> Mike: (whispers) Jeez, Branley. The things you do for a kiss... | ||
<br /> | <br /> Sadie: What? | ||
<br /> | <br /> Mike: I said, I won't let you down, miss! | ||
<br /> | <br /> Sadie: Right! | ||
<br /> | <br /> Crowd: Ow! Wrong way, girl! | ||
<br /> | <br /> Crowd: Hey! Watch where you're stepping! | ||
<br /> | <br /> Sadie: (pushing through crowd) Excuse us! Sorry! | ||
<br /> | <br /> Mike: Hey, step aside! Police business! | ||
<br /> | <br /> Sadie: It's an emergency! Let us through! | ||
<br /> { | <br /> {Mike: Coming through. Look out!} | ||
<br /> | <br /> Mike: Step aside people | ||
<br /> | <br /> Sadie: You know, if the panicked mobs would just stay in nice, neat lines we'd -- Oof! Watch it! -- get across this bridge a lot faster! | ||
<br /> | <br /> Mike: Do you hear that? | ||
<br /> | <br /> Sadie: What, the water? Don't tell me you're afraid of heights! | ||
<br /> | <br /> Mike: [[D77H-TCI Pelican Dropship|Pelican]] drop-ship. Hard to see through all the smoke. But it's heading our way. | ||
<br /> | <br /> Sadie: (into Chatter) Vergil? Got eyes in the sky? | ||
<br /> [ | <br /> [Sound: (from Chatter) Vergil chime, followed by tapping and barking.] | ||
<br /> | <br /> Sadie: Not good. Cane tapping. Seeing-eye dog. Means Vergil can't see it... | ||
<br /> | <br /> Mike: And who do we know who likes to travel off the grid? | ||
<br /> | <br /> Crowd: That's a police drop-ship! We're saved! | ||
<br /> | <br /> Crowd: We can't all fit on that! | ||
<br /> | <br /> Crowd: Says you! I'm getting on first! | ||
<br /> [ | <br /> [Sound: A Pelican drop-ship settles on the bridge and opens its troop-bay door] | ||
<br /> | <br /> Mike: Aw, crap... | ||
<br /> | <br /> Kinsler: Hello Sadie... Remember me? | ||
}} | }} | ||
===Audio log 15, Circle 5, Arc 3=== | ===Audio log 15, Circle 5, Arc 3=== | ||
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[Sound: Kinsler's Pelican drop-ship settles on the bridge.] | [Sound: Kinsler's Pelican drop-ship settles on the bridge.] | ||
<br /> Crowd: The commissioner! We're saved! He has a drop-ship! | <br /> Crowd: The commissioner! We're saved! He has a drop-ship! | ||
<br /> Crowd: Yeah, and a | <br /> Crowd: Yeah, and a sub-machine gun! | ||
<br /> Crowd: Why's he pointing it at that girl? | <br /> Crowd: Why's he pointing it at that girl? | ||
<br /> Crowd: Not our problem! Keep moving! | <br /> Crowd: Not our problem! Keep moving! | ||
Line 585: | Line 579: | ||
<br /> Kinsler: Sadie. You're such a bright, beautiful girl. You have no idea how much it pains me when you act so incredibly stupid. | <br /> Kinsler: Sadie. You're such a bright, beautiful girl. You have no idea how much it pains me when you act so incredibly stupid. | ||
<br /> [Sound: Rattle of approaching treads.] | <br /> [Sound: Rattle of approaching treads.] | ||
<br /> Kinsler: I have. The gun. | <br /> {Kinsler:} I have. The gun. | ||
<br /> Sadie: Yes... But I have the garbage truck. | <br /> Sadie: Yes... But I have the garbage truck. | ||
<br /> [Sound: Metallic crunch as an Olifant smashes into the Pelican.] | <br /> [Sound: Metallic crunch as an Olifant smashes into the Pelican.] | ||
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===Audio log 16, Circle 6, Arc 1=== | ===Audio log 16, Circle 6, Arc 1=== | ||
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[Sound: Olifant engine and clanking treads.] | [Sound: Olifant engine and clanking treads.] | ||
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===Audio log 17, Circle 6, Arc 2=== | ===Audio log 17, Circle 6, Arc 2=== | ||
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[Sound: Explosions rock the Olifant on its treads.] | [Sound: Explosions rock the Olifant on its treads.] | ||
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<br /> Sadie: Dad, I just met my first Brutes. They didn't seem too helpful. | <br /> Sadie: Dad, I just met my first Brutes. They didn't seem too helpful. | ||
<br /> Dr. Endesha: No. The ones in the data-center weren't Brutes -- or any of the Covenant I've heard about. | <br /> Dr. Endesha: No. The ones in the data-center weren't Brutes -- or any of the Covenant I've heard about. | ||
<br /> Dr. Endesha: It's a whole | <br /> Dr. Endesha: It's a whole new species, Sadie, and they're actually quite... beautiful. | ||
<br /> Dr. Endesha: They have some sort of automatic defense system, but as long as you don't get too close... | <br /> Dr. Endesha: They have some sort of automatic defense system, but as long as you don't get too close... | ||
<br /> Tom: You know -- and I'm just thinking out loud here -- maybe this whole invasion is just one, big, misunderstanding! | <br /> Tom: You know -- and I'm just thinking out loud here -- maybe this whole invasion is just one, big, misunderstanding! | ||
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<br /> Dr. Endesha: It's dark in the station. Switching the cameras to thermal... | <br /> Dr. Endesha: It's dark in the station. Switching the cameras to thermal... | ||
<br /> Dr. Endesha: Strange... There aren't any Brutes around. Usually they never leave them alone. | <br /> Dr. Endesha: Strange... There aren't any Brutes around. Usually they never leave them alone. | ||
<br /> Dr. Endesha: Alright, I see six of the new aliens, floating in a circle. They're surrounding a | <br /> Dr. Endesha: Alright, I see six of the new aliens, floating in a circle. They're surrounding a seventh, touching it with their tentacles... | ||
<br /> Dr. Endesha: Amazing! You wouldn't believe how fast they can move their limbs! | <br /> Dr. Endesha: Amazing! You wouldn't believe how fast they can move their limbs! | ||
<br /> Dr. Endesha: They're working... Doing something to the explosives in the seventh alien's armor -- | <br /> Dr. Endesha: They're working... Doing something to the explosives in the seventh alien's armor -- | ||
Line 660: | Line 654: | ||
===Audio log 18, Circle 6, Arc 3=== | ===Audio log 18, Circle 6, Arc 3=== | ||
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[Sound: Series of loud explosions.] | [Sound: Series of loud explosions.] | ||
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===Audio log 19, Circle 7, Arc 1=== | ===Audio log 19, Circle 7, Arc 1=== | ||
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[Sound: The Olifant burns in the background.] | [Sound: The Olifant burns in the background.] | ||
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===Audio log 20, Circle 7, Arc 2=== | ===Audio log 20, Circle 7, Arc 2=== | ||
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[Sound: Rain and distant thunder.] | [Sound: Rain and distant thunder.] | ||
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<br /> Sadie: Are those cops? | <br /> Sadie: Are those cops? | ||
<br /> Mike: All dead. Probably a Brute kill-squad. | <br /> Mike: All dead. Probably a Brute kill-squad. | ||
<br /> [[Marshall Glick|Marshall]]: Howdy, folks. | <br /> [[Marshall Glick | Marshall]]: Howdy, folks. | ||
<br /> Sadie: ...Or not. | <br /> Sadie: ...Or not. | ||
<br /> Marshall: Sorry about the mess. Since it appears we're all going straight to hell today... | <br /> Marshall: Sorry about the mess. Since it appears we're all going straight to hell today... | ||
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===Audio log 21, Circle 7, Arc 3=== | ===Audio log 21, Circle 7, Arc 3=== | ||
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[Sound: Marshall reloads his rifle.] | [Sound: Marshall reloads his rifle.] | ||
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===Audio log 22, Circle 8, Arc 1=== | ===Audio log 22, Circle 8, Arc 1=== | ||
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[Sound: Sadie and Mike run up the stairwell.] | [Sound: Sadie and Mike run up the stairwell.] | ||
<br /> | <br /> Mike: Emergency Comms. Fourteenth floor. Should have taken the elevator... | ||
<br /> | <br /> Sadie: After what just happened? I don't think so. | ||
<br /> | <br /> Mike: So... what exactly are you going to say to make them re-initialize Vergil? | ||
<br /> | <br /> Sadie: I'll think of something. | ||
<br /> | <br /> Mike: 'Hi! I'm cute! Break the law for me!' | ||
<br /> | <br /> Sadie: That's not funny! | ||
<br /> | <br /> Mike: I'm just saying... It worked on me. | ||
<br /> [Sound: Police communications officers type and answer phones.] | <br /> [Sound: Police communications officers type and answer phones.] | ||
<br /> | <br /> Comm Cop: Still no Covenant activity outside the city limits! | ||
<br /> | <br /> Comm Cop: I need a medivac! Nyali bridge! | ||
<br /> | <br /> Comm Cop: I've got three more evac points at 200% capacity! | ||
<br /> | <br /> Comm Cop: Somebody answer that damn {p}hone! | ||
<br /> | <br /> Mike: Where's the duty officer? | ||
<br /> | <br /> Comm Cop: Big desk. At the back. | ||
<br /> | <br /> Mike: Thanks. | ||
<br /> | <br /> {Comm Cop: Any of the ferries still running?} | ||
<br /> | <br /> Comm Cop: No way we can get everyone out! | ||
<br /> | <br /> Comm Cop: Reports of another riot starting down at Kikowani! | ||
<br /> | <br /> {Comm Cop: Well you'll just have to go down there yourself.} | ||
<br /> | <br /> Comm Cop: I need someone else to man these comm lines! | ||
<br /> | <br /> Duty Officer: (talking into chatter) As I've been trying to tell you, Captain, I don't have the authority to override -- | ||
<br /> | <br /> Duty Officer: What do you mean 'gross misconduct?' Captain Dare, I assure you. People are dying down here! | ||
<br /> | <br /> Sadie: Excuse me... | ||
<br /> | <br /> Duty Officer: Yes, of course I could turn the Superintendent back on. But Commissioner Kinsler gave me explicit instructions -- | ||
<br /> | <br /> Sadie: You're busy, so I'm just going to borrow this stapler... | ||
<br /> | <br /> Duty Officer: Listen, Captain, there's a Covenant carrier hovering right outside my window! | ||
<br /> | <br /> Duty Officer: There's a sniper in my lobby, and you're threatening to have me fired? [Slams chatter onto desk.] | ||
<br /> | <br /> Duty Officer: Office of Naval Intelligence. Now there's a contradiction in terms... | ||
<br /> | <br /> Duty Officer: [Sees Sadie and groans.] What do you want? | ||
<br /> | <br /> Sadie: I need you to turn Ver -- the Superintendent back on. | ||
<br /> | <br /> Duty Officer: Not you too! I'm telling all of you, the Commissioner -- | ||
<br /> | <br /> Sadie: I know. But I'm making you do it! At gunpoint! | ||
<br /> | <br /> Duty Officer: What gun? | ||
<br /> | <br /> Sadie: This one! | ||
<br /> | <br /> Duty Officer: You're holding my stapler inside your pocket and pointing it at me. | ||
<br /> | <br /> Sadie: You don't know that. | ||
<br /> | <br /> Mike: It might be a gun. | ||
<br /> | <br /> Sadie: Or a rifle! | ||
<br /> | <br /> Mike: Or a rocket launcher! | ||
<br /> | <br /> Sadie: And if it was, why, you would have to turn the Superintendent back on. | ||
<br /> | <br /> Mike: Nobody could blame you. | ||
<br /> | <br /> Sadie: Or fire you... | ||
<br /> | <br /> Duty Officer: ...If it was a gun. | ||
<br /> | <br /> Duty Officer: Oh, no... Please don't shoot. I'll do... anything! | ||
<br /> {Sound: Duty Officer typing.} | <br /> {Sound: Duty Officer typing.} | ||
<br /> | <br /> Superintendent: [Loud Engineer whistle] Sadie! Sadie! Sadie! Sadie! | ||
<br /> | <br /> Sadie: It's OK, Vergil! I'm here! | ||
<br /> | <br /> Mike: He sounds... different. | ||
<br /> | <br /> Sadie: Vergil?! What have those aliens done to you?! | ||
<br /> [Sound: Loud Engineer whistle.] | <br /> [Sound: Loud Engineer whistle.] | ||
}} | }} | ||
| |||
===Audio log 23, Circle 8, Arc 2=== | ===Audio log 23, Circle 8, Arc 2=== | ||
{{ | {{scroll box | ||
|content = [Sound: Loud Engineer whistle.] | |content = [Sound: Loud Engineer whistle.] | ||
<br /> | <br /> Comm Cop: You hear that crazy noise?! | ||
<br /> | <br /> Comm Cop: No clue. Must be a corrupted signal! | ||
<br /> {[Sound: Telephones ringing.]} | <br /> {[Sound: Telephones ringing.]} | ||
<br /> | <br /> Comm Cop: Lost the connection with UNSC orbital command! | ||
<br /> | <br /> Mike: Sadie, what's going on?! | ||
<br /> | <br /> Sadie: I don't know! Those aliens have been working on Vergil, and now that he's back on he sounds... | ||
<br /> | <br /> Mike: ...Different. | ||
<br /> | <br /> Sadie: Vergil? It's still you, isn't it? | ||
<br /> | <br /> Superintendent: [Barks like a dog] | ||
<br /> | <br /> Sadie: Can you get Dad for me? | ||
<br /> | <br /> Superintendent: [Frightened Engineer whistle] | ||
<br /> | <br /> Sadie: Vergil can't reach him! Something's wrong... | ||
<br /> | <br /> Propaganda: (from PA) Reports are coming in from all over the city! Covenant forces are pulling back in the face of furious resistance! | ||
<br /> | <br /> Mike: Man, I have had it with his crap! | ||
<br /> | <br /> Propaganda: Our enemies are cowards! Battle on, brave citizens, and victory will be ours! | ||
<br /> | <br /> Mike: Hang on... That's coming from inside the building! | ||
<br /> | <br /> Sadie: Mike? Wait! Where are you going? | ||
<br /> | <br /> Propaganda: This hour we pay tribute to our fallen heroes: Jim Odingo, Roberto Bustamante, and Marshall Glick... | ||
<br /> | <br /> Mike: This is his office. Public Service Announcements Division... | ||
<br /> | <br /> Propaganda: These officers were gunned-down in the very lobby of this building by Covenant snipers. | ||
<br /> | <br /> Propaganda: But moments ago members of our citizen militia wiped-out the sniper nest with a homemade flamethrower... | ||
<br /> | <br /> Propaganda: Made from nothing more than and old leaf-blower and a can of gasoline! Keep fighting, Mombasa! Fight and we will win! | ||
<br /> [Sound: Stephen turns-off his microphone.] | <br /> [Sound: Stephen turns-off his microphone.] | ||
<br /> | <br /> [[Stephen | Stephen]]: Off the air... | ||
<br /> | <br /> Mike: Covenant Sniper nest? Those people were massacred by a crazy ex-cop. Hell, one of those people was the crazy ex-cop! | ||
<br /> | <br /> Stephen: And your point is? | ||
<br /> | <br /> Mike: People are dying out there and you're feeding them this...this garbage! None of it is true! | ||
<br /> | <br /> Stephen: Yeah, well... [Stubs cigarette.] | ||
<br /> | <br /> Stephen: Some days, truth isn't really a luxury we can afford. | ||
}} | }} | ||
===Audio log 24, Circle 8, Arc 3=== | ===Audio log 24, Circle 8, Arc 3=== | ||
{{ | {{scroll box | ||
|content = Sadie: Come on, Mike... He's a | |content = Sadie: Come on, Mike... He's a propaganda officer. He's just doing his job. | ||
<br /> Mike: His job?! More like lying to people for a living! | <br /> Mike: His job?! More like lying to people for a living! | ||
<br /> Stephen: Do you know who is still listening to my announcements? An old woman, too weak to leave her bed... | <br /> Stephen: Do you know who is still listening to my announcements? An old woman, too weak to leave her bed... | ||
Line 954: | Line 950: | ||
===Audio log 25, Circle 9, Arc 1=== | ===Audio log 25, Circle 9, Arc 1=== | ||
{{ | {{scroll box | ||
|content= | |content= | ||
[Sound: Sadie and Mike run down a broken escalator.] | [Sound: Sadie and Mike run down a broken escalator.] | ||
Line 974: | Line 970: | ||
===Audio log 26, Circle 9, Arc 2=== | ===Audio log 26, Circle 9, Arc 2=== | ||
{{ | {{scroll box | ||
|content = [Sound: Frightened civilians crowd the station.] | |content = [Sound: Frightened civilians crowd the station.] | ||
<br /> Crowd: Out of the way, I'm getting on that train! | <br /> Crowd: Out of the way, I'm getting on that train! | ||
Line 1,018: | Line 1,014: | ||
===Audio log 27, Circle 9, Arc 3=== | ===Audio log 27, Circle 9, Arc 3=== | ||
{{ | {{scroll box | ||
|content= | |content= | ||
[Sound: Covenant plasma fire slams into station, crowd panics.] | [Sound: Covenant plasma fire slams into station, crowd panics.] | ||
Line 1,067: | Line 1,063: | ||
===Audio log 28, Circle 9, Arc 4=== | ===Audio log 28, Circle 9, Arc 4=== | ||
{{ | {{scroll box | ||
|content= | |content= | ||
[Sound: Corrupt cops fire into the crowd.] | [Sound: Corrupt cops fire into the crowd.] | ||
Line 1,082: | Line 1,078: | ||
<br /> Corrupt Cop #1: The tunnels are crawling with Buggers, Commissioner. We've lost a lot of men. Maybe we should -- | <br /> Corrupt Cop #1: The tunnels are crawling with Buggers, Commissioner. We've lost a lot of men. Maybe we should -- | ||
<br /> Kinsler: No one leaves until I get that alien! Do you hear me, officer? | <br /> Kinsler: No one leaves until I get that alien! Do you hear me, officer? | ||
<br /> Kinsler: It found a way to hack a | <br /> Kinsler: It found a way to hack a Superintendent-class A.I.! Knowing how it did that is vital to the war effort! | ||
<br /> Sadie: Like you ever cared about anyone besides yourself! | <br /> Sadie: Like you ever cared about anyone besides yourself! | ||
<br /> Kinsler: Just because I'm a murderer, doesn't mean I'm unpatriotic. | <br /> Kinsler: Just because I'm a murderer, doesn't mean I'm unpatriotic. | ||
Line 1,096: | Line 1,092: | ||
===Audio log 29, Circle 9, Arc 5=== | ===Audio log 29, Circle 9, Arc 5=== | ||
{{ | {{scroll box | ||
|content= | |content= | ||
[Sound: Corrupt cops fire into the crowd.] | [Sound: Corrupt cops fire into the crowd.] | ||
Line 1,140: | Line 1,136: | ||
===Audio log 30, Circle 9, Arc 6=== | ===Audio log 30, Circle 9, Arc 6=== | ||
{{ | {{scroll box | ||
|content= | |content= | ||
[Sound: Crowd climbs onto the train.] | [Sound: Crowd climbs onto the train.] | ||
Line 1,190: | Line 1,186: | ||
}} | }} | ||
== Trivia == | |||
The audio logs have some references to [[Dante Alighieri |Dante's]] [[Inferno]]. | |||
*There are 9 Circles of audio logs, correlating with the 9 circles of hell in the poem. | |||
==Trivia | |||
The audio logs have | |||
*There are | |||
** Circle 1: Limbo | ** Circle 1: Limbo | ||
***This is the start of the story. Everyone around Sadie feels safe on Earth until the Covenant come, then they realize they are in hell (which Sadie states). | *** This is the start of the story. Everyone around Sadie feels safe on Earth until the Covenant come, then they realize they are in hell (which Sadie states). | ||
**Circle 2: Lust | ** Circle 2: Lust | ||
***Kinsler is overcome with lust, even though the world is about to be destroyed around him. | *** Kinsler is overcome with lust, even though the world is about to be destroyed around him. | ||
**Circle 3: Gluttony | ** Circle 3: Gluttony | ||
***This circle contains Jonas, who is a very large butcher handing out food. | *** This circle contains Jonas, who is a very large butcher handing out food. | ||
**Circle 4: | ** Circle 4: Avarice (theft) | ||
***This circle is centered around the casino district, where many people | *** This circle is centered around the casino district, where many people are looting the casinos. | ||
**Circle 5: | ** Circle 5: Wrath and Sloth | ||
***Sadie and Mike attempt to cross the bridge back towards the ONI building, only to be stopped by Kinsler (fallen angel guarding the gates.) An Olifant sent by Vergil (heaven sent | *** Sadie and Mike attempt to cross the bridge back towards the ONI building, only to be stopped by Kinsler (fallen angel guarding the gates.) An Olifant sent by Vergil (heaven sent angel) let's them pass safely. | ||
**Circle 6: Heresy | ** Circle 6: Heresy | ||
***This circle is centered around Vergil the Huragok, who goes against the Covenant's faith and helps the humans. This is also where Tom | *** This circle is centered around Vergil the Huragok, who goes against the Covenant's faith and helps the humans. This is also where Tom the salesman reveals Sadie's position. | ||
**Circle 7: Violence | ** Circle 7: Violence | ||
*** This circle is centered around a deranged officer who kills people inside | *** This circle is centered around a deranged officer who kills people inside the police station. He is eventually killed by a SWAT team. | ||
**Circle 8: Fraud | ** Circle 8: Fraud | ||
***There are numerous fraud allusions, including Sadie faking she has a gun to have Vergil turned back on, and the Public Service Announcer who lies to give hope. | *** There are numerous fraud allusions, including Sadie faking she has a gun to have Vergil turned back on, and the Public Service Announcer who lies to give hope. | ||
**Circle 9: | ** Circle 9: Treason | ||
***Kinsler returns for the third time, tricking Sadie | *** Kinsler returns for the third time, tricking Sadie in joining him by threatening her father. Even though she agrees to go with him, Kinsler kills her father. This also shows the killing of civilians by the police, who swore to protect them. | ||
*The thirtieth audio log is found in Dr. Endesha's office on the 9th sub-level of Data Hive. The frozen area where you find the 30th audio log may be a reference to Cocytus, the 9th level of hell | *The thirtieth audio log is found in Dr. Endesha's office on the 9th sub-level of Data Hive. The frozen area where you find the 30th audio log may be a reference to Cocytus, the 9th level of hell. | ||
*Vergil correlates to Virgil, who led Dante through the Nine Levels of Hell, just as Vergil leads Sadie, and then the [[ | *Vergil correlates to Virgil, who led Dante through the Nine Levels of Hell, just as Vergil leads Sadie, and then the [[Rookie]], through New Mombasa. | ||
*Around New Mombasa, when there are civilian | *Around New Mombasa, when there are civilian and police cars with their alarms/sirens blaring, street signs telling you to go somewhere, street blockers lifting or going down, this signals that there is an Audio Log nearby. Once the Audio Log is found, the alarm/siren, signs, and street blockers will stop and go back to normal. | ||
*The thirtieth Audio Log can be collected an infinite number of times, because the police officer will always continue into that room, even if you've already collected all of the audio logs before, on the same profile, with the same saved data. ''Note: This will not apply if you have not collected | *The thirtieth Audio Log can be collected an infinite number of times, because the police officer will always continue into that room, even if you've already collected all of the audio logs before, on the same profile, with the same saved data. ''Note:'' This will not apply if you have not collected the 29 Audio Logs in the level [[Mombasa Streets (Level)|Mombasa Streets]]. | ||
*The task of collecting these audio logs marks the similarity | *The task of collecting these audio logs marks the similarity of finding the [[Terminal]] from [[Halo 3]] which also tells a story. | ||
== | ==Links== | ||
===Internal=== | |||
*[[Sadie's Story]] | *[[Sadie's Story]] | ||
*[[Axons]] | *[[Axons]] | ||
== External | ===External=== | ||
*[http://www.gamesradar.com/f/halo-3-odst-audio-log-guide/a-2009092293928283086 GamesRadar's Audio Logs/Sadie's Story Walkthrough] | *[http://www.gamesradar.com/f/halo-3-odst-audio-log-guide/a-2009092293928283086 GamesRadar's Audio Logs/Sadie's Story Walkthrough] | ||
*[http://www.msxbox-world.com/features/Halo-3-ODST/ An overview map of New Mombasa and locations of Audio Logs] | |||
*[http://achievementhunter.com/games/halo3odst/guide An overview map of all the audio logs with in-depth videos and locations provided by Achievement Hunter from RoosterTeeth] | *[http://achievementhunter.com/games/halo3odst/guide An overview map of all the audio logs with in-depth videos and locations provided by Achievement Hunter from RoosterTeeth] | ||
*[http://nextgenwalkthroughs.com/Halo_3_ODST_Audio_Log_Locations Overiew map of New Mombasa and Audio Logs provided by NextgenWalkthroughs] | *[http://nextgenwalkthroughs.com/Halo_3_ODST_Audio_Log_Locations Overiew map of New Mombasa and Audio Logs provided by NextgenWalkthroughs] | ||
*[http://www.youtube.com/view_play_list?p=8D1670400049457B Audio Log Recordings by R3b3L iNk] | *[http://www.youtube.com/view_play_list?p=8D1670400049457B Audio Log Recordings by R3b3L iNk] | ||
[[Category:Halo 3: ODST]] | [[Category:Halo 3: ODST]] | ||
[[Category: | [[Category:UNSC History]] |